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Author: Jörg Rothe
Publisher: Springer
ISBN: 3319675044
Category : Computers
Languages : en
Pages : 408
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Book Description
This book constitutes the conference proceedings of the 5th International Conference on Algorithmic Decision Theory , ADT 2017, held in Luxembourg, in October 2017.The 22 full papers presented together with 6 short papers, 4 keynote abstracts, and 6 Doctoral Consortium papers, were carefully selected from 45 submissions. The papers are organized in topical sections on preferences and multi-criteria decision aiding; decision making and voting; game theory and decision theory; and allocation and matching.
Author:
Publisher:
ISBN:
Category : Administrative law
Languages : en
Pages : 1142
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Book Description
Author: Jörg Rothe
Publisher: Springer
ISBN: 3319675044
Category : Computers
Languages : en
Pages : 408
Get Book Here
Book Description
This book constitutes the conference proceedings of the 5th International Conference on Algorithmic Decision Theory , ADT 2017, held in Luxembourg, in October 2017.The 22 full papers presented together with 6 short papers, 4 keynote abstracts, and 6 Doctoral Consortium papers, were carefully selected from 45 submissions. The papers are organized in topical sections on preferences and multi-criteria decision aiding; decision making and voting; game theory and decision theory; and allocation and matching.
Author: Heather Diack
Publisher: U of Minnesota Press
ISBN: 1452961115
Category : Art
Languages : en
Pages : 398
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Book Description
A major reassessment of photography’s pivotal role in 1960s conceptual art Why do we continue to look to photographs for evidence despite our awareness of photography’s potential for duplicity? Documents of Doubt critically reassesses the truth claims surrounding photographs by looking at how conceptual artists creatively undermined them. Studying the unique relationship between photography and conceptual art practices in the United States during the social and political instability of the late 1960s, Heather Diack offers vital new perspectives on our “post-truth” world and the importance of suspending easy conclusions in contemporary art. Considering the work of four leading conceptual artists of the 1960s and ’70s, Diack looks at photographs as documents of doubt, pushing the form beyond commonly assumed limits. Through in-depth and thorough reevaluations of early work by noted artists Mel Bochner, Bruce Nauman, Douglas Huebler, and John Baldessari, Diack advances the powerful thesis that photography provided a means of moving away from the object and toward performative effects, playing a crucial role in the development of conceptual art as a medium of doubt and contingency. Discussing how unexpected and contradictory meanings can exist in the guise of ordinary pictures, Documents of Doubt offers evocative and original ideas on truth’s connection to photography in the United States during the late 1960s and how conceptual art from that period anticipated our current era of “alternative facts” in contemporary politics and culture.
Author: Sharad Chari
Publisher: Stanford University Press
ISBN: 9780804748735
Category : Social Science
Languages : en
Pages : 426
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Book Description
A richly textured ethnography about knitwear manufacturers in South India that explains how peasant-workers have refined notions of place, gender, and class to create a local industrial form that succeeds in the global economy.
Author: Douglas Huebler
Publisher: Primary Information/Printed Matter
ISBN: 9780990689683
Category : Art
Languages : en
Pages : 94
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Book Description
Contains nearly 1,800 "secrets" collected at the Software exhibition at the Jewish Museum, New York City, Sept. 16 - Nov. 8, 1970.
Author: Daniel Palmer
Publisher: Routledge
ISBN: 1000211428
Category : Art
Languages : en
Pages : 232
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Book Description
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
Author: T. Brown
Publisher: Springer
ISBN: 113737523X
Category : History
Languages : en
Pages : 301
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Book Description
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.
Author: Alexander Alberro
Publisher: MIT Press
ISBN: 9780262511841
Category : Art
Languages : en
Pages : 258
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Book Description
An examination of the origins and legacy of the conceptual art movement.
Author: USA Patent Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 1236
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Book Description
Author: Joan Kee
Publisher: University of California Press
ISBN: 0520299388
Category : Art
Languages : en
Pages : 320
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Book Description
Models of Integrity examines the relationship between contemporary art and the law through the lens of integrity. In the 1960s, artists began to engage conspicuously with legal ideas, rituals, and documents. The law—a primary institution subject to intense moral and political scrutiny—was a widely recognized source of authority to audiences inside the art world and out. Artists frequently engaged with the law in ways that signaled a recuperation of the integrity that they believed had been compromised by the very institutions entrusted with establishing standards of just conduct. These artists sought to convey the social purpose of an artwork without overstating its political impact and without losing sight of how aesthetic decisions compel audiences to see their everyday world differently. Addressing the role that law plays in enabling artworks to function as social and political forces, this important book fills a gap in the field of law and the humanities, and will serve as a practical “how-to” for contemporary artists.
