Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 410
Book Description
Traduzione in inglese delle tre introduzioni alle arti dell'architettura, scultura e pittura alle Vite di Giorgio Vasari.
Vasari on Technique
Author: Giorgio Vasari
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 410
Book Description
Traduzione in inglese delle tre introduzioni alle arti dell'architettura, scultura e pittura alle Vite di Giorgio Vasari.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 410
Book Description
Traduzione in inglese delle tre introduzioni alle arti dell'architettura, scultura e pittura alle Vite di Giorgio Vasari.
Vasari on Technique
Author: Giorgio Vasari
Publisher: Courier Dover Publications
ISBN:
Category : Architecture
Languages : en
Pages : 420
Book Description
Sixteenth-century painter reveals technical secrets: gilding, stained glass, casting, painter's materials, much more. Most detailed, valuable sourcebook of Renaissance methods. 29 illustrations.
Publisher: Courier Dover Publications
ISBN:
Category : Architecture
Languages : en
Pages : 420
Book Description
Sixteenth-century painter reveals technical secrets: gilding, stained glass, casting, painter's materials, much more. Most detailed, valuable sourcebook of Renaissance methods. 29 illustrations.
Giorgio Vasari, Michelangelo and the Allegory of Patience
Author: Carlo Falciani
Publisher:
ISBN: 9781911300823
Category : Allegories
Languages : en
Pages : 0
Book Description
This book recounts the exciting rediscovery of Giorgio Vasari's painting' Allegory of Patience', painted in 1551-52 for the Bishop of Arezzo, Vasari's hometown. The painting was conceived in Rome with the aid of Michelangelo, as many surviving letters reveal. The work will be on view to the public at the National Gallery, London, through 2023. The monumental figure of a woman, life-sized, with arms crossed, watches time run down. The passing of time is symbolized in the drops that fall from an antique water clock beside her, gradually wearing away the stone on which she rests her foot. The Bishop of Arezzo regarded patience as the key to his career and achievements, and wished it to be represented in a picture. Vasari consulted his contemporaries and fellow humanists as well as the great sculptor Michelangelo when deciding what form it should take. The image represents more exactly the Latin tag "diuturna tolerantia" (daily tolerance). The painting quickly became famous in its time and numerous copies were made of it - but not until now has the original emerged. Thanks to letters between those involved, the painting and the process of its creation are richly documented, and in particular provide insights and quotations about picturemaking from Michelangelo. The book carries full documentation of the work and its known copies, some of which can be traced to leading patrons in Renaissance Italy. It also examines Vasari's own autograph technique and artistic aims.
Publisher:
ISBN: 9781911300823
Category : Allegories
Languages : en
Pages : 0
Book Description
This book recounts the exciting rediscovery of Giorgio Vasari's painting' Allegory of Patience', painted in 1551-52 for the Bishop of Arezzo, Vasari's hometown. The painting was conceived in Rome with the aid of Michelangelo, as many surviving letters reveal. The work will be on view to the public at the National Gallery, London, through 2023. The monumental figure of a woman, life-sized, with arms crossed, watches time run down. The passing of time is symbolized in the drops that fall from an antique water clock beside her, gradually wearing away the stone on which she rests her foot. The Bishop of Arezzo regarded patience as the key to his career and achievements, and wished it to be represented in a picture. Vasari consulted his contemporaries and fellow humanists as well as the great sculptor Michelangelo when deciding what form it should take. The image represents more exactly the Latin tag "diuturna tolerantia" (daily tolerance). The painting quickly became famous in its time and numerous copies were made of it - but not until now has the original emerged. Thanks to letters between those involved, the painting and the process of its creation are richly documented, and in particular provide insights and quotations about picturemaking from Michelangelo. The book carries full documentation of the work and its known copies, some of which can be traced to leading patrons in Renaissance Italy. It also examines Vasari's own autograph technique and artistic aims.
Raphael and the Redefinition of Art in Renaissance Italy
Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Vasari and the Renaissance Print
Author: Sharon Gregory
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409429265
Category : Art
Languages : en
Pages : 464
Book Description
In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409429265
Category : Art
Languages : en
Pages : 464
Book Description
In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.
The Life of Michelangelo
Author: David Hemsoll
Publisher: Getty Publications
ISBN: 1606065653
Category : Art
Languages : en
Pages : 257
Book Description
The fame and influence of Michelangelo Buonarroti (1475–1564) were as immediate as they were unprecedented. It is not surprising, therefore, that he was the only living artist Giorgio Vasari included in the first edition of Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550. Revised and expanded in 1568, Vasari’s monumental work comprises more than two hundred biographies; for centuries it has been recognized as a seminal text in art history and one of the most important sources on the Italian Renaissance. Vasari’s biography of Michelangelo, the longest in his Lives, presents Michelangelo’s oeuvre as the culminating achievement of Renaissance painting, sculpture, and architecture. He tells the grand story of the artist’s expansive career, profiling his working habits; describing the creation of countless masterpieces, from the David to the Sistine Chapel ceiling; and illuminating his relationships with popes and other illustrious patrons. A lifelong friend, Vasari also quotes generously from the correspondence between the two men; the narrative is further enhanced by an abundance of colorful anecdotes. The volume’s forty-two illustrations convey the range and richness of Michelangelo’s art. An introduction by the scholar David Hemsoll traces the textual development of Vasari’s Lives and situates his biography of Michelangelo in the broader context of Renaissance art history.
Publisher: Getty Publications
ISBN: 1606065653
Category : Art
Languages : en
Pages : 257
Book Description
The fame and influence of Michelangelo Buonarroti (1475–1564) were as immediate as they were unprecedented. It is not surprising, therefore, that he was the only living artist Giorgio Vasari included in the first edition of Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550. Revised and expanded in 1568, Vasari’s monumental work comprises more than two hundred biographies; for centuries it has been recognized as a seminal text in art history and one of the most important sources on the Italian Renaissance. Vasari’s biography of Michelangelo, the longest in his Lives, presents Michelangelo’s oeuvre as the culminating achievement of Renaissance painting, sculpture, and architecture. He tells the grand story of the artist’s expansive career, profiling his working habits; describing the creation of countless masterpieces, from the David to the Sistine Chapel ceiling; and illuminating his relationships with popes and other illustrious patrons. A lifelong friend, Vasari also quotes generously from the correspondence between the two men; the narrative is further enhanced by an abundance of colorful anecdotes. The volume’s forty-two illustrations convey the range and richness of Michelangelo’s art. An introduction by the scholar David Hemsoll traces the textual development of Vasari’s Lives and situates his biography of Michelangelo in the broader context of Renaissance art history.
The Drawings of Bronzino
Author: Carmen Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588393542
Category : Drawing
Languages : en
Pages : 337
Book Description
Drawings by the great Italian Mannerist painter and poet Agnolo Bronzino (1503-1572) are extremely rare. This important and beautiful publication brings together for the first time nearly all of the sixty drawings attributed to this leading draftsman of the 16th century. Each drawing is illustrated in color, discussed in detail, and shown with many comparative photographs. Bronzino's technical virtuosity as a draftsman and his mastery of anatomy and perspective are vividly apparent in each stroke of the chalk, pen, or brush. The younger generations of Florentine artists particularly admired Bronzino for his technical virtuosity as a painter, and Giorgio Vasari praised him for his powers as a disegnatore (designer and draftsman).
Publisher: Metropolitan Museum of Art
ISBN: 1588393542
Category : Drawing
Languages : en
Pages : 337
Book Description
Drawings by the great Italian Mannerist painter and poet Agnolo Bronzino (1503-1572) are extremely rare. This important and beautiful publication brings together for the first time nearly all of the sixty drawings attributed to this leading draftsman of the 16th century. Each drawing is illustrated in color, discussed in detail, and shown with many comparative photographs. Bronzino's technical virtuosity as a draftsman and his mastery of anatomy and perspective are vividly apparent in each stroke of the chalk, pen, or brush. The younger generations of Florentine artists particularly admired Bronzino for his technical virtuosity as a painter, and Giorgio Vasari praised him for his powers as a disegnatore (designer and draftsman).
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The Materials of the Artist and Their Use in Painting, with Notes on the Techniques of the Old Masters
Author: Max Doerner
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156577168
Category : Art
Languages : en
Pages : 484
Book Description
A classic book on the craft of painting including technique and materials.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156577168
Category : Art
Languages : en
Pages : 484
Book Description
A classic book on the craft of painting including technique and materials.
Practice and Theory in the Italian Renaissance Workshop
Author: Christina Neilson
Publisher: Cambridge University Press
ISBN: 1107172853
Category : Art
Languages : en
Pages : 367
Book Description
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
Publisher: Cambridge University Press
ISBN: 1107172853
Category : Art
Languages : en
Pages : 367
Book Description
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.