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Author:
Publisher: ABRAMS
ISBN: 9780810900271
Category : Art
Languages : en
Pages : 680
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Book Description
"A classic on the functions, styles and structure of the major visual art forms, this well-received text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture. For art critics, artists, and all those interested in art criticism."--Publisher.
Author:
Publisher: ABRAMS
ISBN: 9780810900271
Category : Art
Languages : en
Pages : 680
Get Book Here
Book Description
"A classic on the functions, styles and structure of the major visual art forms, this well-received text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture. For art critics, artists, and all those interested in art criticism."--Publisher.
Author: Edmund Burke Feldman
Publisher:
ISBN: 9780810900271
Category : Art
Languages : en
Pages : 680
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Book Description
Author: Edmund Burke Feldman
Publisher: Prentice Hall
ISBN:
Category : Architecture
Languages : en
Pages : 554
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Book Description
The first part of this book explains the personal, social and physical functions of art. The second part is the style of objective accuracy, formal order, emotion and fantasy. The third part on the elements of visual, design and aesthetics. Fourth part: painting, sculpture, architecture, photography and images in motion. The final part explains the theory of art criticism and critical performance.
Author: Edmund Burke Feldman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 544
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Book Description
A book on the functions, styles and structure of the major visual art forms, this text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture.
Author: Susanna Siegel
Publisher: Oxford University Press
ISBN: 0190294051
Category : Philosophy
Languages : en
Pages : 232
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Book Description
What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.
Author: Etzel Cardena
Publisher: Amer Psychological Assn
ISBN: 9781433815294
Category : Medical
Languages : en
Pages : 452
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Book Description
For much of the 20th century, unusual perceptions and sensations, radical alternations of consciousness, and other extraordinary subjective experiences were ignored as legitimate topics of study in mainstream psychology. Recent years, however, have witnessed a burgeoning interest in the scientific study of anomalous experiences. In this updated edition, the editors have invited experts to provide definitive reviews and analyses of a wide range of anomalous experiences, from commonly documented sensations and perceptions like synesthesia, lucid dreaming, out-of-body experiences, and auditory and visual hallucinations, to rarer and more seemingly inexplicable experiences, such as anomalous healing, past lives, near-death experiences, mystical experiences, and even alien abductions. The book makes a compelling case for the inclusion of these marginalized and underrecognized experiences as not merely incidental but essential to our understanding of human psychology. Book jacket.
Author: Oliver Sacks
Publisher: Knopf Canada
ISBN: 0307402193
Category : Science
Languages : en
Pages : 284
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Book Description
Hallucinations, for most people, imply madness. But there are many different types of non-psychotic hallucination caused by various illnesses or injuries, by intoxication--even, for many people, by falling sleep. From the elementary geometrical shapes that we see when we rub our eyes to the complex swirls and blind spots and zigzags of a visual migraine, hallucination takes many forms. At a higher level, hallucinations associated with the altered states of consciousness that may come with sensory deprivation or certain brain disorders can lead to religious epiphanies or conversions. Drawing on a wealth of clinical examples from his own patients as well as historical and literary descriptions, Oliver Sacks investigates the fundamental differences and similarities of these many sorts of hallucinations, what they say about the organization and structure of our brains, how they have influenced every culture's folklore and art, and why the potential for hallucination is present in us all.
Author: David Karmon
Publisher: Cambridge University Press
ISBN: 1108808476
Category : Art
Languages : en
Pages : 490
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Book Description
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
Author: Paul Wood
Publisher: Yale University Press
ISBN: 9780300102963
Category : Art
Languages : en
Pages : 428
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Book Description
This work discusses the art of the middle third of the twentieth century. It consists of a short general introduction and four parts, each concentrating on a key aspect of the art of the period.
Author: Jack Hobbs
Publisher:
ISBN: 9780871926401
Category : Art appreciation
Languages : en
Pages : 547
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Book Description
LEVEL: Key Stage 4 onwards. A comprehensive art appreciation programme, 'The Visual Experience' is a complete visual art curriculum that integrates art history, aesthetics, criticism, and production. The Teacher's Edition does your preparation for you. The Teacher's Edition is correlated to the national visual arts standards and has: a wrap-around format; organisers for every chapter; clear lesson organisations; individual needs and interdisciplinary support; technology focus; and ancillary resources at point-of-use.
