Author: Sarah Salih
Publisher: Boydell & Brewer
ISBN: 0859916227
Category : History
Languages : en
Pages : 290
Book Description
Medieval virginity theory explored through study of martyrs, nuns and Margery Kempe. This study looks at the question of what it meant to be a virgin in the Middle Ages, and the forms which female virginity took. It begins with the assumptions that there is more to virginity than sexual inexperience, and that virginity may be considered as a gendered identity, a role which is performed rather than biologically determined. The author explores versions of virginity as they appear in medieval saints' lives, in the institutional chastity of nuns, and as shown in the book of Margery Kempe, showing how it can be active, contested, vulnerable but also recoverable. SARAH SALIH teaches in the Department of English at King's College London.
Versions of Virginity in Late Medieval England
Virgin Martyrs
Author: Karen A. Winstead
Publisher: Cornell University Press
ISBN: 1501711571
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
Stories of the torture and execution of beautiful Christian women first appeared in late antiquity and proliferated during the early Middle Ages. A thousand years later, virgin martyrs were still the most popular female saints. Their legends, in countless retellings through the centuries, preserved a standard plot—the heroine resists a pagan suitor, endures cruelties inflicted by her rejected lover or outraged family, works miracles, and dies for Christ. That sequence was embellished by incidents emblematic of the specific saint: Juliana's battle with the devil, Barbara's immurement in the tower, Katherine's encounter with spiked wheels. Karen A. Winstead examines this seemingly static story form and discovers subtle shifts in the representation of the virgin martyrs, as their legends were adapted for changing audiences in late medieval England.
Publisher: Cornell University Press
ISBN: 1501711571
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
Stories of the torture and execution of beautiful Christian women first appeared in late antiquity and proliferated during the early Middle Ages. A thousand years later, virgin martyrs were still the most popular female saints. Their legends, in countless retellings through the centuries, preserved a standard plot—the heroine resists a pagan suitor, endures cruelties inflicted by her rejected lover or outraged family, works miracles, and dies for Christ. That sequence was embellished by incidents emblematic of the specific saint: Juliana's battle with the devil, Barbara's immurement in the tower, Katherine's encounter with spiked wheels. Karen A. Winstead examines this seemingly static story form and discovers subtle shifts in the representation of the virgin martyrs, as their legends were adapted for changing audiences in late medieval England.
Medieval Virginities
Author: Ruth Evans
Publisher: University of Toronto Press
ISBN: 9780802086372
Category : History
Languages : en
Pages : 318
Book Description
The variety of subjects and disciplines represented here testify both to the elusiveness of virginity and to its lasting appeal and importance. Medieval Virginities shows how virginity's inherent ambiguity highlights the problems, contradictions and discontinuities lurking within medieval ideologies.
Publisher: University of Toronto Press
ISBN: 9780802086372
Category : History
Languages : en
Pages : 318
Book Description
The variety of subjects and disciplines represented here testify both to the elusiveness of virginity and to its lasting appeal and importance. Medieval Virginities shows how virginity's inherent ambiguity highlights the problems, contradictions and discontinuities lurking within medieval ideologies.
Rape Culture and Female Resistance in Late Medieval Literature
Author: Sarah Baechle
Publisher: Penn State Press
ISBN: 0271093056
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Centering on the difficult and important subject of medieval rape culture, this book brings Middle English and Scots texts into conversation with contemporary discourses on sexual assault and the #MeToo movement. The book explores the topic in the late medieval lyric genre known as the pastourelle and in related literary works, including chivalric romance, devotional lyric, saints’ lives, and the works of major authors such as Margery Kempe and William Dunbar. By engaging issues that are important to feminist activism today—the gray areas of sexual consent, the enduring myth of false rape allegations, and the emancipatory potential of writing about survival—this volume demonstrates how the radical terms of the pastourelle might reshape our own thinking about consent, agency, and survivors’ speech and help uncover cultural scripts for talking about sexual violence today. In addition to embodying the possibilities of medievalist feminist criticism after #MeToo, Rape Culture and Female Resistance in Late Medieval Literature includes an edition of sixteen Middle English and Middle Scots pastourelles. The poems are presented in a critical framework specifically tailored to the undergraduate classroom. Along with the editors, the contributors to this volume include Lucy M. Allen-Goss, Suzanne M. Edwards, Mary C. Flannery, Katharine W. Jager, Scott David Miller, Elizabeth Robertson, Courtney E. Rydel, and Amy N. Vines.
Publisher: Penn State Press
ISBN: 0271093056
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Centering on the difficult and important subject of medieval rape culture, this book brings Middle English and Scots texts into conversation with contemporary discourses on sexual assault and the #MeToo movement. The book explores the topic in the late medieval lyric genre known as the pastourelle and in related literary works, including chivalric romance, devotional lyric, saints’ lives, and the works of major authors such as Margery Kempe and William Dunbar. By engaging issues that are important to feminist activism today—the gray areas of sexual consent, the enduring myth of false rape allegations, and the emancipatory potential of writing about survival—this volume demonstrates how the radical terms of the pastourelle might reshape our own thinking about consent, agency, and survivors’ speech and help uncover cultural scripts for talking about sexual violence today. In addition to embodying the possibilities of medievalist feminist criticism after #MeToo, Rape Culture and Female Resistance in Late Medieval Literature includes an edition of sixteen Middle English and Middle Scots pastourelles. The poems are presented in a critical framework specifically tailored to the undergraduate classroom. Along with the editors, the contributors to this volume include Lucy M. Allen-Goss, Suzanne M. Edwards, Mary C. Flannery, Katharine W. Jager, Scott David Miller, Elizabeth Robertson, Courtney E. Rydel, and Amy N. Vines.
Annotated Chaucer bibliography
Author: Mark Allen
Publisher: Manchester University Press
ISBN: 1784996459
Category : Literary Criticism
Languages : en
Pages : 934
Book Description
An extremely thorough, expertly compiled and crisply annotated comprehensive bibliography of Chaucer scholarship between 1997 and 2010
Publisher: Manchester University Press
ISBN: 1784996459
Category : Literary Criticism
Languages : en
Pages : 934
Book Description
An extremely thorough, expertly compiled and crisply annotated comprehensive bibliography of Chaucer scholarship between 1997 and 2010
Holy Harlots in Medieval English Religious Literature
Author: Juliette Vuille
Publisher: Boydell & Brewer
ISBN: 184384589X
Category : Literary Collections
Languages : en
Pages : 298
Book Description
First comprehensive investigation of the major significance of female sinners turned saints in medieval literature.
Publisher: Boydell & Brewer
ISBN: 184384589X
Category : Literary Collections
Languages : en
Pages : 298
Book Description
First comprehensive investigation of the major significance of female sinners turned saints in medieval literature.
John Capgrave's Fifteenth Century
Author: Karen A. Winstead
Publisher: University of Pennsylvania Press
ISBN: 0812239776
Category : Biography & Autobiography
Languages : en
Pages : 248
Book Description
Britain of the fifteenth century was rife with social change, religious dissent, and political upheaval. Amid this ferment lived John Capgrave—Austin friar, doctor of theology, leading figure in East Anglian society, and noted author. Nowhere are the tensions and anxieties of this critical period, spanning the close of the medieval and the dawn of early modern eras, more eloquently conveyed than in Capgrave's works. John Capgrave's Fifteenth Century is the first book to explore the major themes of Capgrave's writings and to relate those themes to fifteenth-century political and cultural debates. Focusing on Capgrave's later works, especially those in English and addressed to lay audiences, it teases out thematic threads that are closely interwoven in Capgrave's Middle English oeuvre: piety, intellectualism, gender, and social responsibility. It refutes the still-prevalent view of Capgrave as a religious and political reactionary and shows, rather, that he used traditional genres to promote his own independent viewpoint on some of the most pressing controversies of his day, including debates over vernacular theology, orthodoxy and dissent, lay (and particularly female) spirituality, and the state of the kingdom under Henry VI. The book situates Capgrave as a figure both in the vibrant literary culture of East Anglia and in European intellectual history. John Capgrave's Fifteenth Century offers a fresh view of orthodoxy and dissent in late medieval England and will interest students of hagiography, religious and cultural history, and Lancastrian politics and society.
Publisher: University of Pennsylvania Press
ISBN: 0812239776
Category : Biography & Autobiography
Languages : en
Pages : 248
Book Description
Britain of the fifteenth century was rife with social change, religious dissent, and political upheaval. Amid this ferment lived John Capgrave—Austin friar, doctor of theology, leading figure in East Anglian society, and noted author. Nowhere are the tensions and anxieties of this critical period, spanning the close of the medieval and the dawn of early modern eras, more eloquently conveyed than in Capgrave's works. John Capgrave's Fifteenth Century is the first book to explore the major themes of Capgrave's writings and to relate those themes to fifteenth-century political and cultural debates. Focusing on Capgrave's later works, especially those in English and addressed to lay audiences, it teases out thematic threads that are closely interwoven in Capgrave's Middle English oeuvre: piety, intellectualism, gender, and social responsibility. It refutes the still-prevalent view of Capgrave as a religious and political reactionary and shows, rather, that he used traditional genres to promote his own independent viewpoint on some of the most pressing controversies of his day, including debates over vernacular theology, orthodoxy and dissent, lay (and particularly female) spirituality, and the state of the kingdom under Henry VI. The book situates Capgrave as a figure both in the vibrant literary culture of East Anglia and in European intellectual history. John Capgrave's Fifteenth Century offers a fresh view of orthodoxy and dissent in late medieval England and will interest students of hagiography, religious and cultural history, and Lancastrian politics and society.
Suspended Animation
Author: Robert Mills
Publisher: Reaktion Books
ISBN: 1861895534
Category : History
Languages : en
Pages : 337
Book Description
When Marsellus in the film PulpFiction asserts, "I'm gonna git medieval on your ass," we know that he is about to bring down a fierce and exacting punishment. Yet is the violence of the Middle Ages that far removed from our modern society? Suspended Animation argues that not only is the stereotype of uncontrolled violence in the Middle Ages historically misleading, the gulf between modern society and the medieval era is not as immense as we might think. In fact, both medievals and moderns live within a social tension of "suspended animation" engendered by images and acts of violence. Just as in medieval times, Robert Mills argues, it is the threat of violence—not the reality—that continues to structure our lives. To illustrate this "aesthetics of suspense," Mills draws on extensive and disturbing examples from medieval iconography, contemporary philosophy, and even pornography, ranging from the vivid depictions of Hell in Tuscan frescoes to Billie Holiday's famously wrenching song "Strange Fruit". Mills reveals how these uncomfortable images and texts expose a modern self-deception, and he further explores how medieval images evoked a pleasure revealingly close to that found in modern depictions of sexuality. Suspended Animation also makes a fresh contribution to theoretical debates on pre-modern gender and sexuality. Mills's comprehensive analysis demonstrates that—as wartime prisoner abuse incidents at Abu Ghraib and Guantánamo Bay have recently indicated—our notions of ourselves as not-medieval (that is, civilized) not only fail to prepare us for modern torture and warfare but also lead us into complicity with self-proclaimed moral and civic leaders. Whether considering a medieval painting of a Christian martyr or the immense popularity of grotesque historical tourist attractions such as the London Dungeons, Suspended Animation argues that images of death and violence are as pervasive today as they were in the Middle Ages, serving as potent reminders of the link between the modern and the medieval era.
Publisher: Reaktion Books
ISBN: 1861895534
Category : History
Languages : en
Pages : 337
Book Description
When Marsellus in the film PulpFiction asserts, "I'm gonna git medieval on your ass," we know that he is about to bring down a fierce and exacting punishment. Yet is the violence of the Middle Ages that far removed from our modern society? Suspended Animation argues that not only is the stereotype of uncontrolled violence in the Middle Ages historically misleading, the gulf between modern society and the medieval era is not as immense as we might think. In fact, both medievals and moderns live within a social tension of "suspended animation" engendered by images and acts of violence. Just as in medieval times, Robert Mills argues, it is the threat of violence—not the reality—that continues to structure our lives. To illustrate this "aesthetics of suspense," Mills draws on extensive and disturbing examples from medieval iconography, contemporary philosophy, and even pornography, ranging from the vivid depictions of Hell in Tuscan frescoes to Billie Holiday's famously wrenching song "Strange Fruit". Mills reveals how these uncomfortable images and texts expose a modern self-deception, and he further explores how medieval images evoked a pleasure revealingly close to that found in modern depictions of sexuality. Suspended Animation also makes a fresh contribution to theoretical debates on pre-modern gender and sexuality. Mills's comprehensive analysis demonstrates that—as wartime prisoner abuse incidents at Abu Ghraib and Guantánamo Bay have recently indicated—our notions of ourselves as not-medieval (that is, civilized) not only fail to prepare us for modern torture and warfare but also lead us into complicity with self-proclaimed moral and civic leaders. Whether considering a medieval painting of a Christian martyr or the immense popularity of grotesque historical tourist attractions such as the London Dungeons, Suspended Animation argues that images of death and violence are as pervasive today as they were in the Middle Ages, serving as potent reminders of the link between the modern and the medieval era.
The Cambridge Companion to Medieval English Culture
Author: Andrew Galloway
Publisher: Cambridge University Press
ISBN: 1107495202
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
The cultural life of England over the long period from the Norman Conquest to the Reformation was rich and varied, in ways that scholars are only now beginning to understand in detail. This Companion introduces a wide range of materials that constitute the culture, or cultures, of medieval England, across fields including political and legal history, archaeology, social history, art history, religion and the history of education. Above all it looks at the literature of medieval England in Latin, French and English, plus post-medieval perspectives on the 'Middle Ages'. In a linked series of essays experts in these areas show the complex relationships between them, building up a broad account of rich patterns of life and literature in this period. The essays are supplemented by a chronology and guide to further reading, helping students build on the unique access this volume provides to what can seem a very foreign culture.
Publisher: Cambridge University Press
ISBN: 1107495202
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
The cultural life of England over the long period from the Norman Conquest to the Reformation was rich and varied, in ways that scholars are only now beginning to understand in detail. This Companion introduces a wide range of materials that constitute the culture, or cultures, of medieval England, across fields including political and legal history, archaeology, social history, art history, religion and the history of education. Above all it looks at the literature of medieval England in Latin, French and English, plus post-medieval perspectives on the 'Middle Ages'. In a linked series of essays experts in these areas show the complex relationships between them, building up a broad account of rich patterns of life and literature in this period. The essays are supplemented by a chronology and guide to further reading, helping students build on the unique access this volume provides to what can seem a very foreign culture.
Virgin Whore
Author: Emma Maggie Solberg
Publisher: Cornell University Press
ISBN: 1501730347
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.
Publisher: Cornell University Press
ISBN: 1501730347
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.