Author: Scott T. Smith
Publisher: Penn State Press
ISBN: 0271086300
Category : Comics & Graphic Novels
Languages : en
Pages : 255
Book Description
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.
Uncanny Bodies
Author: Scott T. Smith
Publisher: Penn State Press
ISBN: 0271086300
Category : Comics & Graphic Novels
Languages : en
Pages : 255
Book Description
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.
Publisher: Penn State Press
ISBN: 0271086300
Category : Comics & Graphic Novels
Languages : en
Pages : 255
Book Description
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.
Uncanny Bodies
Author: Robert Spadoni
Publisher: Univ of California Press
ISBN: 0520251229
Category : Performing Arts
Languages : en
Pages : 208
Book Description
“Through meticulous historical research, Spadoni in Uncanny Bodies provides a fine understanding of the aesthetic and cultural context in which the original Universal film version of Dracula appeared. Through analyses of films that came before and after, he successfully restores Dracula's strangeness for a contemporary audience, a strangeness that reflects the rapidly evolving conventions of the early sound film. A significant contribution to reception studies, Uncanny Bodies makes us see why Dracula, while holding little terror for subsequent audiences, is nevertheless both a foundational work for the horror film, and also, paradoxically, an anomaly, one effectively overshadowed by Frankenstein.”—William Paul, author of Laughing Screaming: Modern Hollywood Horror and Comedy "Uncanny Bodies is a pleasure to read. I know of no other work that has looked as closely at early sound and horror films to make a persuasive argument about horror's relation to the beginnings of sound film. Given the voluminous literature on Universal horror films, Spadoni presents some very original ideas and frames his inquiry in an interesting way."—Jan-Christopher Horak, editor of Lovers of Cinema: The First American Film Avant-Garde, 1919-1945
Publisher: Univ of California Press
ISBN: 0520251229
Category : Performing Arts
Languages : en
Pages : 208
Book Description
“Through meticulous historical research, Spadoni in Uncanny Bodies provides a fine understanding of the aesthetic and cultural context in which the original Universal film version of Dracula appeared. Through analyses of films that came before and after, he successfully restores Dracula's strangeness for a contemporary audience, a strangeness that reflects the rapidly evolving conventions of the early sound film. A significant contribution to reception studies, Uncanny Bodies makes us see why Dracula, while holding little terror for subsequent audiences, is nevertheless both a foundational work for the horror film, and also, paradoxically, an anomaly, one effectively overshadowed by Frankenstein.”—William Paul, author of Laughing Screaming: Modern Hollywood Horror and Comedy "Uncanny Bodies is a pleasure to read. I know of no other work that has looked as closely at early sound and horror films to make a persuasive argument about horror's relation to the beginnings of sound film. Given the voluminous literature on Universal horror films, Spadoni presents some very original ideas and frames his inquiry in an interesting way."—Jan-Christopher Horak, editor of Lovers of Cinema: The First American Film Avant-Garde, 1919-1945
Uncanny Bodies
Author: Pippa Goldschmidt
Publisher:
ISBN: 9781913387228
Category :
Languages : en
Pages : 292
Book Description
One hundred years ago Freud's definition of the uncanny was 'not the strange, but the familiar become strange'. In this anthology of new work from a range of writers and academics, the uncanny is a place where you feel at home - until home turns against you. It's a city where the streets can't join up. The uncanny alienates your own body from you through medical advances, such as prosthetic limbs or cardiac defibrillators. The 'uncanny valley' is a landscape where robots try to imitate you. This anthology gets beneath the skin and into the depths of what it means to be human in an age of machines and genes. Featuring papers and stories from Pippa Goldschmidt, Gill Haddow, Fadhila Mazanderani, Jane Alexander, Ruth Aylett, Christine De Luca, Vassilis Galanos, Jules Horne, Donna McCormack, Aoife S. McKenna, Jane McKie, nicky melville, Dilys Rose, Naomi Salman, Helen Sedgwick, Sarah Stewart, Alice Tarbuck, Clare Uytman, Sara Wasson, Neil Williamson and Eris Young.
Publisher:
ISBN: 9781913387228
Category :
Languages : en
Pages : 292
Book Description
One hundred years ago Freud's definition of the uncanny was 'not the strange, but the familiar become strange'. In this anthology of new work from a range of writers and academics, the uncanny is a place where you feel at home - until home turns against you. It's a city where the streets can't join up. The uncanny alienates your own body from you through medical advances, such as prosthetic limbs or cardiac defibrillators. The 'uncanny valley' is a landscape where robots try to imitate you. This anthology gets beneath the skin and into the depths of what it means to be human in an age of machines and genes. Featuring papers and stories from Pippa Goldschmidt, Gill Haddow, Fadhila Mazanderani, Jane Alexander, Ruth Aylett, Christine De Luca, Vassilis Galanos, Jules Horne, Donna McCormack, Aoife S. McKenna, Jane McKie, nicky melville, Dilys Rose, Naomi Salman, Helen Sedgwick, Sarah Stewart, Alice Tarbuck, Clare Uytman, Sara Wasson, Neil Williamson and Eris Young.
Elegies for Uncanny Girls
Author: Jennifer Colville
Publisher: Indiana University Press
ISBN: 0253024366
Category : Fiction
Languages : en
Pages : 140
Book Description
The ordinary and the extraordinary merge in the strange and complex lives of young women in this “frequently luminous” debut short story collection (Kirkus Reviews). Unsettling and perceptive, this debut story collection challenges our notion of American girlhood in all its delusions, conflicting messages, and treacherous terrain. Alternately wide-eyed, wise, and mysterious, the girls at the center of these stories leave their realities behind for curious new places where the barrier between real and unreal begins to blur. Still others hover over their Midwestern homes in interior worlds of their own creation. The stories in Elegies for Uncanny Girls take place at a boundary where both the girls’ bodies and their narratives belong either to themselves or to the cultures that surround them. A young woman whose body continually shrinks and expands moves to Los Angeles to make a movie about tragic merpeople; bewildered and seeking guidance, a new mom strikes up a conversation with a woman with detachable hands; and spurred on by a new ally who might just be a figment of her imagination, a girl decides she can choose her own friends. “Brisk, satisfying, and fiercely observant.” —Publishers Weekly
Publisher: Indiana University Press
ISBN: 0253024366
Category : Fiction
Languages : en
Pages : 140
Book Description
The ordinary and the extraordinary merge in the strange and complex lives of young women in this “frequently luminous” debut short story collection (Kirkus Reviews). Unsettling and perceptive, this debut story collection challenges our notion of American girlhood in all its delusions, conflicting messages, and treacherous terrain. Alternately wide-eyed, wise, and mysterious, the girls at the center of these stories leave their realities behind for curious new places where the barrier between real and unreal begins to blur. Still others hover over their Midwestern homes in interior worlds of their own creation. The stories in Elegies for Uncanny Girls take place at a boundary where both the girls’ bodies and their narratives belong either to themselves or to the cultures that surround them. A young woman whose body continually shrinks and expands moves to Los Angeles to make a movie about tragic merpeople; bewildered and seeking guidance, a new mom strikes up a conversation with a woman with detachable hands; and spurred on by a new ally who might just be a figment of her imagination, a girl decides she can choose her own friends. “Brisk, satisfying, and fiercely observant.” —Publishers Weekly
The Architectural Uncanny
Author: Anthony Vidler
Publisher: MIT Press
ISBN: 9780262720182
Category : Architecture
Languages : en
Pages : 286
Book Description
Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The Architectural Uncanny presents an engaging and original series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical—serving to situate contemporary discourse in its own intellectual tradition and theoretical—opening up the complex and difficult relationships between politics, social thought, and architectural design in an era when the reality of homelessness and the idealism of the neo-avant-garde have never seemed so far apart. Vidler, one of the deftest and surest critics of the contemporary scene, explores aspects of architecture through notions of the uncanny as they have been developed in literature, philosophy, and psychology from the beginning of the nineteenth century to the present. He interprets the unsettling qualities of today's architecture—its fragmented neo-constructivist forms reminiscent of dismembered bodies, its "seeing walls" replicating the passive gaze of domestic cyborgs, its historical monuments indistinguishable from glossy reproductions - in the light of modern reflection on questions of social and individual estrangement, alienation, exile, and homelessness. Focusing on the work of architects such as Bernard Tschumi, Rem Koolhaas, Peter Eisenman, Coop Himmelblau, John Hejduk, Elizabeth Diller, and Ricardo Scofidio, as well as theorists of the urban condition, Vidler delineates the problems and paradoxes associated with the subject of domesticity.
Publisher: MIT Press
ISBN: 9780262720182
Category : Architecture
Languages : en
Pages : 286
Book Description
Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The Architectural Uncanny presents an engaging and original series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical—serving to situate contemporary discourse in its own intellectual tradition and theoretical—opening up the complex and difficult relationships between politics, social thought, and architectural design in an era when the reality of homelessness and the idealism of the neo-avant-garde have never seemed so far apart. Vidler, one of the deftest and surest critics of the contemporary scene, explores aspects of architecture through notions of the uncanny as they have been developed in literature, philosophy, and psychology from the beginning of the nineteenth century to the present. He interprets the unsettling qualities of today's architecture—its fragmented neo-constructivist forms reminiscent of dismembered bodies, its "seeing walls" replicating the passive gaze of domestic cyborgs, its historical monuments indistinguishable from glossy reproductions - in the light of modern reflection on questions of social and individual estrangement, alienation, exile, and homelessness. Focusing on the work of architects such as Bernard Tschumi, Rem Koolhaas, Peter Eisenman, Coop Himmelblau, John Hejduk, Elizabeth Diller, and Ricardo Scofidio, as well as theorists of the urban condition, Vidler delineates the problems and paradoxes associated with the subject of domesticity.
Monstrous Bodies
Author: Miri Nakamura
Publisher: Harvard University Press
ISBN: 9780674504325
Category : Fantasy fiction, Japanese
Languages : en
Pages : 0
Book Description
Miri Nakamura examines bodily metaphors such as doppelgangers and robots that were ubiquitous in the literature of imperial Japan. Reading them against the historical rise of the Japanese empire, she argues they must be understood in relation to the most "monstrous" body of all in modern Japan: the carefully constructed image of the empire itself.
Publisher: Harvard University Press
ISBN: 9780674504325
Category : Fantasy fiction, Japanese
Languages : en
Pages : 0
Book Description
Miri Nakamura examines bodily metaphors such as doppelgangers and robots that were ubiquitous in the literature of imperial Japan. Reading them against the historical rise of the Japanese empire, she argues they must be understood in relation to the most "monstrous" body of all in modern Japan: the carefully constructed image of the empire itself.
Fruiting Bodies: Stories
Author: Kathryn Harlan
Publisher: W. W. Norton & Company
ISBN: 1324021233
Category : Fiction
Languages : en
Pages : 178
Book Description
Finalist for the 2023 PEN/Faulkner Award for Fiction One of Vulture's Best Books of the Year “Expansively fantastical and palpably real.” —Mary Retta, Vulture This genre-bending debut collection of stories constructs eight eerie worlds full of desire, wisdom, and magic blooming amid decay. In stories that beckon and haunt, Fruiting Bodies ranges confidently from the fantastical to the gothic to the uncanny as it follows characters—mostly queer, mostly women—on the precipice of change. Echoes of timeless myth and folklore reverberate through urgent narratives of discovery, appetite, and coming-of-age in a time of crisis. In “The Changeling,” two young cousins wait in dread for a new family member to arrive, convinced that he may be a dangerous supernatural creature. In “Endangered Animals,” Jane prepares to say goodbye to her almost-love while they road-trip across a country irrevocably altered by climate change. In “Take Only What Belongs to You,” a queer woman struggles with the personal history of an author she idolized, while in “Fiddler, Fool, Pair,” an anthropologist is drawn into a magical—and dangerous—gamble. In the title story, partners Agnes and Geb feast peacefully on the mushrooms that sprout from Agnes’s body—until an unwanted male guest disturbs their cloistered home. Audacious, striking, and wholly original, Fruiting Bodies offers stories about knowledge in a world on the verge of collapse, knowledge that alternately empowers or devastates. Pulling beautifully, brazenly, from a variety of literary traditions, Kathryn Harlan firmly establishes herself as a thrilling new voice in fiction.
Publisher: W. W. Norton & Company
ISBN: 1324021233
Category : Fiction
Languages : en
Pages : 178
Book Description
Finalist for the 2023 PEN/Faulkner Award for Fiction One of Vulture's Best Books of the Year “Expansively fantastical and palpably real.” —Mary Retta, Vulture This genre-bending debut collection of stories constructs eight eerie worlds full of desire, wisdom, and magic blooming amid decay. In stories that beckon and haunt, Fruiting Bodies ranges confidently from the fantastical to the gothic to the uncanny as it follows characters—mostly queer, mostly women—on the precipice of change. Echoes of timeless myth and folklore reverberate through urgent narratives of discovery, appetite, and coming-of-age in a time of crisis. In “The Changeling,” two young cousins wait in dread for a new family member to arrive, convinced that he may be a dangerous supernatural creature. In “Endangered Animals,” Jane prepares to say goodbye to her almost-love while they road-trip across a country irrevocably altered by climate change. In “Take Only What Belongs to You,” a queer woman struggles with the personal history of an author she idolized, while in “Fiddler, Fool, Pair,” an anthropologist is drawn into a magical—and dangerous—gamble. In the title story, partners Agnes and Geb feast peacefully on the mushrooms that sprout from Agnes’s body—until an unwanted male guest disturbs their cloistered home. Audacious, striking, and wholly original, Fruiting Bodies offers stories about knowledge in a world on the verge of collapse, knowledge that alternately empowers or devastates. Pulling beautifully, brazenly, from a variety of literary traditions, Kathryn Harlan firmly establishes herself as a thrilling new voice in fiction.
Bodies in the Bog and the Archaeological Imagination
Author: Karin Sanders
Publisher: University of Chicago Press
ISBN: 0226734048
Category : History
Languages : en
Pages : 340
Book Description
Over the past few centuries, northern Europe’s bogs have yielded mummified men, women, and children who were deposited there as sacrifices in the early Iron Age and kept startlingly intact by the chemical properties of peat. In this remarkable account of their modern afterlives, Karin Sanders argues that the discovery of bog bodies began an extraordinary—and ongoing—cultural journey. Throughout the nineteenth and twentieth centuries, Sanders shows, these eerily preserved remains came alive in art and science as material metaphors for such concepts as trauma, nostalgia, and identity. Sigmund Freud, Joseph Beuys, Seamus Heaney, and other major figures have used them to reconsider fundamental philosophical, literary, aesthetic, and scientific concerns. Exploring this intellectual spectrum, Sanders contends that the power of bog bodies to provoke such a wide range of responses is rooted in their unique status as both archeological artifacts and human beings. They emerge as corporeal time capsules that transcend archaeology to challenge our assumptions about what we can know about the past. By restoring them to the roster of cultural phenomena that force us to confront our ethical and aesthetic boundaries, Bodies in the Bog excavates anew the question of what it means to be human.
Publisher: University of Chicago Press
ISBN: 0226734048
Category : History
Languages : en
Pages : 340
Book Description
Over the past few centuries, northern Europe’s bogs have yielded mummified men, women, and children who were deposited there as sacrifices in the early Iron Age and kept startlingly intact by the chemical properties of peat. In this remarkable account of their modern afterlives, Karin Sanders argues that the discovery of bog bodies began an extraordinary—and ongoing—cultural journey. Throughout the nineteenth and twentieth centuries, Sanders shows, these eerily preserved remains came alive in art and science as material metaphors for such concepts as trauma, nostalgia, and identity. Sigmund Freud, Joseph Beuys, Seamus Heaney, and other major figures have used them to reconsider fundamental philosophical, literary, aesthetic, and scientific concerns. Exploring this intellectual spectrum, Sanders contends that the power of bog bodies to provoke such a wide range of responses is rooted in their unique status as both archeological artifacts and human beings. They emerge as corporeal time capsules that transcend archaeology to challenge our assumptions about what we can know about the past. By restoring them to the roster of cultural phenomena that force us to confront our ethical and aesthetic boundaries, Bodies in the Bog excavates anew the question of what it means to be human.
Ephemeral Bodies
Author: Julius Ritter von Schlosser
Publisher: Getty Publications
ISBN: 9780892368778
Category : Art
Languages : en
Pages : 340
Book Description
The critical history of wax is fraught with gaps and controversies. These eight essays explore wax reproductions of the body or body parts throughout history, and assess their conceptual ambiguity, material impermanence, and implications for the history of western art.
Publisher: Getty Publications
ISBN: 9780892368778
Category : Art
Languages : en
Pages : 340
Book Description
The critical history of wax is fraught with gaps and controversies. These eight essays explore wax reproductions of the body or body parts throughout history, and assess their conceptual ambiguity, material impermanence, and implications for the history of western art.
Approximate Bodies
Author: Maurizio Calbi
Publisher: Routledge
ISBN: 1134282354
Category : Drama
Languages : en
Pages : 193
Book Description
Approximate Bodies examines, in fascinating detail, the changing representation of the body in early modern drama and in the period's anatomical and gynaecological treatises.
Publisher: Routledge
ISBN: 1134282354
Category : Drama
Languages : en
Pages : 193
Book Description
Approximate Bodies examines, in fascinating detail, the changing representation of the body in early modern drama and in the period's anatomical and gynaecological treatises.