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Author: Frans Grijzenhout
Publisher: Nai010 Publishers
ISBN: 9789491714702
Category : Art
Languages : en
Pages : 83
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Book Description
Not much is known about Johannes Vermeer's famous Little Street. The exact location of this Delft townscape has been occupying art historians, archaeologists and others for years. Did Vermeer picture his own house, or perhaps the view from it? Do the buildings he painted still exist? Or did he, at least in part, invent this wonderful, poignant composition? Art historian Frans Grijzenhout happened upon a source never before tapped for this purpose and was able to identify the site of this unique spot with its two adjacent passageways. This astonishing discovery sheds an entirely new light on Vermeer's life and work, and on the harsh world of the people who lived in that little street - the painter's kinsfolk - in the shadow of the Golden Age.
Author: Frans Grijzenhout
Publisher: Nai010 Publishers
ISBN: 9789491714702
Category : Art
Languages : en
Pages : 83
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Book Description
Not much is known about Johannes Vermeer's famous Little Street. The exact location of this Delft townscape has been occupying art historians, archaeologists and others for years. Did Vermeer picture his own house, or perhaps the view from it? Do the buildings he painted still exist? Or did he, at least in part, invent this wonderful, poignant composition? Art historian Frans Grijzenhout happened upon a source never before tapped for this purpose and was able to identify the site of this unique spot with its two adjacent passageways. This astonishing discovery sheds an entirely new light on Vermeer's life and work, and on the harsh world of the people who lived in that little street - the painter's kinsfolk - in the shadow of the Golden Age.
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
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Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Author: Timothy Brook
Publisher: Bloomsbury Publishing USA
ISBN: 159691727X
Category : History
Languages : en
Pages : 289
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Book Description
In this critical darling Vermeer's captivating and enigmatic paintings become windows that reveal how daily life and thought-from Delft to Beijing--were transformed in the 17th century, when the world first became global. A Vermeer painting shows a military officer in a Dutch sitting room, talking to a laughing girl. In another canvas, fruit spills from a blue-and-white porcelain bowl. Familiar images that captivate us with their beauty--but as Timothy Brook shows us, these intimate pictures actually give us a remarkable view of an expanding world. The officer's dashing hat is made of beaver fur from North America, and it was beaver pelts from America that financed the voyages of explorers seeking routes to China-prized for the porcelains so often shown in Dutch paintings of this time, including Vermeer's. In this dazzling history, Timothy Brook uses Vermeer's works, and other contemporary images from Europe, Asia, and the Americas to trace the rapidly growing web of global trade, and the explosive, transforming, and sometimes destructive changes it wrought in the age when globalization really began.
Author: Marjorie E. Wieseman
Publisher: Yale University Press
ISBN: 9780300178999
Category : Art
Languages : en
Pages : 227
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Book Description
A visually stunning and seductive book that celebrates the mysterious and enigmatic world created by Vermeer in some of the best-loved and most characteristic works from late in his career.
Author: Kees Kaldenbach
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
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Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Author: Johannes Vermeer
Publisher:
ISBN: 9780486451060
Category :
Languages : en
Pages : 0
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Book Description
One of the most gifted painters of the Dutch Golden Age, Johannes Vermeer captured memorable scenes from everyday life in 17th-century Delft. Printed on high-quality, laminated stock, these 24 highlights from his career include Girl with a Pearl Earring, View of Delft, The Love Letter, The Milkmaid, The Music Lesson . . . and many more. Meticulously reproduced and ready to mail, these 4 1/4 x 6 cards are also suitable for framed displays.
Author: Gabrielle Townsend
Publisher: Peter Lang
ISBN: 9783039111244
Category : Art
Languages : en
Pages : 240
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Book Description
This study of Marcel Proust's creative imagination examines an aspect of the novel that has hitherto been largely overlooked: the author's dependence on secondary visual sources. Gabrielle Townsend argues that reproductions play a key role in the work's complex, multi-layered structure.
Author: Jonathan Lopez
Publisher: Houghton Mifflin Harcourt
ISBN: 0547247842
Category : Antiques & Collectibles
Languages : en
Pages : 355
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Book Description
It's a story that made Dutch painter Han van Meegeren famous worldwide when it broke at the end of World War II: A lifetime of disappointment drove him to forge Vermeers, one of which he sold to Hermann Goering in mockery of the Nazis. And it's a story that's been believed ever since. Too bad it isn't true. Jonathan Lopez has drawn on never-before-seen documents from dozens of archives to write a revelatory new biography of the world's most famous forger. Neither unappreciated artist nor antifascist hero, Van Meegeren emerges as an ingenious, dyed-in-the-wool crook--a talented Mr. Ripley armed with a paintbrush. Lopez explores a network of illicit commerce that operated across Europe: Not only was Van Meegeren a key player in that high-stakes game in the 1920s and '30s, landing fakes with famous collectors such as Andrew Mellon, but he and his associates later cashed in on the Nazi occupation. The Man Who Made Vermeers is a long-overdue unvarnishing of Van Meegeren's legend and a deliciously detailed story of deceit in the art world.
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588393445
Category : Painting, Dutch
Languages : en
Pages : 38
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Book Description
In this catalogue for the exhibition, Walter Liedtke, Curator of Paintings at the Metropolitan, drawing on the Museum's five Vermeers, scenes by other Dutch masters in the Museum's collection, including Pieter de Hooch, Gabriel Metsu, Nicolaes Maes, and Emanuel de Witte, and several works on paper, places the picture in the context of the artist's brief career and relates it to contemporary developments in Dutch art. In addition to an extended discussion of the painting's provenance, he provides a detailed study of the composition, the several revisions made during the course of execution, and the subtle relationships between light and shadow, color, contour, and shape. And he proposes a most intriguing argument for an erotic subtext, pointing out that, like maids and kitchen maids in earlier Netherlandish art, the figure in The Milkmaid was meant to attract the male viewer, to rouse in him temptation and restraint, desire and reservation, while the kitchen maid herself, endowed with traits typically reserved for higher-class women and surrounded by references to romance both literal and oblique, is presented as having amorous thoughts of her own.
