Vampirism as a (Timeless) Image : Interpretation of Angela Carter's Radio Play "Vampirella" PDF Download
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Author: Sabrina Kreppel
Publisher: GRIN Verlag
ISBN: 3638218686
Category : Literary Criticism
Languages : en
Pages : 28
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Book Description
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2 (B), University of Frankfurt (Main) (Institute for England and American Studies), language: English, abstract: Thinking about the success of the scaring black-and-white movies with the famous vampire ‘Dracula’ in the 1950’s, the popularity of ‘The Small Vampire’ Rüdiger in the 1980’s or the effect of modern versions like ‘Interview with the Vampire’ or ‘Buffy – the Vampire Slayer’ nowadays, it appears that people never get enough from mystic, sometimes a little bit horrified stories about vampires, wolves and werewolves, dark castles, everlasting life & beauty and more things, which could neither be explained nor proved in reality. The British prose author and feminist philosopher of English literature Angela Carter (*1940 – 1992) knew the great fascination of folkloric material like fairy tales and superstitious legends well; and she made it to one of her favourite subjects of her literary work. With numerous, renewed fairy tales, novels, short stories, plays and verses she satisfied peoples’ desire for gothic and surrealistic stories diverting them from every-day-life. Due to the fact that the British Broadcasting Corporation’s radio plays had flourished in Britain after the Second World War and a lot of people enjoyed listening to them, Angela Carter paid attention to this sub-genre of drama and wrote several radio plays, too. Her first radio play Vampirella - broadcasted on 20th July 1976 in Radio 3 - was born as such. Even a quick listening (or rather reading) of the radio play reveals, that the serio-comedy Vampirella offers a lot of interesting aspects which cannot be seen immediately, but should be recognised by all means. This interpretation focuses on its peculiarities, which originate from the problematic theme of Vampirism on the one hand and the composite art of the young medium radio on the other hand. Moreover, it is a text-centred interpretation that analyses the text and not the author’s intention or the individual impression. Beginning with the obvious, the formal interpretation of structural features as time, place, action and characters and the radiophonic elements, the analysis will shift to the central themes and conflicts of the radio play. Above all the topic of Vampirism as a (Timeless) Image will appear again and again. Having been provided with various quotations from Vampirella it should be possible to get a sense of Angela Carter’s unmistakable style and to imagine the female-interpreted story in mind, although the real radio listening experience is missing.
Author: Sabrina Kreppel
Publisher: GRIN Verlag
ISBN: 3638218686
Category : Literary Criticism
Languages : en
Pages : 28
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Book Description
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2 (B), University of Frankfurt (Main) (Institute for England and American Studies), language: English, abstract: Thinking about the success of the scaring black-and-white movies with the famous vampire ‘Dracula’ in the 1950’s, the popularity of ‘The Small Vampire’ Rüdiger in the 1980’s or the effect of modern versions like ‘Interview with the Vampire’ or ‘Buffy – the Vampire Slayer’ nowadays, it appears that people never get enough from mystic, sometimes a little bit horrified stories about vampires, wolves and werewolves, dark castles, everlasting life & beauty and more things, which could neither be explained nor proved in reality. The British prose author and feminist philosopher of English literature Angela Carter (*1940 – 1992) knew the great fascination of folkloric material like fairy tales and superstitious legends well; and she made it to one of her favourite subjects of her literary work. With numerous, renewed fairy tales, novels, short stories, plays and verses she satisfied peoples’ desire for gothic and surrealistic stories diverting them from every-day-life. Due to the fact that the British Broadcasting Corporation’s radio plays had flourished in Britain after the Second World War and a lot of people enjoyed listening to them, Angela Carter paid attention to this sub-genre of drama and wrote several radio plays, too. Her first radio play Vampirella - broadcasted on 20th July 1976 in Radio 3 - was born as such. Even a quick listening (or rather reading) of the radio play reveals, that the serio-comedy Vampirella offers a lot of interesting aspects which cannot be seen immediately, but should be recognised by all means. This interpretation focuses on its peculiarities, which originate from the problematic theme of Vampirism on the one hand and the composite art of the young medium radio on the other hand. Moreover, it is a text-centred interpretation that analyses the text and not the author’s intention or the individual impression. Beginning with the obvious, the formal interpretation of structural features as time, place, action and characters and the radiophonic elements, the analysis will shift to the central themes and conflicts of the radio play. Above all the topic of Vampirism as a (Timeless) Image will appear again and again. Having been provided with various quotations from Vampirella it should be possible to get a sense of Angela Carter’s unmistakable style and to imagine the female-interpreted story in mind, although the real radio listening experience is missing.
Author: Angela Carter
Publisher: Random House
ISBN: 1784871435
Category : Fiction
Languages : en
Pages : 242
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Book Description
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
Author: James Clark
Publisher: The History Press
ISBN: 075249807X
Category : History
Languages : en
Pages : 354
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Book Description
It began with a key. One afternoon in 1956, in the home of the Hitchings family in Battersea, south London, a small silver key appeared on Shirley Hitchings' bed. This seemingly insignificant event heralded the beginning of one of the most terrifying, incredible and mysterious hauntings in British history. The spirit, who quickly became known as 'Donald', began to communicate, initially via tapping sounds, but over time - and with the encouragement of psychical researcher Harold Chibbett, whose case-files appear here – by learning to write. Soon, the spirit had begun to make simply incredible claims about his identity, insisting that he was one of the most famous figures in world history – but what was the truth? Here, for the first time, is the full story, told by the woman right at the heart of it all – Shirley herself.
Author: Angela Carter
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 168
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Book Description
People and animals are never what they seem. Men turn into werewolves in Angela Carter's classic play The Company of Wolves (now turned into a film). A beautiful girl turns out to be a vampire in Vampirella, a Transylvanian fable shadowed by the Great War. Meanwhile, Puss in Boots is out on the tiles, in a breathless entertainment. In Come Unto These Yellow Sand Carter takes you inside the eerie paintings of Richard Dadd ' to hear the beings within - the monsters produced by represssion - squeak and gibber and tell the truth'. In her introduction Angela Carter discusses the problems and delights of writing for radio: 'Radio retains the atavistic lure, the atavistic power, of voices in the dark, and the writers who gives he words to those voices retains some of the authority of the most antique tellers of tales'. The book includes nine reproductions of pictures by or of Richard Dadd.
Author: Gina Wisker
Publisher: Springer
ISBN: 1137303492
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
This book revives and revitalises the literary Gothic in the hands of contemporary women writers. It makes a scholarly, lively and convincing case that the Gothic makes horror respectable, and establishes contemporary women’s Gothic fictions in and against traditional Gothic. The book provides new, engaging perspectives on established contemporary women Gothic writers, with a particular focus on Angela Carter, Margaret Atwood and Toni Morrison. It explores how the Gothic is malleable in their hands and is used to demythologise oppressions based on difference in gender and ethnicity. The study presents new Gothic work and new nuances, critiques of dangerous complacency and radical questionings of what is safe and conformist in works as diverse as Twilight (Stephenie Meyer) and A Girl Walks Home Alone (Ana Lily Amirpur), as well as by Anne Rice and Poppy Brite. It also introduces and critically explores postcolonial, vampire and neohistorical Gothic and women’s ghost stories.
Author: Sean McMullen
Publisher: Melbourne University
ISBN:
Category : Fiction
Languages : en
Pages : 218
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Book Description
This book covers all Australian science fiction and fantasy authors, books and stories, as well as important magazines, sub-genres and works published electronically.
Author:
Publisher: PBS
ISBN: 9780780642461
Category : Brothers and sisters
Languages : en
Pages : 40
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Book Description
Even though Caillou's a little boy, he's got a big job: he's Rosie's big brother! This video helps kids learn the importance of sharing and cooperating, and the fun and responsibilities of sibling relationships.
Author: Caryl Churchill
Publisher: Drama
ISBN:
Category : Drama
Languages : en
Pages : 78
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Book Description
Author: Martine Hennard Dutheil de la Rochère
Publisher: Wayne State University Press
ISBN: 0814336353
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
In translating Charles Perrault's seventeenth-century Histoires ou contes du temps passé, avec des Moralités into English, Angela Carter worked to modernize the language and message of the tales before rewriting many of them for her own famous collection of fairy tales for adults, The Bloody Chamber, published two years later. In Reading, Translating, Rewriting: Angela Carter's Translational Poetics, author Martine Hennard Dutheil de la Rochère delves into Carter's The Fairy Tales of Charles Perrault (1977) to illustrate that this translation project had a significant impact on Carter's own writing practice. Hennard combines close analyses of both texts with an attention to Carter's active role in the translation and composition process to explore this previously unstudied aspect of Carter's work. She further uncovers the role of female fairy-tale writers and folktales associated with the Grimms' Kinder- und Hausmärchen in the rewriting process, unlocking new doors to The Bloody Chamber. Hennard begins by considering the editorial evolution of The Fairy Tales of Charles Perrault from 1977 to the present day, as Perrault's tales have been rediscovered and repurposed. In the chapters that follow, she examines specific linkages between Carter's Perrault translation and The Bloody Chamber, including targeted analysis of the stories of Red Riding Hood, Bluebeard, Puss-in-Boots, Beauty and the Beast, Sleeping Beauty, and Cinderella. Hennard demonstrates how, even before The Bloody Chamber, Carter intervened in the fairy-tale debate of the late 1970s by reclaiming Perrault for feminist readers when she discovered that the morals of his worldly tales lent themselves to her own materialist and feminist goals. Hennard argues that The Bloody Chamber can therefore be seen as the continuation of and counterpoint to The Fairy Tales of Charles Perrault, as it explores the potential of the familiar stories for alternative retellings. While the critical consensus reads into Carter an imperative to subvert classic fairy tales, the book shows that Carter valued in Perrault a practical educator as well as a proto-folklorist and went on to respond to more hidden aspects of his texts in her rewritings.
Author: Angela Carter
Publisher: Penguin
ISBN: 0140276955
Category : Literary Criticism
Languages : en
Pages : 657
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Book Description
"An electrifying intellectual autobiography, with all the narrative expanse, drama, outrage, and high comedy of the author’s fiction. Angela Carter is revealed here, anew, as one of the most important thinkers of twentieth-century world literature—and one of its most pungent voices.”—Rick Moody One of contemporary literature’s most original and affecting fiction writers, Angela Carter also wrote brilliant nonfiction. Shaking a Leg comprises the best of her essays and criticism, much of it collected for the first time. Carter’s acute observations are spiked with her piercing matter-of-factness, her devastating wit, her penchant for mockery, and her passion for the absurd. Whether discussing films or food, feminism or fantasy, science fiction or sex, Carter consistently explores new territories and overturns old ideas. No cultural icon escapes her scrutiny; as in her fiction, Carter offers glorious evidence of the transforming power of the imagination. From delightfully wicked commentaries on Gone with the Wind, a Japanese fertility festival, and fellow writers, including Lawrence, Lovecraft, Borges, and Burroughs, to enchanting personal essays, Carter shares her thoughts and herself with glee. “What a wonderful collection—sharp, funny, too decent for sarcasm but great wit and humanity, an unusual combination. But it makes us miss her, miss laughing with her, that real, intelligent, tough writing woman.”—Grace Paley
