Author: Remmelt Daalder
Publisher:
ISBN: 9789059971790
Category : Marine art
Languages : en
Pages : 0
Book Description
Although the work of father and son Van de Velde received considerable attention from historians and art historians, no comprehensive monograph on the Van de Velde studio has so far been written. In this book Remmelt Daalder describes their careers as a case study of a 17th -century family firm specialising in maritime art. Instead of focusing on their artistic development per se, Daalder explores how they developed their products to keep apace with the art market in the 17th century. Exhibition: Scheepvaartmuseum, Amsterdam, The Netherlands (2016).
Van de Velde & Son, Marine Painters - the Firm of Willem Van de Velde the E
Author: Remmelt Daalder
Publisher:
ISBN: 9789059971790
Category : Marine art
Languages : en
Pages : 0
Book Description
Although the work of father and son Van de Velde received considerable attention from historians and art historians, no comprehensive monograph on the Van de Velde studio has so far been written. In this book Remmelt Daalder describes their careers as a case study of a 17th -century family firm specialising in maritime art. Instead of focusing on their artistic development per se, Daalder explores how they developed their products to keep apace with the art market in the 17th century. Exhibition: Scheepvaartmuseum, Amsterdam, The Netherlands (2016).
Publisher:
ISBN: 9789059971790
Category : Marine art
Languages : en
Pages : 0
Book Description
Although the work of father and son Van de Velde received considerable attention from historians and art historians, no comprehensive monograph on the Van de Velde studio has so far been written. In this book Remmelt Daalder describes their careers as a case study of a 17th -century family firm specialising in maritime art. Instead of focusing on their artistic development per se, Daalder explores how they developed their products to keep apace with the art market in the 17th century. Exhibition: Scheepvaartmuseum, Amsterdam, The Netherlands (2016).
Van de Velde & Son, Marine Painters
Author: Remmelt Daalder
Publisher:
ISBN: 9789059973145
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9789059973145
Category :
Languages : en
Pages :
Book Description
The Frigid Golden Age
Author: Dagomar Degroot
Publisher: Cambridge University Press
ISBN: 1108419313
Category : History
Languages : en
Pages : 387
Book Description
Explores the resilience of the Dutch Republic in the face of preindustrial climate change during the Little Ice Age.
Publisher: Cambridge University Press
ISBN: 1108419313
Category : History
Languages : en
Pages : 387
Book Description
Explores the resilience of the Dutch Republic in the face of preindustrial climate change during the Little Ice Age.
The Chinese Atlantic
Author: Sean Metzger
Publisher: Indiana University Press
ISBN: 0253047544
Category : History
Languages : en
Pages : 247
Book Description
In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways in which routes of commerce stretching back to the Dutch Golden Age have molded and continue to influence the social reproduction of Chineseness. With a particular focus on the Caribbean, Metzger investigates the expressive culture of Chinese migrants and the communities that received these waves of people. He interrogates central issues in the study of similar case studies from South Africa and England to demonstrate how Chinese Atlantic seascapes frame globalization as we experience it today. Frequently focusing on art that interacts directly with the sites in which it is located, Metzger explores how Chinese migrant laborers and entrepreneurs did the same to shape—both physically and culturally—the new spaces in which they found themselves. In this manner, Metzger encourages us to see how artistic imagination and practice interact with migration to produce a new way of framing the global.
Publisher: Indiana University Press
ISBN: 0253047544
Category : History
Languages : en
Pages : 247
Book Description
In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways in which routes of commerce stretching back to the Dutch Golden Age have molded and continue to influence the social reproduction of Chineseness. With a particular focus on the Caribbean, Metzger investigates the expressive culture of Chinese migrants and the communities that received these waves of people. He interrogates central issues in the study of similar case studies from South Africa and England to demonstrate how Chinese Atlantic seascapes frame globalization as we experience it today. Frequently focusing on art that interacts directly with the sites in which it is located, Metzger explores how Chinese migrant laborers and entrepreneurs did the same to shape—both physically and culturally—the new spaces in which they found themselves. In this manner, Metzger encourages us to see how artistic imagination and practice interact with migration to produce a new way of framing the global.
Skepticism’s Pictures
Author: Melissa Lo
Publisher: Penn State Press
ISBN: 0271096381
Category : History
Languages : en
Pages : 231
Book Description
In seventeenth-century northern Europe, as the Aristotelian foundations of scientia were rocked by observation, experiment, confessional strife, and political pressure, natural philosophers came to rely on the printed image to fortify their epistemologies—and none more so than René Descartes. In Skepticism’s Pictures, historian of science Melissa Lo chronicles the visual idioms that made, sustained, revised, and resisted Descartes’s new philosophy. Drawing on moon maps, political cartoons, student notebooks, treatises on practical mathematics, and other sources, Lo argues that Descartes transformed natural philosophy with the introduction of a new graphic language that inspired a wide range of pictorial responses shaped by religious affiliation, political commitment, and cultural convention. She begins by historicizing the graphic vocabularies of Descartes’s Essais and Principia philosophiae and goes on to analyze the religious and civic volatility of Descartes’s thought, which compelled defenders (such as Jacques Rohault and Wolferd Senguerd) to reconfigure his pictures according to their local visual cultures—and stimulated enemies (such as Gabriel Daniel) to unravel Descartes’s visual logic with devastating irony. In the epilogue, Lo explains why nineteenth-century French philosophers divorced Descartes’s thought from his pictures, creating a modern image of reason and a version of philosophy absent visuality. Engaging and accessible, Skepticism’s Pictures presents an exciting new approach to Descartes and the visual reception of seventeenth-century physics. It will appeal to historians of early modern European science, philosophy, art, and culture and to art historians interested in histories that give images their argumentative power.
Publisher: Penn State Press
ISBN: 0271096381
Category : History
Languages : en
Pages : 231
Book Description
In seventeenth-century northern Europe, as the Aristotelian foundations of scientia were rocked by observation, experiment, confessional strife, and political pressure, natural philosophers came to rely on the printed image to fortify their epistemologies—and none more so than René Descartes. In Skepticism’s Pictures, historian of science Melissa Lo chronicles the visual idioms that made, sustained, revised, and resisted Descartes’s new philosophy. Drawing on moon maps, political cartoons, student notebooks, treatises on practical mathematics, and other sources, Lo argues that Descartes transformed natural philosophy with the introduction of a new graphic language that inspired a wide range of pictorial responses shaped by religious affiliation, political commitment, and cultural convention. She begins by historicizing the graphic vocabularies of Descartes’s Essais and Principia philosophiae and goes on to analyze the religious and civic volatility of Descartes’s thought, which compelled defenders (such as Jacques Rohault and Wolferd Senguerd) to reconfigure his pictures according to their local visual cultures—and stimulated enemies (such as Gabriel Daniel) to unravel Descartes’s visual logic with devastating irony. In the epilogue, Lo explains why nineteenth-century French philosophers divorced Descartes’s thought from his pictures, creating a modern image of reason and a version of philosophy absent visuality. Engaging and accessible, Skepticism’s Pictures presents an exciting new approach to Descartes and the visual reception of seventeenth-century physics. It will appeal to historians of early modern European science, philosophy, art, and culture and to art historians interested in histories that give images their argumentative power.
Cyclopedia of Painters and Paintings
Author: John Denison Champlin
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 512
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 512
Book Description
The Netherlandish Painters of the Seventeenth Century
Author: Walther Bernt
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 416
Book Description
Willem Van de Velde & Son
Author: Jeroen van der Vliet
Publisher:
ISBN: 9789068688429
Category :
Languages : en
Pages : 176
Book Description
Around 1600, trade and shipping flourished in the Northern Netherlands as never before. This activity of ships on the water and in the many ports was a new, inexhaustible source of inspiration for painters who chose the sea as their subject. Among these marine painters were father and son Willem van de Velde. They worked closely together for over fifty years, first from their Amsterdam shop and from 1672 at the court of the English kings Charles II and James II. With their eye for detail and entrepreneurial talent, they became the most prominent marine painters of the seventeenth century.0Their studio has existed for over fifty years. Their productivity in that period was unprecedented, they made an estimated 2500 drawings and 800 paintings. Their works of art can now be found in the collections of all major museums in the world. The work of the Van de Veldes symbolizes the heyday of Dutch marine painting. Their departure to England in the winter of 1672 also marked the end of a period in which Dutch marine painters, like the war fleet they depicted throughout their lives, ruled in an artistic sense.00Exhibition: Het Scheepvaartmuseum, Amsterdam, the Netherlands (1.10.2021-27.3.2022).
Publisher:
ISBN: 9789068688429
Category :
Languages : en
Pages : 176
Book Description
Around 1600, trade and shipping flourished in the Northern Netherlands as never before. This activity of ships on the water and in the many ports was a new, inexhaustible source of inspiration for painters who chose the sea as their subject. Among these marine painters were father and son Willem van de Velde. They worked closely together for over fifty years, first from their Amsterdam shop and from 1672 at the court of the English kings Charles II and James II. With their eye for detail and entrepreneurial talent, they became the most prominent marine painters of the seventeenth century.0Their studio has existed for over fifty years. Their productivity in that period was unprecedented, they made an estimated 2500 drawings and 800 paintings. Their works of art can now be found in the collections of all major museums in the world. The work of the Van de Veldes symbolizes the heyday of Dutch marine painting. Their departure to England in the winter of 1672 also marked the end of a period in which Dutch marine painters, like the war fleet they depicted throughout their lives, ruled in an artistic sense.00Exhibition: Het Scheepvaartmuseum, Amsterdam, the Netherlands (1.10.2021-27.3.2022).
Belgium and Holland, Including the Grand-duchy of Luxembourg
Author: Karl Baedeker (Firm)
Publisher:
ISBN:
Category : Belgium
Languages : en
Pages : 604
Book Description
Publisher:
ISBN:
Category : Belgium
Languages : en
Pages : 604
Book Description
The Connoisseur
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 278
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 278
Book Description