Author: Helen Pierce
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 234
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Book Description
This engaging book is the first full study of the satirical print in seventeenth-century England from the rule of James I to the Regicide. It considers graphic satire both as a particular pictorial category within the wider medium of print and as a vehicle for political agitation, criticism, and debate. Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions. Published for the Paul Mellon Centre for Studies in British Art
Author: Michael Hunter
Publisher: Routledge
ISBN: 1351908863
Category : History
Languages : en
Pages : 409
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Book Description
Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.
Author: John Astington
Publisher: Cambridge University Press
ISBN: 1107121434
Category : Art
Languages : en
Pages : 295
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Book Description
This book demonstrates the pervading influence of visual art in the composition, production and reception of Renaissance English drama.
Author: Chris Kyle
Publisher: Stanford University Press
ISBN: 080478101X
Category : History
Languages : en
Pages : 290
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Book Description
This book chronicles the expansion and creation of new public spheres in and around Parliament in the early Stuart period. It focuses on two closely interconnected narratives: the changing nature of communication and discourse within parliamentary chambers and the interaction of Parliament with the wider world of political dialogue and the dissemination of information. Concentrating on the rapidly changing practices of Parliament in print culture, rhetorical strategy, and lobbying during the 1620s, this book demonstrates that Parliament not only moved toward the center stage of politics but also became the center of the post-Reformation public sphere. Theater of State begins by examining the noise of politics inside Parliament, arguing that the House of Commons increasingly became a place of noisy, hotly contested speech. It then turns to the material conditions of note-taking in Parliament and how and the public became aware of parliamentary debates. The book concludes by examining practices of lobbying, intersections of the public with Parliament within Westminster Palace, and Parliament's expanding print culture. The author argues overall that the Crown dispensed with Parliament because it was too powerful and too popular.
Author: Ted Powell
Publisher: Oxford University Press
ISBN: 0192514563
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
Before he fell in love with Wallis Simpson, Edward VIII had fallen in love with America. As a young Prince of Wales, Edward witnessed the birth of the American century at the end of the First World War and, captivated by the energy, confidence, and raw power of the USA as it strode onto the world stage, he paid a number of subsequent visits: surfing in Hawaii; dancing with an American shop-girl in Panama; and partying with the cream of New York society on Long Island. Eventually, of course, he fell violently in love with Wallis, a Southern belle and latter-day Scarlett O'Hara. Forceful, irreverent, and sassy, she embodied everything that Edward admired about modern America. But Edward's fascination with America was not unreciprocated. America was equally fascinated by the Prince, especially his love life, and he became an international media celebrity through newsreels, radio, and the press. Indeed, even in the decades after his abdication in 1936, Edward remained a celebrity in the US and a regular guest of Presidents and the elite of American society.
Author: Charles Urban Trading Co., Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
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Book Description
Author: T. P. Boultbee
Publisher: Wipf and Stock Publishers
ISBN: 1597523569
Category : Religion
Languages : en
Pages : 335
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Author: Thomas Pownall Boultbee
Publisher:
ISBN:
Category :
Languages : en
Pages : 346
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Author: Thomas Pownoll Boultbee
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
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Book Description
Author: Marguerite Tollemache
Publisher:
ISBN:
Category :
Languages : en
Pages :
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