UV-Vis Luminescence Imaging Techniques / Técnicas de imagen de luminiscencia UV-Vis PDF Download
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Author: Picollo, Marcello
Publisher: Editorial Universitat Politècnica de València
ISBN: 8490488282
Category : Art
Languages : en
Pages : 344
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Book Description
Ever since its first introduction in the field of conservation, the role of UV-VIS luminescence/fluorescence (UVL and UVf, respectively) imaging has been expanding.The unique and significant contribution of this technique for investigation of cultural heritage has led to the development of new methodologies and applications. Each chapter in this volume can be read independently. While this means that some repetition may occur between the individual chapters, in particular regarding the explanation of terminology and methodology, such overlap provides interesting opportunities for cross-comparison of both terminology and methodology. In addition, it highlights similarities and differences between different situations in the practical application.
Author: Picollo, Marcello
Publisher: Editorial Universitat Politècnica de València
ISBN: 8490488282
Category : Art
Languages : en
Pages : 344
Get Book Here
Book Description
Ever since its first introduction in the field of conservation, the role of UV-VIS luminescence/fluorescence (UVL and UVf, respectively) imaging has been expanding.The unique and significant contribution of this technique for investigation of cultural heritage has led to the development of new methodologies and applications. Each chapter in this volume can be read independently. While this means that some repetition may occur between the individual chapters, in particular regarding the explanation of terminology and methodology, such overlap provides interesting opportunities for cross-comparison of both terminology and methodology. In addition, it highlights similarities and differences between different situations in the practical application.
Author: Maria Perla Colombini
Publisher: Springer Nature
ISBN: 3030868656
Category : Social Science
Languages : en
Pages : 521
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Book Description
Forgeries present a daunting problem to art historians, museums, galleries and curators who face challenges in determining the authenticity of paintings. Recent progress in science has led to the development of new methods for investigating works of art, and can provide new insights into the materials found in paintings. The rise in the value of paintings together with the knowledge and skills of forgers highlights the need to develop reliable scientific procedures to identify fakes. Given the complexity of materials in paintings and the convergence of various disciplines, a methodological approach for nvestigations of paintings is based on art historical, curatorial, aesthetic, technical and scientific evaluation. In this book sophisticated digital and analytical techniques are reviewed for the identification of materials (pigments, binders, varnishes, adhesives) and the physical characteristics of paintings such as brushstrokes, craquelure and canvas weaves. This book presents an updated overview of both non-invasive and micro-invasive techniques that enable the material characterization of paintings. The materials constituting a painting are reviewed, as are ways that changes in materials over time can provide insights into chronology and physical history. State-of the art digital metods including multi and hyper-spectral imaging and computational approaches to data treatment will be presented. Analytical techniques developed and optimized to characterize binders, varnishes, and pigments are reviewed, focusing on materials which can provide information on ageing or provenance. Case studies of applications of synchrotron-based methods and the analysis of paintings are given, as are chapters devoted to legal aspects related to authenticity. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Barbara H. Berrie
Publisher: Princeton University Press
ISBN: 0691223718
Category : Art
Languages : en
Pages : 176
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Book Description
A concise illustrated history of one of art's most important and elusive elements Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments--the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created. From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.
Author: Jo Kirby
Publisher:
ISBN: 9781909492158
Category : Dyes and dyeing
Languages : en
Pages : 0
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Book Description
"How did textile dyers manipulate the natural dyes at their disposal to obtain the colours we see on fabrics and tapestries in museum collections today? How did colour makers prepare the translucent lake pigments used by artists to give richness and volume to painted draperies and subtle modulations of colour and space in the depiction of landscape? Some of the technological factors the dyer or pigment maker could control very easily have a marked effect on the final colour: the mordant salt used on the textile fibre; the temperature at which the dye was extracted from the raw material or dyeing was carried out; the method of extracting the during pigment preparation. These factors were explored as part of a research activity within the European project CHARISMA (Cultural Heritage Advanced Research Infrastructures -- Synergy for a Multidisciplinary Approach to Conservation/Restoration), a Research Infrastructures project founded by the European Union 7th Framework Programme (2009-2014, grant agreement no. 228330). Recipes for dyeing and lake pigment making using natural dyes, based on those found in historical documentary sources, were designed to study the effects of these and other factors and used during two CHARISMA workshops held in 2011 -- one on making traditional lake pigments, the other on dyeing. This book brings together the recipes used during these very successful workshops with discussions of the historical recipes upon which they were based and is illustrated with photographs taken during the workshops. The most widely used European natural dyes are described briefly and a short account of the chemistry of dyeing and lake pigment is included. The book is aimed primarily at those who need easily modified and reproducible recipes for teaching or scientific work: conservators, scientists and teachers." -- Provided by publisher
Author: Joseph R. Lakowicz
Publisher: Springer Science & Business Media
ISBN: 0387463127
Category : Science
Languages : en
Pages : 961
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Book Description
The third edition of this established classic text reference builds upon the strengths of its very popular predecessors. Organized as a broadly useful textbook Principles of Fluorescence Spectroscopy, 3rd edition maintains its emphasis on basics, while updating the examples to include recent results from the scientific literature. The third edition includes new chapters on single molecule detection, fluorescence correlation spectroscopy, novel probes and radiative decay engineering. Includes a link to Springer Extras to download files reproducing all book artwork, for easy use in lecture slides. This is an essential volume for students, researchers, and industry professionals in biophysics, biochemistry, biotechnology, bioengineering, biology and medicine.
Author: Prof Maria Perla Colombini
Publisher: John Wiley & Sons
ISBN: 0470741929
Category : Science
Languages : en
Pages : 508
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Book Description
Offers an overview of the analysis of art and archaeological materials using techniques based on mass spectrometry Illustrates basic principles, procedures and applications of mass spectrometric techniques. Fills a gap in the field of application on destructive methods in the analysis of museum objects Edited by a world-wide respected specialists with extensive experience of the GC/MS analysis of art objects Such a handbook has been long-awaited by scientists, restorers and other experts in the analysis of art objects
Author: James J. Rorimer
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
This book is the outcome of experiments in the examination of works of art under ultra-violet rays, conducted in the Museum in the late 1920s by James J. Rorimer. One of the first publications to provide an introduction to this method of accessing the condition and age of a work of art, Ultra-Violet Rays and Their Use in the Examination of Works of Art includes images of of several different objects in the Met's collection across cultures and media displayed under ultra-violet light.
Author: Terry T. Schaeffer
Publisher: Getty Publications
ISBN: 0892366451
Category : Art
Languages : en
Pages : 221
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Book Description
The impact of light on works of art and archival materials has long been an issue of concern to conservators and other museum professionals, yet the literature on this subject has never been systematically reviewed. This volume fills that gap by providing a survey of the impact of exposure to light with an emphasis on photoflash and reprographic sources. The information provided will assist the professional audience, especially conservators and collections managers, in assessing the risk to art and archival objects of such exposures. The text surveys relevant photophysical and photochemical principles, photometric and radiometric measurement, and the spectral outputs of several light sources. Materials discussed include colorants and natural fibers; pulp, paper, and wood; natural and synthetic polymers; fluorescent whitening agents; photographic and reprographic materials; and objects containing combinations of materials. Approximations and assumptions used in the evaluation process are discussed in some detail, with examples of the different types of calculations. The Research in Conservation reference series presents the findings of research conducted by the Getty Conservation Institute and its individual and institutional research partners, as well as state-of-the-art reviews of conservation literature. Each volume covers a topic of current interest to conservators and conservation scientists.
Author: Jerry Sedgewick
Publisher: Peachpit Press
ISBN: 0132104040
Category : Computers
Languages : en
Pages : 313
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Book Description
Adobe Photoshop is one of the more powerful tools available to scientists today. It is indispensable in the preparation of digital images of specimens for measurement, especially for separating relevant features from background detail. Scientific Imaging with Photoshop is the authoritative guide to the use of Photoshop in scientific research, with a special emphasis on the ethical ramifications of the use of image-enhancement software to extract data from digital images. Beginning Photoshop users will benefit from its tutorials in the basics of image processing, and more sophisticated users will appreciate the sections on automating Photoshop operations with actions. In addition, the book lays out procedures in straightforward language for acquiring digital images as well as outputting processed images in digital and hard-copy formats. Scientific Imaging with Photoshop provides all this and more: • Little-known methods separating features of interest from the background for subsequent quantification • How to make dense colors and subtle visual detail reproduce properly in publication • Correct Photoshop methods and techniques for all user levels • Procedures that are usable in legacy versions of Photoshop as well as Photoshop Elements and Photoshop Extended
Author: Joyce Hill Stoner
Publisher: Routledge
ISBN: 0429680961
Category : Art
Languages : en
Pages : 1394
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Book Description
Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included. Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.
