Vertical and Horizontal Dialogue in the Fifteenth-century Spanish Cancionero PDF Download
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Author: Marilyn Jean Sconza Carpenter
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
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Book Description
Author: Marilyn Jean Sconza Carpenter
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
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Book Description
Author:
Publisher:
ISBN:
Category : Spanish language
Languages : en
Pages : 384
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Book Description
"Spanish medieval language and literature newsletter." (varies).
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 478
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Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 860
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Book Description
Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 1120
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Book Description
Author: Andrew M. Beresford
Publisher:
ISBN:
Category : Civilization, Medieval
Languages : es
Pages : 408
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Book Description
Author:
Publisher:
ISBN:
Category : Humanism
Languages : es
Pages : 196
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Book Description
Author: Ana M. Gómez-Bravo
Publisher: University of Toronto Press
ISBN: 1442647205
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Gómez-Bravo also explores how authorial and textual agency were competing forces in the midst of an era marked by the institution of the Inquisition, the advent of the absolutist state, the growth of cities, and the constitution of the Spanish nation.
Author: Jane D. Hatter
Publisher: Cambridge University Press
ISBN: 1108628834
Category : Music
Languages : en
Pages :
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Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Author: E Michael Gerli
Publisher: Franklin Classics
ISBN: 9780343256319
Category :
Languages : en
Pages : 314
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
