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Author: Anne-Marie Simon-Van der Meersch
Publisher:
ISBN:
Category :
Languages : nl
Pages : 344
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Book Description
Author: Anne-Marie Simon-Van der Meersch
Publisher:
ISBN:
Category :
Languages : nl
Pages : 344
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : nl
Pages : 0
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Author: Eleonora Dorothea Hof
Publisher:
ISBN: 9789023971139
Category :
Languages : nl
Pages : 320
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Book Description
Dit proefschrift is een studie naar het postkolonialisme, met veel aandacht voor de beeldvorming van de zending in de koloniale periode. 0Eleonora Hof promoveerde in de missiologie aan de Protestantse Theologische Universiteit in Amsterdam. Ze is nu verbonden aan Union Theological Seminary in New York.
Author: Erika Kuijpers
Publisher: Brill Academic Pub
ISBN: 9789004261242
Category : History
Languages : en
Pages : 340
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Book Description
This volume examines the practice of memory in early modern Europe, showing that this was already a multimedia affair with many political uses, and affecting people at all levels of society; many pre-modern memory practices persist until today.
Author: Mariët Westermann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
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Book Description
The Dutch painter Jan Steen (1626-1679) has long enjoyed a reputation for his dissolute life, redeemed only by a keen eye for the follies of his contemporaries and an exquisite ability to capture his observations in paint. Steen's paintings of unruly households, rambunctious revels, and wily seductresses have come to define our image of the delicious and immoral excesses of the Golden Age. But rather than simply recording the illicit pleasures of Dutch burghers and peasants, Steen transformed them into ambitious genre paintings that rival the peasant epics of Bruegel the Elder and jest with the genteel idylls of Vermeer and Terborch. By placing Steen within Dutch society and culture of the seventeenth century, Mariet Westermann shows how the contradictions and parallels between his life and his art were essential to his innovative achievements. In a detailed analysis of his career and audience, she suggests how Steen became a comic painter and why his pictures appealed to prosperous urban connoisseurs. Documented throughout with seventeenth-century jokes, poems, and plays, The Amusements of Jan Steen gives the first full account of Steen's creative relationship to comic literature and performance.
Author: Ronald L. Grimes
Publisher:
ISBN: 0195301420
Category : Religion
Languages : en
Pages : 433
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Book Description
Readership: Students and scholars of ritual studies, religious studies, anthropology
Author: Jim Harries
Publisher: William Carey Publishing
ISBN: 0878086498
Category : Religion
Languages : en
Pages : 300
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Book Description
In this compendium, Jim articulates the impact of the nature and shape of the interface between the West and Africa, and how that interface works or does not work. Read on if you are interested in Africa, mission, development, globalisation, communication, linguistics, theology, dependency, or power dynamics in intercultural perspective. The conclusions reached in the fourteen articles in this compendium endorse Jim’s deepening conviction that some Western missionaries and development workers ought to engage in their ministries in Africa and the majority world using indigenous languages and locally available resources. To this end, Jim and some of his missionary colleagues formed the Alliance for Vulnerable Mission in 2007.
Author: Robert B Winans
Publisher: University of Illinois Press
ISBN: 0252050649
Category : Music
Languages : en
Pages : 490
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Book Description
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
Author: Richard Terdiman
Publisher: Cornell University Press
ISBN: 150171760X
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
This book is about memory—about how the past persists into the present, and about how this persistence has been understood over the past two centuries. Since the French Revolution, memory has been the source of an intense disquiet. Fundamental cultural theories have sought to understand it, and have striven to represent its stresses.
Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231169515
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the presentÑoften the very problems associated with television and the society shaped by itÑand to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.
