Author: Alison Margaret Smithson
Publisher: London : Studio Vista ; New York : Reinhold
ISBN: 9780289277645
Category : City planning
Languages : en
Pages : 96

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Book Description

Author: Alison Smithson
Publisher: London : Studio Vista ; New York : Reinhold
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 104

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Book Description

Author: Peter Smithson
Publisher:
ISBN:
Category :
Languages : en
Pages : 96

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Book Description

Author: Alison Smithson
Publisher: Springer Science & Business Media
ISBN: 9783907078426
Category : Aesthetics, Modern
Languages : en
Pages : 182

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Book Description
Architects Alison and Peter Smithson kept a visual diary of a drive from their London office to their Wiltshire cottage. The contrast of their sleek Citroen DS 19 with the verdant landscape links the urban and the rural in a sensible continuum. It was originally published as A Sensibility Primer in 1983.

Author: Alison Margaret Smithson
Publisher:
ISBN: 9781580930505
Category : Architecture
Languages : en
Pages : 599

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Book Description
The Smithsons have also added contemporary commentary to provide a context for the work."--BOOK JACKET.

Author: Peter Smithson
Publisher: Princeton Architectural Press
ISBN: 9781568984612
Category : Architecture
Languages : en
Pages : 108

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Book Description
The famous British Brutalist architect discusses his work and the process of thinking about architecture with students in a question-and-answer format.

Author: David Leatherbarrow
Publisher: MIT Press
ISBN: 9780262621946
Category : Architecture
Languages : en
Pages : 294

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Book Description
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the "free facade," presumes a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, Jacques Herzog, and Pierre de Meuron. The properties of a building's surface—whether it is made of concrete, metal, glass, or other materials—are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings.

Author: Alison Margaret Smithson
Publisher: 010 Publishers
ISBN: 9064505284
Category : Architects
Languages : en
Pages : 276

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Book Description
Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward

Author: Alison Smithson
Publisher: Princeton Architectural Press
ISBN:
Category : Technology & Engineering
Languages : en
Pages : 168

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Book Description

Author: Aldo Rossi
Publisher: MIT Press
ISBN: 9780262680431
Category : Architecture
Languages : en
Pages : 216

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Book Description
Aldo Rossi was a practicing architect and leader of the Italian architectural movement La Tendenza and one of the most influential theorists of the twentieth century. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.