Author: Vincent van Gogh
Publisher: Metropolitan Museum of Art
ISBN: 0870993763
Category : Arles (France)
Languages : en
Pages : 273
Book Description
"A collection of paintings and drawings produced by Vincent van Gogh while living in the South of France is accompanied by discussions of this period of his life and work."--GoogleBooks.
Van Gogh in Arles
Author: Vincent van Gogh
Publisher: Metropolitan Museum of Art
ISBN: 0870993763
Category : Arles (France)
Languages : en
Pages : 273
Book Description
"A collection of paintings and drawings produced by Vincent van Gogh while living in the South of France is accompanied by discussions of this period of his life and work."--GoogleBooks.
Publisher: Metropolitan Museum of Art
ISBN: 0870993763
Category : Arles (France)
Languages : en
Pages : 273
Book Description
"A collection of paintings and drawings produced by Vincent van Gogh while living in the South of France is accompanied by discussions of this period of his life and work."--GoogleBooks.
Vincent van Gogh
Author: Jennifer Howse
Publisher: Weigl Publishers
ISBN: 1489646280
Category : Juvenile Nonfiction
Languages : en
Pages : 32
Book Description
Vincent van Gogh painted colorful scenes of nature and of farming communities in Belgium, France, and the Netherlands. He was unknown as an artist during his lifetime, and sold only one painting. Today, van Gogh’s paintings have sold for some of the highest prices ever paid for artwork. Learn more in Vincent van Gogh, one of the titles in the Greatest Artists series.
Publisher: Weigl Publishers
ISBN: 1489646280
Category : Juvenile Nonfiction
Languages : en
Pages : 32
Book Description
Vincent van Gogh painted colorful scenes of nature and of farming communities in Belgium, France, and the Netherlands. He was unknown as an artist during his lifetime, and sold only one painting. Today, van Gogh’s paintings have sold for some of the highest prices ever paid for artwork. Learn more in Vincent van Gogh, one of the titles in the Greatest Artists series.
Van Gogh's Bedrooms
Author: Louis van Tilborgh
Publisher: Yale University Press
ISBN: 0300214863
Category : Art
Languages : en
Pages : 163
Book Description
Catalogus bij de tentoonstelling van schilderijen die Van Gogh maakte van de slaapkamers in de 37 huizen waar hij gedurende zijn leven woonde.
Publisher: Yale University Press
ISBN: 0300214863
Category : Art
Languages : en
Pages : 163
Book Description
Catalogus bij de tentoonstelling van schilderijen die Van Gogh maakte van de slaapkamers in de 37 huizen waar hij gedurende zijn leven woonde.
Van Gogh Repetitions
Author: Eliza Rathbone
Publisher: Yale University Press
ISBN: 0300190824
Category : Art
Languages : en
Pages : 202
Book Description
"Published on the occasion of the exhibition Van Gogh Repetitions, organized by The Phillips Collection, Washington, D.C., and the Cleveland Museum of Art."
Publisher: Yale University Press
ISBN: 0300190824
Category : Art
Languages : en
Pages : 202
Book Description
"Published on the occasion of the exhibition Van Gogh Repetitions, organized by The Phillips Collection, Washington, D.C., and the Cleveland Museum of Art."
Van Gogh on Demand
Author: Winnie Wong
Publisher: University of Chicago Press
ISBN: 022602492X
Category : Art
Languages : en
Pages : 341
Book Description
“Unsettles contemporary art’s unspoken hierarchies and topples modernist and postmodernist assumptions about originality, authenticity, and authorship.” —caa Reviews In a metropolis in south China lies Dafen, an urban village that houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. Winnie Wong infiltrated this world, first investigating the work of conceptual artists; then working as a dealer; apprenticing as a painter; surveying wholesalers and retailers in Europe, East Asia and North America; establishing relationships with local leaders; and organizing a conceptual art exhibition for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world—one that sheds surprising light on the workings of art, artists, and individual genius. Wong describes an art world in which migrant workers, propaganda makers, dealers, and international artists make up a global supply chain of art. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen’s painters to reimagine the Dafen Art Museum, unwittingly appropriated the work of a Hong Kong-based photographer Michael Wolf. She recounts how Liu Ding, a Beijing-based conceptual artist, asked Dafen “assembly-line” painters to perform at the Guangzhou Triennial, styling himself into a Dafen boss. Through such cases, Wong shows how Dafen’s painters force us to reexamine our preconceptions about the role of Chinese workers in redefining global art. “[A] fantastically detailed exploration of a topic which touches the heart of many of the issues surrounding China's economic rise.” —South China Morning Post
Publisher: University of Chicago Press
ISBN: 022602492X
Category : Art
Languages : en
Pages : 341
Book Description
“Unsettles contemporary art’s unspoken hierarchies and topples modernist and postmodernist assumptions about originality, authenticity, and authorship.” —caa Reviews In a metropolis in south China lies Dafen, an urban village that houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. Winnie Wong infiltrated this world, first investigating the work of conceptual artists; then working as a dealer; apprenticing as a painter; surveying wholesalers and retailers in Europe, East Asia and North America; establishing relationships with local leaders; and organizing a conceptual art exhibition for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world—one that sheds surprising light on the workings of art, artists, and individual genius. Wong describes an art world in which migrant workers, propaganda makers, dealers, and international artists make up a global supply chain of art. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen’s painters to reimagine the Dafen Art Museum, unwittingly appropriated the work of a Hong Kong-based photographer Michael Wolf. She recounts how Liu Ding, a Beijing-based conceptual artist, asked Dafen “assembly-line” painters to perform at the Guangzhou Triennial, styling himself into a Dafen boss. Through such cases, Wong shows how Dafen’s painters force us to reexamine our preconceptions about the role of Chinese workers in redefining global art. “[A] fantastically detailed exploration of a topic which touches the heart of many of the issues surrounding China's economic rise.” —South China Morning Post
Critical Readings in Impressionism and Post-Impressionism
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
The Letters of Vincent Van Gogh
Author: Vincent Van Gogh
Publisher: Penguin UK
ISBN: 0141920440
Category : Literary Collections
Languages : en
Pages : 560
Book Description
A new selection of Vincent Van Gough's letters, based on an entirely new translation, revealing his religious struggles, his fascination with the French Revolution, his search for love and his involvement in humanitarian causes.
Publisher: Penguin UK
ISBN: 0141920440
Category : Literary Collections
Languages : en
Pages : 560
Book Description
A new selection of Vincent Van Gough's letters, based on an entirely new translation, revealing his religious struggles, his fascination with the French Revolution, his search for love and his involvement in humanitarian causes.
Vincent Van Gogh
Author: Leo Jansen
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 438
Book Description
Presents nineteen of the extant letters from Van Gogh to Émile Bernard, written between 1887 and 1889, that illustrate Van Gogh's artistic struggles during the time, including paintings and drawings of other prominent artists.
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 438
Book Description
Presents nineteen of the extant letters from Van Gogh to Émile Bernard, written between 1887 and 1889, that illustrate Van Gogh's artistic struggles during the time, including paintings and drawings of other prominent artists.
Anholt's Artists Activity Book
Author: Laurence Anholt
Publisher: B.E.S. Publishing
ISBN: 9781438001142
Category : Juvenile Nonfiction
Languages : en
Pages : 48
Book Description
Presents seven art projects, sharing tips and techniques on painting, sculpting, and drawing to develop reader's creative confidence.
Publisher: B.E.S. Publishing
ISBN: 9781438001142
Category : Juvenile Nonfiction
Languages : en
Pages : 48
Book Description
Presents seven art projects, sharing tips and techniques on painting, sculpting, and drawing to develop reader's creative confidence.
Interpreting Heritage
Author: Steve Slack
Publisher: Routledge
ISBN: 1000209830
Category : Art
Languages : en
Pages : 343
Book Description
Interpreting Heritage is a practical book about the planning and delivery of interpretation that will give anyone working in the heritage sector the confidence and tools they need to undertake interpretation. Steve Slack suggests a broad formula for how interpretation can be planned and executed and describes some of the most popular – and potentially challenging, or provocative – forms of interpretation. Slack also provides practical guidance about how to deliver different forms of interpretation, while avoiding potential pitfalls. Exploring some of the ethical questions that arise when presenting information to the public and offering a grounding in some of the theory that underpins interpretive work, the book will be suitable for those who are completely new to interpretation. Those who already have some experience will benefit from tools, advice and ideas to help build on their existing practice. Drawing upon the author’s professional experiences of working within, and for, the heritage sector, Interpreting Heritage provides advice and suggestions that will be essential for practitioners working in museums, art galleries, libraries, archives, outdoor sites, science centres, castles, stately homes and other heritage venues around the world. It will also be of interest to students of museum and heritage studies who want to know more about how heritage interpretation works in practice.
Publisher: Routledge
ISBN: 1000209830
Category : Art
Languages : en
Pages : 343
Book Description
Interpreting Heritage is a practical book about the planning and delivery of interpretation that will give anyone working in the heritage sector the confidence and tools they need to undertake interpretation. Steve Slack suggests a broad formula for how interpretation can be planned and executed and describes some of the most popular – and potentially challenging, or provocative – forms of interpretation. Slack also provides practical guidance about how to deliver different forms of interpretation, while avoiding potential pitfalls. Exploring some of the ethical questions that arise when presenting information to the public and offering a grounding in some of the theory that underpins interpretive work, the book will be suitable for those who are completely new to interpretation. Those who already have some experience will benefit from tools, advice and ideas to help build on their existing practice. Drawing upon the author’s professional experiences of working within, and for, the heritage sector, Interpreting Heritage provides advice and suggestions that will be essential for practitioners working in museums, art galleries, libraries, archives, outdoor sites, science centres, castles, stately homes and other heritage venues around the world. It will also be of interest to students of museum and heritage studies who want to know more about how heritage interpretation works in practice.