Author: Bathroom Readers' Institute
Publisher: Simon and Schuster
ISBN: 162686375X
Category : Humor
Languages : en
Pages : 214
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Book Description
From the world leader in fascinating facts and amusing true stories comes a book about all things beer. For more than 25 years, Uncle John’s Bathroom Reader has helped you learn amazing things you didn’t know (and amazing things you didn’t know you didn’t know). Now, Uncle John’s tackles one of the world’s best loved and—fastest growing interests— beer. Pull up a stool and chug a pint of Beer-Topia, a rich, deep-bodied keg of beer knowledge, beer trivia, beer history, and beer fun. In recent years, beer has evolved from the swill your uncle drank at the bowling alley to the explosively-popular “microbrew” culture. There’s a lot to explore about the beer phenomenon, and Beer-Topia will plumb the depths. What’s on tap: The histories and origins of all the different styles of beers Interesting (and weird) beer flavors The science of beer, and how it’s made Crazy beer-related news stories Beer terminology Funny microbrew names And lots, lots more!
Author: Jeff Giles
Publisher: Createspace Independent Publishing Platform
ISBN: 9781492385646
Category : One life to live (Television program)
Languages : en
Pages : 0
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Book Description
During its more than four decades in the ABC daytime lineup, "One Life to Live" told countless stories, from sensational adventures to thoughtful social commentary. But the tales that went untold -- the experiences of the writers, producers, cast and crew behind the scenes -- are just as fascinating as any kidnapping, baby switch, or courtroom confession. Today, network soaps are struggling for survival against cheaper-to-produce talk shows and reality series, but their cultural impact resonates more strongly than ever -- and a tribute to the work that goes into producing them is long overdue. To that end, "Llanview in the Afternoon: An Oral History of One Life to Live" focuses on some of the most unique aspects of working on a five-day-a-week television series -- from the actors, who had to deal with the daytime stigma and the psychology of living so intimately with their characters for extended periods of time, to the crew, who produced scripts and episodes at a blistering pace while working with a dwindling pool of network resources. Featuring interviews with more than 50 "One Life to Live" veterans, including Erika Slezak, Robin Strasser, Robert S. Woods, Hilary B. Smith, Ilene Kristen, Kassie DePaiva, Michael Storm, Judith Light, and Nathan Fillion -- plus many more -- "Llanview in the Afternoon: An Oral History of One Life to Live" offers readers a one-of-a-kind perspective on one of television's longest-running shows.
Author: Barry Joseph
Publisher: Behrman House Publishing
ISBN: 9780874419757
Category : Business & Economics
Languages : en
Pages : 304
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Book Description
Welcome to the age of effervescence. Throughout history and across America today, seltzer's fizzy flavor has attracted a loyalty and passion that often defies logic. Seltzer is more popular now than at any time in history, reflecting the cultural desires of those who partake of its bubbles. How did such an ordinary drink become so extraordinary?
Author: Paul Fussell
Publisher: Simon and Schuster
ISBN: 0671792253
Category : Social Science
Languages : en
Pages : 212
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Book Description
This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.
Author: Matthew Strohl
Publisher: Routledge
ISBN: 1000512797
Category : Philosophy
Languages : en
Pages : 141
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Book Description
Most people are too busy to keep up with all the good movies they’d like to see, so why should anyone spend their precious time watching the bad ones? In Why It’s OK to Love Bad Movies, philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best. Through detailed discussions of films such as Troll 2, The Room, Batman & Robin, Twilight, Ninja III: The Domination, and a significant portion of Nicolas Cage’s filmography, Strohl argues that so-called "bad movies" are the ones that break the rules of the art form without the aura of artistic seriousness that surrounds the avant-garde. These movies may not win any awards, but they offer rich opportunities for creative engagement and enable the formation of lively fan communities, and they can be a key ingredient in a fulfilling aesthetic life. Key Features: Written in a humorous, approachable style, appealing to readers with no background in philosophy. Elaborates the rewards of loving bad movies, such as forming unlikely social bonds and developing refinement without narrowness. Discusses a wide range of beloved bad movies, including Plan 9 from Outer Space, The Core, Battlefield Earth, and Freddy Got Fingered. Contains the most extensive discussion of Nicolas Cage ever included in a philosophy book.
Author: Ruth Finnegan
Publisher: Open Book Publishers
ISBN: 1906924333
Category : Language Arts & Disciplines
Languages : en
Pages : 350
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Book Description
Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near.Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan 's fascinating study sets our present conventions into crosscultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing defi nitions and control of quoting over the millennia and in doing so throws new light on ideas such as imitation, allusion, authorship, originality and plagiarism .
Author: John Joseph Adams
Publisher: Start Publishing LLC
ISBN: 1597802883
Category : Fiction
Languages : en
Pages : 520
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Book Description
From Huxley's Brave New World, to Orwell's 1984, to Atwood's The Handmaid's Tale, dystopian books have always been an integral part of both science fiction and literature, and have influenced the broader culture discussion in unique and permanent ways. Brave New Worlds brings together the best dystopian fiction of the last 30 years, demonstrating the diversity that flourishes in this compelling subgenre. This landmark tome contains stories by Ursula K. Le Guin, Cory Doctorow, M. Rickert, Paolo Bacigalupi, Orson Scott Card, Neil Gaiman, Ray Bradbury, and many others.
Author: David Taras
Publisher: Athabasca University Press
ISBN: 1926836812
Category : Computers
Languages : en
Pages : 401
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Book Description
A comprehensive, up to date, and probing examination of media and politics in Canada.
Author: George Melnyk
Publisher: Athabasca University Press
ISBN: 1927356598
Category : Social Science
Languages : en
Pages : 319
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Book Description
Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. No longer primarily defined through the lens of rural nostalgia, Canadian urban identity is instead polyphonic, diverse, constructed through multiple discourses and mediums, an exchange rather than a strict orientation. Taking on the urban as setting and subject, filmmakers are ideally poised to create and reflect multiple versions of a single city. Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Drawing on film and urban studies and building upon issues of identity formation in Canadian studies, Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
Author: John Corbett
Publisher: Duke University Press
ISBN: 9780822314738
Category : Music
Languages : en
Pages : 364
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Book Description
In Extended Play, one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae. Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world's most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today.
