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Author: Elana Levine
Publisher: Duke University Press
ISBN: 9780822340430
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
DIVCritical studies of the popular television show, BUFFY THE VAMPIRE SLAYER./div
Author: Elana Levine
Publisher: Duke University Press
ISBN: 9780822340430
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
DIVCritical studies of the popular television show, BUFFY THE VAMPIRE SLAYER./div
Author: R. R. Haywood
Publisher: Createspace Independent Publishing Platform
ISBN: 9781481010481
Category :
Languages : en
Pages : 486
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Book Description
A deadly infection spreads across Europe. The Undead Series: A terrifying account of one man desperately struggling to survive this harrowing event. The Undead. The First Seven Days Compilation Edition. Reviews from The Undead series: "5 stars isn't enough! Far and away the best zombie series around!" "This is a sure-fire, cult hit of a series" "One of the best series out there and one of the best authors of this genre - totally gripping and will have you at the edge of your seat." "each and every book will leave you begging for the next one." "each one is a masterpiece all on its own." "Another amazing instalment." "Haywood sure is improving like a fine wine." "this story simply gets better and better." "Once again the subplots weave around one another, coming together with quality timing." "Each time I finish reading I'm exhausted, overjoyed, anxious and fearful of what's coming next." "Brilliant writing from start to end." "Well done RR Haywood, please do not stop doing what you are doing." "This has been the best zombie series I've read." "I cannot begin to describe how exciting and spellbinding The Unread series is." "I just want to keep getting lost in the story." "I like zombie books. A lot. But the character development, the humour, the action and the banter in this series make it the best I have ever read."
Author: Leon Hunt
Publisher: Bloomsbury Publishing
ISBN: 0857723502
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
The vampire and the zombie, the two most popular incarnations of the undead, are brought together for a forensic critical investigation in Screening the Undead. Both have a long history in popular fiction, film, television, comics and games; the vampire also remains central to popular culture today, from literary 'paranormal romance' to cult TV and movie franchises - by turns romantic, tortured, grotesque, countercultural, a goth icon or lonely outsider. The zombie can shamble or, nowadays, sprint with alarming velocity, and even dance. It frequently lends itself to metaphor and can stand in for fascism or ecological disaster, but is perhaps most frequently a harbinger and instrument of the apocalypse. Leading writers on Horror and cult media consider the sexy vampire and the grotesque zombie, as well as hybrid figures who do not fit neatly into either category. These are examined across a range of contexts, from the Swedish vampire to the Afro-American Blacula, from the lesbian vampire to the gay zombie, from the Spanish Knights Templar riding skeletal horses to dancing Japanese zombies. Screening the Undead sheds new light on these two icons of terror - and desire - whose popular longevity has taken them 'Beyond Life'.
Author: R. Haywood
Publisher: Createspace Independent Publishing Platform
ISBN: 9781480295049
Category :
Languages : en
Pages : 110
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Book Description
An infection spreads across Europe. The Undead Day One is a terrifying account of one man desperately struggling to survive this harrowing event.
Author: Stefania Marghitu
Publisher: Routledge
ISBN: 1351859676
Category : Social Science
Languages : en
Pages : 172
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Book Description
Teen TV explores the history of television’s relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and teen media. Organized chronologically to cover each generation since the inception of the medium in the 1940s, the book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth-targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genre formations of teen TV and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including Degrassi’s Linda Schuyler, and the costume designer that established a heightened turn in the significance of teen fashion on the small screen in Gossip Girl, Eric Daman. This book will be of interest to students, scholars, and teachers interested in television aesthetics, TV genres, pop culture, and youth culture, as well as media and television studies.
Author: James Lyons
Publisher: Taylor & Francis
ISBN: 1000814165
Category : Social Science
Languages : en
Pages : 292
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Book Description
This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways. The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and thematic elements seen in shows such as Girls, Breaking Bad, Master of None, or Glow; points to a shared interest in regional sensibilities evident in shows like One Mississippi or Fargo; and makes the case for documentaries and web series as significant entities in this domain. Collectively, the book builds a compelling picture of indie TV as a significant feature of US screen entertainment in the 21st Century. This interdisciplinary landmark volume will be a go-to reference for students and scholars of Television Studies, Film Studies and Media Studies.
Author: Don Macnaughtan
Publisher: McFarland
ISBN: 1476670595
Category : Reference
Languages : en
Pages : 282
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Book Description
Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
Author: Lorna Jowett
Publisher: Bloomsbury Publishing
ISBN: 0857736477
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
Horror is a universally popular, pervasive TV genre, with shows like True Blood, Being Human, The Walking Dead and American Horror Story making a bloody splash across our television screens. This complete, utterly accessible, sometimes scary new book is the definitive work on TV horror. It shows how this most adaptable of genres has continued to be a part of the broadcast landscape, unsettling audiences and pushing the boundaries of acceptability. The authors demonstrate how TV Horror continues to provoke and terrify audiences by bringing the monstrous and the supernatural into the home, whether through adaptations of Stephen King and classic horror novels, or by reworking the gothic and surrealism in Twin Peaks and Carnivale. They uncover horror in mainstream television from procedural dramas to children's television and, through close analysis of landmark TV auteurs including Rod Serling, Nigel Kneale, Dan Curtis and Stephen Moffat, together with case studies of such shows as Dark Shadows, Dexter, Pushing Daisies, Torchwood, and Supernatural, they explore its evolution on television. This book is a must-have for those studying TV Genre as well as for anyone with a taste for the gruesome and the macabre.
Author: David Lavery
Publisher: University Press of Kentucky
ISBN: 0813181496
Category : Performing Arts
Languages : en
Pages : 507
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Book Description
The Essential Cult TV Reader is a collection of insightful essays that examine television shows that amass engaged, active fan bases by employing an imaginative approach to programming. Once defined by limited viewership, cult TV has developed its own identity, with some shows gaining large, mainstream audiences. By exploring the defining characteristics of cult TV, The Essential Cult TV Reader traces the development of this once obscure form and explains how cult TV achieved its current status as legitimate television. The essays explore a wide range of cult programs, from early shows such as Star Trek, The Avengers, Dark Shadows, and The Twilight Zone to popular contemporary shows such as Lost, Dexter, and 24, addressing the cultural context that allowed the development of the phenomenon. The contributors investigate the obligations of cult series to their fans, the relationship of camp and cult, the effects of DVD releases and the Internet, and the globalization of cult TV. The Essential Cult TV Reader answers many of the questions surrounding the form while revealing emerging debates on its future.
Author: Roberta Pearson
Publisher: Univ of California Press
ISBN: 0520276221
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the program’s first captain, William Shatner, in an interview with the authors: “It’s a television show.” In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star Trek’s existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative “storyworld” of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.
