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Author: Cathy Helen Wardle
Publisher: MHRA
ISBN: 1904350631
Category : Repetition (Aesthetics)
Languages : en
Pages : 155
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Book Description
"Beyond 'Ecriture feminine' is the first book to be published exploring the work of the contemporary French author Jeanne Hyvrard (1945-) from her early novels of the 1970s up to some of her most recent texts. Moving critical accounts of Hyvrard beyond a focus upon ecriture feminine, it identifies the patterns though which her writing repeats and transforms creation mythology, her own oeuvre, and her own life, examining how intertextual repetitions bind her work together into a complex and ever expanding web of allusions and resonnances which engages the reader in a process of constant re-interpretation, challenging notions of linearity and reflecting the 'chaotic' reality of life in the Hyvrardian world."--BOOK JACKET.
Author: Cathy Helen Wardle
Publisher: MHRA
ISBN: 1904350631
Category : Repetition (Aesthetics)
Languages : en
Pages : 155
Get Book Here
Book Description
"Beyond 'Ecriture feminine' is the first book to be published exploring the work of the contemporary French author Jeanne Hyvrard (1945-) from her early novels of the 1970s up to some of her most recent texts. Moving critical accounts of Hyvrard beyond a focus upon ecriture feminine, it identifies the patterns though which her writing repeats and transforms creation mythology, her own oeuvre, and her own life, examining how intertextual repetitions bind her work together into a complex and ever expanding web of allusions and resonnances which engages the reader in a process of constant re-interpretation, challenging notions of linearity and reflecting the 'chaotic' reality of life in the Hyvrardian world."--BOOK JACKET.
Author: Filippo Andrei
Publisher: Springer
ISBN: 3319651153
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
This book explores the tangled relationship between literary production and epistemological foundation as exemplified in one of the masterpieces of Italian literature. Filippo Andrei argues that Giovanni Boccaccio's Decameron has a significant though concealed engagement with philosophy, and that the philosophical implications of its narratives can be understood through an epistemological approach to the text. He analyzes the influence of Dante, Petrarch, Thomas Aquinas, Aristotle, and other classical and medieval thinkers on Boccaccio's attitudes towards ethics and knowledge-seeking. Beyond providing an epistemological reading of the Decameron, this book also evaluates how a theoretical reflection on the nature of rhetoric and poetic imagination can ultimately elicit a theory of knowledge.
Author: Claude Panaccio
Publisher: Fordham Univ Press
ISBN: 0823272613
Category : Science
Languages : en
Pages : 446
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Book Description
The notion that human thought is structured like a language, with a precise syntax and semantics, has been pivotal in recent philosophy of mind. Yet it is not a new idea: it was systematically explored in the fourteenth century by William of Ockham and became central in late medieval philosophy. Mental Language examines the background of Ockham's innovation by tracing the history of the mental language theme in ancient and medieval thought. Panaccio identifies two important traditions: one philosophical, stemming from Plato and Aristotle, and the other theological, rooted in the Fathers of the Christian Church. The study then focuses on the merging of the two traditions in the Middle Ages, as they gave rise to detailed discussions over the structure of human thought and its relations with signs and language. Ultimately, Panaccio stresses the originality and significance of Ockham's doctrine of the oratio mentalis (mental discourse) and the strong impression it made upon his immediate successors.
Author: Marco Nievergelt
Publisher: Oxford University Press
ISBN: 0192849212
Category : Literary Criticism
Languages : en
Pages : 577
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Book Description
In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of Aristotle's works on logic and the natural sciences. This study therefore not only examines the intertextual and literary-historical relations linking the work of the three poets, but takes their shared interest in cognition and epistemology as a starting point to assess their wider cultural and intellectual significance in the context of broader developments in late medieval philosophy of mind, knowledge, and language. Vernacular literature more broadly played an extremely important role in lending an enlarged cultural resonance to philosophical ideas developed by scholastic thinkers, but it is also shown that allegorical narrative could prompt philosophical speculation on its own terms, deliberately interrogating the dominance and authority of scholastic discourses and institutions by using first-person fictional narrative as a tool for intellectual speculation.
Author: Emanuele Lugli
Publisher: University of Chicago Press
ISBN: 022661252X
Category : History
Languages : en
Pages : 345
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Book Description
An interdisciplinary history of standardized measurements. Measurement is all around us—from the circumference of a pizza to the square footage of an apartment, from the length of a newborn baby to the number of miles between neighboring towns. Whether inches or miles, centimeters or kilometers, measures of distance stand at the very foundation of everything we do, so much so that we take them for granted. Yet, this has not always been the case. This book reaches back to medieval Italy to speak of a time when measurements were displayed in the open, showing how such a deceptively simple innovation triggered a chain of cultural transformations whose consequences are visible today on a global scale. Drawing from literary works and frescoes, architectural surveys, and legal compilations, Emanuele Lugli offers a history of material practices widely overlooked by historians. He argues that the public display of measurements in Italy’s newly formed city republics not only laid the foundation for now centuries-old practices of making, but also helped to legitimize local governments and shore up church power, buttressing fantasies of exactitude and certainty that linger to this day. This ambitious, truly interdisciplinary book explains how measurements, rather than being mere descriptors of the real, themselves work as powerful molds of ideas, affecting our notions of what we consider similar, accurate, and truthful.
Author: Maria Luisa Ardizzone
Publisher: Cambridge Scholars Publishing
ISBN: 1443868213
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
Dante and Heterodoxy: The Temptations of 13th Century Radical Thought, edited and with an introduction by Maria Luisa Ardizzone, collects several studies devoted to discussing Dante’s work in the light of the intellectual debate that developed in thirteenth century Europe after the entrance of new Aristotelian learning and the diffusion of Greek-Arabic thought, in particular the Latin translations of works by Ibn Rushd (Averroes). What takes form in the various articles is the emerging of an interest in the philosophical and scientific contents of Dante’s opus. Heterodoxy in this volume is thus linked to, but not always coincident with, what medieval scholars such as Ferdinand Van Steenberghen or Alain De Libera term “radical Aristotelianism” or “Integral Aristotelianism”. The word “temptations”, as its meaning clearly shows, delineates not an organic link with heterodox or radical ideas, but rather an intermittent inclination to include or evaluate themes related to these ideas. “Temptations” implies a search, an interrogation that consists of the doubts and uncertainties of a poet strongly involved in the intellectual debate of his time and culture, and for whom philosophy and theology are not fields of opposition but different modes of inquiry.
Author: Juhana Toivanen
Publisher: BRILL
ISBN: 9004438467
Category : History
Languages : en
Pages : 448
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Book Description
In The Political Animal in Medieval Philosophy Juhana Toivanen investigates the foundations of human social life through the Aristotelian notion of ‘political animal’, as it was used in the thirteenth and fourteenth centuries.
Author: Filippo Gianferrari
Publisher: Oxford University Press
ISBN: 0198881789
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
In fourteenth-century Italy, literacy became accessible to a significantly larger portion of the lay population (allegedly between 60 and 80 percent in Florence) and provided a crucial means for the vernacularization and secularization of learning, and for the democratization of citizenship. Dante Alighieri's education and oeuvre sit squarely at the heart of this historical and cultural transition and provide an ideal case study for investigating the impact of Latin education on the consolidation of autonomous vernacular literature in the Middle Ages, a fascinating and still largely unexamined phenomenon. On the basis of manuscript and archival evidence, Gianferrari reconstructs the contents, practice, and readings of Latin instruction in the urban schools of fourteenth-century Florence. It also shows Dante's continuous engagement with this culture of teaching in his poetics, thus revealing his contribution to the expansion of vernacular literacy and education. The book argues that to achieve his unprecedented position of authority as a vernacular intellectual, Dante conceived his poetic works as an alternative educational program for laypeople, who could read and write in the vernacular but had little or no proficiency in Latin. By reconstructing the culture of literacy shared by Dante and his lay readers, Dante's Education shifts critical attention from his legacy as Italy's national poet, and a "great books" author in the Western canon, to his experience as a marginal intellectual engaged in advancing a marginal culture.
Author: Martin Eisner
Publisher: Cambridge University Press
ISBN: 1107513081
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Giovanni Boccaccio played a pivotal role in the extraordinary emergence of the Italian literary tradition in the fourteenth century, not only as author of the Decameron, but also as scribe of Dante, Petrarch and Cavalcanti. Using a single codex written entirely in Boccaccio's hand, Martin Eisner brings together material philology and literary history to reveal the multiple ways Boccaccio authorizes this vernacular literary tradition. Each chapter offers a novel interpretation of Boccaccio as a biographer, storyteller, editor and scribe, who constructs arguments, composes narratives, compiles texts and manipulates material forms to legitimize and advance a vernacular literary canon. Situating these philological activities in the context of Boccaccio's broader reflections on poetry in the Decameron and the Genealogy of the Gentile Gods, the book produces a new portrait of Boccaccio that integrates his vernacular and Latin works, while also providing a new context for understanding his fictions.
Author: James W. Manns
Publisher: Routledge
ISBN: 1315479397
Category : Law
Languages : en
Pages : 211
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Book Description
James Manns presents a readable and entertaining examination of the most serious questions posed by the arts and our relation to them. In a clear and engaging fashion, he explores the central issues in aesthetics: aesthetic judgment, the nature and role of criticism, the elusiveness of the concept of art, and communication through art, and he critically (but sympathetically) considers that principal theories of art that focus on expression, form, and representation. Through the use of extensive, entertaining, and current examples (including film), Manns conveys the solid basics relating to the history and development of aesthetic theories, tries out these various theories against the art of the last half century, then outlines his own view revolving around the artist's intention and the act of communication.
