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Author: Michelle Brown
Publisher: Getty Publications
ISBN: 1606066110
Category : Art
Languages : en
Pages : 128
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Book Description
What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.
Author: Michelle Brown
Publisher: Getty Publications
ISBN: 1606066110
Category : Art
Languages : en
Pages : 128
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Book Description
What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.
Author: Michelle P. Brown
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 127
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Book Description
Author: Christopher De Hamel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
"Illuminated manuscripts are perhaps the most beautiful treasures to survive from the middle ages. This authoritative volume provides a comprehensive introduction to the medieval world of books, their production and their consumption. The text divides this world into different groups of readers and writers: missionaries, emperors, monks, students, aristocrats, priests, collectors and the general public. De Hamel is both informative and immensely readable, and the sumptuous illustrations render this book too good to be missed."--From Amazon.com
Author: Rowan Watson
Publisher: Victoria & Albert Museum
ISBN: 9780810966062
Category : Art
Languages : en
Pages : 0
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Book Description
The magnificent pages of medieval missals, books of hours, breviaries, and bibles sparkle with detail illuminating the world in which they were created. This splendid volume, featuring some of the finest illuminated masterpieces from the exceptional collections of the Victoria and Albert Museum, details the remarkable collaboration and craftsmanship that went into the creation of these delicate treasures. Close-up details show the intricacies of the various techniques used to create these fragile and rarely seen works. By helping the reader to appreciate the individual elements of illumination--the initials, borders, illustrations, script, and binding--Rowan Watson brings the world of the scribes, illuminators, and book dealers to life, and sheds light on the cooperative religious communities in which many of them worked. Watson also looks at the survival of illumination after the printing press and its revival in the 19th century in the hands of such pioneering designers as Owen Jones and William Morris.
Author: Richard Hayman
Publisher: Bloomsbury Publishing
ISBN: 1784422355
Category : Art
Languages : en
Pages : 65
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Book Description
Illuminated manuscripts are among the most beautiful, precious and mysterious works of Western art. Before the printing press was invented, books were produced by hand and their illustration using brightly coloured pigments and gold embellishments was a labour of love and an act of piety in itself. The results are stunning. The works emanating from the scriptoria of monasteries were mainly religious texts, including illuminated bibles, psalters, and works for private devotion known as books of hours. Illuminated Manuscripts describes the origin and history of illumination in the Middle Ages, covering the artists and their techniques, and the patrons who commissioned them. It explains the subject matter found in medieval works, such as saints and Bible stories and the use of ornamental flourishes, and is illustrated with many fine examples of the genre including the Lindisfarne Gospels and the Book of Kells.
Author: Christopher De Hamel
Publisher: University of Toronto Press
ISBN: 9780802077073
Category : Social Science
Languages : en
Pages : 78
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Book Description
Looks at the work of medieval paper, parchment, and ink makers, scribes, illuminators, binders, and booksellers
Author: Michelle P. Brown
Publisher: Getty Publications
ISBN: 1606065785
Category : Art
Languages : en
Pages : 130
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Book Description
A standard reference in the field of manuscript studies for over twenty years, now revised and updated with full-color illustrations throughout What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production. Praise for the first edition: “Highly recommended for a wide range of readers.”—CHOICE “Not only does it make lucid the most complex conventions of the illumination, but it is also a pocket history of the Middle Ages.”—Magazine Antiques
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 1606064363
Category : Art
Languages : en
Pages : 116
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Book Description
Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collectors around the world. The J. Paul Getty Museum holds the most recently formed institutional collection of its kind in the United States, yet it spans more than eight centuries and reflects many of the extraordinary achievements of the Italian tradition. Made up of whole manuscripts as well as leaves and cuttings, the Getty collection of Italian illumination contains nearly sixty works and includes the Montecassino Breviary, the Ferrarese Gualenghi-d’Este Hours, and the Roman gradual illuminated by Antonio da Monza for Santa Maria in Aracoeli. Other important acquisitions are one of the finest Bolognese Bibles of the thirteenth century; three leaves from the Laudario of Sant’Agnese, the most ambitious Florentine manuscript from the first half of the fourteenth century; and a missal once owned by the antipope John XXIII. This beautifully illustrated volume presents many splendid examples of Italian painting and illumination. Some are by noted artists such as Girolamo da Cremona, Pacino di Bonaguida, and Pisanello; others are attributed to artists known only by their works, such as the Master of Gerona, who is credited with one of the finest miniatures in the collection. This carefully crafted book is sure to become an essential resource for scholars, students, and collectors.
Author: Jonathan James Graham Alexander
Publisher: Yale University Press
ISBN: 9780300060737
Category : Art
Languages : en
Pages : 230
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Book Description
Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.
Author: Raymond Clemens
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
"This book provides an orientation to the field of medieval manuscript studies. It will be of help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Every chapter in this guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge."--Book jacket.
