Verdi (copy 2)

Verdi (copy 2) PDF Author: Janell Cannon
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152010287
Category : Juvenile Fiction
Languages : en
Pages : 60

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Book Description
Young Verdi doesn't want to grow up to be big and green. He likes bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. Despite his efforts, Verdi turns as green as the leaves on the trees, but to his delight, he discovers that being green doesn't mean he has to stop being himself. Full color.

Verdi (copy 2)

Verdi (copy 2) PDF Author: Janell Cannon
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152010287
Category : Juvenile Fiction
Languages : en
Pages : 60

Get Book Here

Book Description
Young Verdi doesn't want to grow up to be big and green. He likes bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. Despite his efforts, Verdi turns as green as the leaves on the trees, but to his delight, he discovers that being green doesn't mean he has to stop being himself. Full color.

The Politics of Verdi's Cantica

The Politics of Verdi's Cantica PDF Author: Roberta Montemorra Marvin
Publisher: Routledge
ISBN: 1351541455
Category : Music
Languages : en
Pages : 205

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Book Description
The Politics of Verdi's Cantica treats a singular case study of the use of music to resist oppression, combat evil, and fight injustice. Cantica, better known as Inno delle nazioni / Hymn of the Nations, commissioned from Italy's foremost composer to represent the newly independent nation at the 1862 London International Exhibition, served as a national voice of pride and of protest for Italy across two centuries and in two very different political situations. The book unpacks, for the first time, the full history of Verdi's composition from its creation, performance, and publication in the 1860s through its appropriation as purposeful social and political commentary and its perception by American broadcast media as a 'weapon of art' in the mid twentieth century. Based on largely untapped primary archival and other documentary sources, journalistic writings, and radio and film scripts, the project discusses the changing meanings of the composition over time. It not only unravels the complex history of the work in the nineteenth century, of greater significance it offers the first fully documented study of the performances, radio broadcast, and filming of the work by the renowned Italian conductor Arturo Toscanini during World War II. In presenting new evidence about ways in which Verdi's music was appropriated by expatriate Italians and the US government for cross-cultural propaganda in America and Italy, it addresses the intertwining of Italian and American culture with regard to art, politics, and history; and investigates the ways in which the press and broadcast media helped construct a musical weapon that traversed ethnic, aesthetic, and temporal boundaries to make a strong political statement.

Dramatic Music (class M 1500, 1510, 1520)

Dramatic Music (class M 1500, 1510, 1520) PDF Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 182

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Book Description


Verdi's Aida

Verdi's Aida PDF Author:
Publisher: U of Minnesota Press
ISBN: 1452911916
Category :
Languages : en
Pages : 746

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Book Description


The Musical Quarterly

The Musical Quarterly PDF Author: Oscar George Sonneck
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 698

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Book Description


Catalogs

Catalogs PDF Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620

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Verdi's Middle Period

Verdi's Middle Period PDF Author: Martin Chusid
Publisher: University of Chicago Press
ISBN: 9780226106595
Category : Biography & Autobiography
Languages : en
Pages : 452

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Book Description
During the middle phase of his career, 1849-1859, Verdi created some of his best-loved and most frequently performed operas, including Luisa Miller, Rigoletto, Il trovatore, La traviata, and Un ballo in maschera. This was also the period in which he wrote his first completely original French grand opera, Les Vepres siciliennes; the first version of Simon Boccanegra; and the intensely dramatic Stiffelio, until recent years the most neglected of all Verdi's mature works for the operatic stage. Featuring contributions from many of the most active Verdi scholars in the United States and Europe, Verdi's Middle Period explores the operas composed during this period from three interlinked perspectives: studies of the original source material, cross-disciplinary analyses of musical and textual issues, and the relationship of performance practice to Verdi's musical and dramatic conception. Both musicologists and serious opera buffs will enjoy this distinguished collection.

Report

Report PDF Author: South Dakota. Office of the Secretary of State
Publisher:
ISBN:
Category : South Dakota
Languages : en
Pages : 206

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Literary Collector

Literary Collector PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 464

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Venanzio Rauzzini in Britain

Venanzio Rauzzini in Britain PDF Author: Paul Francis Rice
Publisher: Boydell & Brewer
ISBN: 1580465323
Category : Biography & Autobiography
Languages : en
Pages : 416

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Book Description
Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas. This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances at the King's Theatre and examines his leadership of the Bath subscription concerts from 1780-1810, recovering much of the repertory. Rice shows in detail how Rauzzini responded musically to the social and political conditions of his adopted country, and analyzes the castrato's reception, as well as compositional choices, shedding new light on changing musical tastes in late eighteenth-century Britain. Paul F. Rice is Professor of Musicology at the School of Music, Memorial University of Newfoundland.