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Author: Michael Austin
Publisher: U of Nebraska Press
ISBN: 0803232977
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
"We tell ourselves stories in order to live," Joan Didion observed inThe White Album. Why is this? Michael Austin asks, inUseful Fictions. Why, in particular, are human beings, whose very survival depends on obtaining true information, so drawn to fictional narratives? After all, virtually every human culture reveres some form of storytelling. Might there be an evolutionary reason behind our species' need for stories? Drawing on evolutionary biology, anthropology, narrative theory, cognitive psychology, game theory, and evolutionary aesthetics, Austin develops the concept of a "useful fiction," a simple narrative that serves an adaptive function unrelated to its factual accuracy. In his work we see how these useful fictions play a key role in neutralizing the overwhelming anxiety that humans can experience as their minds gather and process information. Rudimentary narratives constructed for this purpose, Austin suggests, provided a cognitive scaffold that might have become the basis for our well-documented love of fictional stories. Written in clear, jargon-free prose and employing abundant literary examplesfrom the Bible toOne Thousand and One Arabian NightsandDon QuixotetoNo ExitAustin's work offers a new way of understanding the relationship between fiction and evolutionary processesand, perhaps, the very origins of literature.
Author: Michael Austin
Publisher: U of Nebraska Press
ISBN: 0803232977
Category : Literary Criticism
Languages : en
Pages : 193
Get Book
Book Description
"We tell ourselves stories in order to live," Joan Didion observed inThe White Album. Why is this? Michael Austin asks, inUseful Fictions. Why, in particular, are human beings, whose very survival depends on obtaining true information, so drawn to fictional narratives? After all, virtually every human culture reveres some form of storytelling. Might there be an evolutionary reason behind our species' need for stories? Drawing on evolutionary biology, anthropology, narrative theory, cognitive psychology, game theory, and evolutionary aesthetics, Austin develops the concept of a "useful fiction," a simple narrative that serves an adaptive function unrelated to its factual accuracy. In his work we see how these useful fictions play a key role in neutralizing the overwhelming anxiety that humans can experience as their minds gather and process information. Rudimentary narratives constructed for this purpose, Austin suggests, provided a cognitive scaffold that might have become the basis for our well-documented love of fictional stories. Written in clear, jargon-free prose and employing abundant literary examplesfrom the Bible toOne Thousand and One Arabian NightsandDon QuixotetoNo ExitAustin's work offers a new way of understanding the relationship between fiction and evolutionary processesand, perhaps, the very origins of literature.
Author: Jeremy Bentham
Publisher: Psychology Press
ISBN: 9780415225557
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Frederick Bauer
Publisher: iUniverse
ISBN: 0595450520
Category : Language Arts & Disciplines
Languages : en
Pages : 78
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Book Description
The media bombard us with claims that are often strange, unclear, and even upsetting. Quantum physicists claim that "vacuum nothingness" is not really nothing, because it teems with energy and virtual particles. Psychological research suggests that most of our neighbors suffer from some degree of mental disorder. Social scientists assure us that science itself is simply a cultural myth. Can anyone sort out fact from fiction in today's world? The answer, thankfully, is "Yes " But first, you must make a radical shift in your approach, because serious thinking about reality involves serious thinking about fiction, not only in your everyday mind, but also in the scholarly and technical realms. For anyone who has ever wondered-and you should wonder-whether there really are such things as government, society, the economy, or even marriage, the deeply philosophical and utterly practical Logical Fictions shows you how a solid grounding in logic and language can help you avoid getting trapped by the ideological fictions prevalent in today's sophisticated world. Consider yourself warned: humorous and filled with entertaining examples, this book will stretch your brain and provoke your thoughts. Your view of the world may never be the same.
Author: Phil Rosenzweig
Publisher: Simon and Schuster
ISBN: 1847397026
Category : Business & Economics
Languages : en
Pages : 380
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Book Description
Why do some companies prosper while others fail? Despite great amounts of research, many of the studies that claim to pin down the secret of success are based in pseudoscience. THE HALO EFFECT is the outcome of that pseudoscience, a myth that Philip Rosenzweig masterfully debunks in THE HALO EFFECT. THE HALO EFFECT highlights the tendency of experts to point to the high financial performance of a successful company and then spread its golden glow to all of the company's attributes - clear strategy, strong values, and brilliant leadership. But in fact, as Rosenzweig clearly illustrates, the experts are not just wrong, but deluded. Rosenzweig suggests a more accurate way to think about leading a company, a robust and clearheaded approach that can save any business from ultimate failure.
Author: Stuart Ritchie
Publisher: Arrow
ISBN: 9781529110647
Category : Errors, Scientific
Languages : en
Pages : 368
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Book Description
Author: Urvashi Chakravarty
Publisher: University of Pennsylvania Press
ISBN: 0812298268
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
In Fictions of Consent Urvashi Chakravarty excavates the ideologies of slavery that took root in early modern England in the period that preceded the development of an organized trade in enslaved persons. Despite the persistent fiction that England was innocent of racialized slavery, Chakravarty argues that we must hold early modern England—and its narratives of exceptional and essential freedom—to account for the frameworks of slavery that it paradoxically but strategically engendered. Slavery was not a foreign or faraway phenomenon, she demonstrates; rather, the ideologies of slavery were seeded in the quotidian spaces of English life and in the everyday contexts of England's service society, from the family to the household, in the theater and, especially, the grammar school classroom, where the legacies of classical slavery and race were inherited and negotiated. The English conscripted the Roman freedman's figurative "stain of slavery" to register an immutable sign of bondage and to secure slavery to epidermal difference, even as early modern frameworks of "volitional service" provided the strategies for later fictions of "happy slavery" in the Atlantic world. Early modern texts presage the heritability of slavery in early America, reveal the embeddedness of slavery within the family, and illuminate the ways in which bloodlines of descent underwrite the racialized futures of enslavement. Fictions of Consent intervenes in a number of areas including early modern literary and cultural studies, premodern critical race studies, the reception of classical antiquity, and the histories of law, education, and labor to uncover the conceptual genealogies of slavery and servitude and to reveal the everyday sites where the foundations of racialized slavery were laid. Although early modern England claimed to have "too pure an Air for Slaves to breathe in," Chakravarty reveals slavery was a quintessentially English phenomenon.
Author: Peter S. Fosl
Publisher: John Wiley & Sons
ISBN: 1119103231
Category : Philosophy
Languages : en
Pages : 384
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Book Description
A new edition of the bestselling guide to the study of philosophy: the ideal intellectual ‘toolkit’ for sharpening analytical skills and building philosophical acuity Whether used as a guide to basic principles or a resource for key concepts and methods, The Philosopher's Toolkit equips readers with all the intellectual ‘tools’ necessary for engaging closely with philosophical argument and developing fluency in the methods and language of philosophical inquiry. Featuring accessible explanations, practical examples, and expert guidance, this text empowers readers to understand traditional philosophical thinking and to engage with new ideas. Focuses on the practical methods and concepts necessary for philosophical inquiry Presents a versatile resource for both novice and advanced students in areas of philosophy, critical theory, and rhetoric Adopts a pluralistic approach to teaching philosophy, making this a suitable resource for many courses Delivers extensive cross-referenced entries, recommended readings, and updated online resources Covers an array of topics, from basic tools of argumentation to sophisticated philosophical principles Fully revised and updated to include new topics and entries as well as expanded recommended reading lists to encourage further study
Author: Mauricio Suárez
Publisher: Routledge
ISBN: 1135854718
Category : Philosophy
Languages : en
Pages : 282
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Book Description
Science is popularly understood as being an ideal of impartial algorithmic objectivity that provides us with a realistic description of the world down to the last detail. The essays collected in this book—written by some of the leading experts in the field—challenge this popular image right at its heart, taking as their starting point that science trades not only in truth, but in fiction, too. With case studies that range from physics to economics and to biology, Fictions in Science reveals that fictions are as ubiquitous in scientific narratives and practice as they are in any other human endeavor, including literature and art. Of course scientific activity, most prominently in the formal sciences, employs logically precise algorithmic thinking. However, the key to the predictive and technological success of the empirical sciences might well lie elsewhere—perhaps even in scientists’ extraordinary creative imagination instead. As these essays demonstrate, within the bounds of what is empirically possible, a scientist’s capacity for invention and creative thinking matches that of any writer or artist.
Author: Mihai Spariosu
Publisher: Cornell University Press
ISBN: 9780801423277
Category : Aesthetics, Modern
Languages : en
Pages : 342
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Book Description
Mihai Spariosu here explores the significance of the closely linked concepts of play and aestheticism in philosophical and scientific discourse since the end of the eighteenth century. Spariosu points out that since its birth in archaic and classical Hellenic thought the concept of play has always been subject to the influences of various rational and prerational sets of values. Spariosu maintains that there have been not one but two major modern concepts of aestheticism: artistic aestheticism, related to a prerational mentality and introduced in modern thought by Schopenhauer and Nietzsche; and philosophicalscientific aestheticism, initiated by Kant and Schiller and shaped by rationalism. According to Spariosu, the first has often arisen in response to the attempts of philosophy and science to impose their standards on art, and the second has often been called on to deal with the epistemological crises that periodically shake these disciplines. Spariosu also looks closely at some of the play concepts that surface in modern science in connection with the Darwinian theory of evolution and the play of scientific discourse itself, as exemplified by the new physics and the contemporary philosophy of science. A penetrating and cogently argued book, Dionysus Reborn will be welcomed by readers interested in Continental philosophy, scientific discourse, and the aesthetics of play, including literary theorists, comparatists, philosophers, intellectual historians, and social scientists.
Author: Jacques-Henri Coste
Publisher: Springer Nature
ISBN: 3030365646
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
The Fictions of American Capitalism: Working Fictions and the Economic Novel introduces a new way of thinking about fiction in connection with capitalism, especially American capitalism. These essays demonstrate how fiction fulfills a major function of the American capitalist engine, presenting various formulations of American capitalism from the perspective of economists, social scientists, and literary critics. Focusing on three narratives—fictitious capital, working fictions, and the economic novel—the volume questions whether these three types of fiction can be linked under the sign of capitalism. This collection seeks to illustrate the American economy’s dependence on fictitiousness, America’s ideological fictions, and the nation’s creative literary fiction. In relation to what the credit and banking crisis of 2007–2008 exposed about the “unreal” base of the economy, the volume concludes with a call to recognize the economic humanities, arguing that American fiction and American literary studies can provide a useful mirror for economists.
