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Author: Y. Barbelo
Publisher:
ISBN: 9781735327808
Category :
Languages : en
Pages :
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Book Description
Umbra is a story of one woman's journey into the wilderness of her own being, a deliciously weird tale, both universal and unique, deeply disturbing, darkly funny, and altogether unforgettable. When Ohno Hoia, an amnesiac solitary seafarer, wakes up on a ship Umbra, the earth is desecrated, and humanity is moored in despair. As she navigates unknown waters for the search of land, she discovers that she's in possession of two extraordinary things: an ancient collection of seeds and a shadow of most wicked and unruly nature.After Ohno lands in a strange new world of modern-day California, she plants a garden the likes of which have not been seen since the days of Eden. As her plants' magical powers break the spell of collective apathy across North America, Ohno's vile shadow begins to threaten everything she holds dear. Through a series of mysterious coincidences and chance encounters, she realizes that the future of humanity is inextricably linked to her unremembered past, and her shadow will never stop plotting to destroy her until she asks the scariest of questions: Who am I?Even if discovering the answers kills her. Even if it already did. An explosive combo of enchanting fairy tale and piercing satire perfect for fans of Neil Gaiman, John Crowley, Kazuo Ishiguro's Buried Giant, and Lewis Carol's Alice's Adventures in Wonderland.
Author: Y. Barbelo
Publisher:
ISBN: 9781735327808
Category :
Languages : en
Pages :
Get Book Here
Book Description
Umbra is a story of one woman's journey into the wilderness of her own being, a deliciously weird tale, both universal and unique, deeply disturbing, darkly funny, and altogether unforgettable. When Ohno Hoia, an amnesiac solitary seafarer, wakes up on a ship Umbra, the earth is desecrated, and humanity is moored in despair. As she navigates unknown waters for the search of land, she discovers that she's in possession of two extraordinary things: an ancient collection of seeds and a shadow of most wicked and unruly nature.After Ohno lands in a strange new world of modern-day California, she plants a garden the likes of which have not been seen since the days of Eden. As her plants' magical powers break the spell of collective apathy across North America, Ohno's vile shadow begins to threaten everything she holds dear. Through a series of mysterious coincidences and chance encounters, she realizes that the future of humanity is inextricably linked to her unremembered past, and her shadow will never stop plotting to destroy her until she asks the scariest of questions: Who am I?Even if discovering the answers kills her. Even if it already did. An explosive combo of enchanting fairy tale and piercing satire perfect for fans of Neil Gaiman, John Crowley, Kazuo Ishiguro's Buried Giant, and Lewis Carol's Alice's Adventures in Wonderland.
Author: Aldon Lynn Nielsen
Publisher: Cambridge University Press
ISBN: 9780521555265
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
A study of postmodernism and African-American poets.
Author: Sun Ra
Publisher: BoD – Books on Demand
ISBN: 3833426594
Category : African American philosophers
Languages : en
Pages : 541
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Book Description
A talented pianist and composer in his own right, Sun Ra (1914 - 1993) founded and conducted one of jazz's last great big bands from the 1950s until he left planet Earth. Few only know that he also was a gifted thinker and poet. Sun Ra's poetry leaves everything behind what's called contemporary, and flings out pictures of infinity into the outer space. These poems are for tomorrow. This is the only edition of Sun Ra's complete poetry and prose in one volume. The Contributors James L. Wolf Earned a music degree from Carleton College, and studied ethnomusicology at the University of Washington, Seattle. Now works at the Library of Congress in the Music Division. Active musician in various bands in the DC area. Many contributions to Sun Ra scholarship. Hartmut Geerken Oriental studies, philosophy and comparative religion at the universities of Tübingen and Istanbul. Writer, filmmaker, musician, composer. Since the 1970s, close relationships to Sun Ra and his works, setting up the world's most comprehensive Waitawhile Sun Ra Archive Sigrid Hauff Studied oriental languages and arts, philosophy, and romance studies at the universities of Tübingen and Istanbul. Free lance writer on literary and philosophical subjects. Klaus Detlef Thiel Studied philosophy and history at Trier University, Ph.D. Philosophical author, focussing on theory and history of writing. Brent Hayes Edwards Teaches in the English Department at Rutgers University, New Brunswick, NJ. Author and Co-Editor of works on jazz and literature.
Author: Brent Hayes Edwards
Publisher: Harvard University Press
ISBN: 0674055438
Category : Education
Languages : en
Pages : 333
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Book Description
Hearing across media is the source of innovation in a uniquely African American sphere of art-making and performance, Brent Hayes Edwards writes. He explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves.
Author: Harryette Mullen
Publisher: University of Alabama Press
ISBN: 0817357130
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen’s own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women’s voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen’s work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power.
![Writing African American Women [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/_kXPEAAAQBAJ?fife=w80-h100)
Author: Elizabeth A. Beaulieu
Publisher: Bloomsbury Publishing USA
ISBN: 0313024626
Category : Literary Criticism
Languages : en
Pages : 1035
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Book Description
Women have had a complex experience in African American culture. The first work of its kind, this encyclopedia approaches African American literature from a Women's Studies perspective. While Yolanda Williams Page's Encyclopedia of African American Women Writers provides biographical entries on more than 150 literary figures, this book is much broader in scope. Included are several hundred alphabetically arranged entries on African American women writers, as well as on male writers who have treated women in their works. Entries on genres, periods, themes, characters, historical events, texts, places, and other topics are included as well. Each entry is written by an expert contributor and relates its subject to the overall experience of women in African American literature. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. African American culture is enormously diverse, and the experience of women in African American society is especially complex. Women were among the first African American writers, and works by black women writers are popular among students and general readers alike. At the same time, African American women have been oppressed, and texts by black male authors represent women in a variety of ways. The first of its kind, this encyclopedia approaches African American literature from a Women's Studies perspective, and thus significantly illuminates the African American cultural experience through literary works. Included are several hundred alphabetically arranged entries, written by numerous expert contributors. In addition to covering male and female African American authors, the encyclopedia also discusses themes, major works and characters, genres, periods, historical events, places, and other topics. Included are entries on such authors as: ; Maya Angelou ; James Baldwin ; Frederick Douglass ; Nikki Giovanni ; June Jordan ; Claude McKay ; Ishmael Reed ; Sojourner Truth ; Phillis Wheatley ; And many others. In addition, the many works discussed include: ; Beloved ; Blanche on the Lam ; Iknow Why the Caged Bird Sings ; The Men of Brewster Place ; Quicksand ; The Street ; Waiting to Exhale ; And many more. The many topical entries cover: ; Black Feminism ; Black Nationalism ; Conjuring ; Children's and Young Adult Literature ; Detective Fiction ; Epistolary Novel ; Motherhood ; Sexuality ; Spirituality ; Stereotypes ; And many others. Entries relate their topics to the experience of African American women and cite works for further reading. Features and Benefits: ; Includes hundreds of alphabetically arranged entries. ; Draws on the work of numerous expert contributors. ; Includes a selected, general bibliography. ; Offers a range of finding aids, such as a list of entries, a guide to related topics, and an extensive index. ; Supports the literature curriculum by helping students analyze major writers and works. ; Supports the social studies curriculum by helping students use literature to understand the experience of African American women. ; Covers the full chronological range of African American literature. ; Fosters a respect for cultural diversity. ; Develops research skills by directing students to additional sources of information. ; Builds bridges between African American history, literature, and Women's Studies.
Author: Bruce Allen Dick
Publisher: University of Arizona Press
ISBN: 0816548218
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Among students and aficionados of contemporary literature, the work of Latina and Latino poets holds a particular fascination. Through works imbued with fire and passion, these writers have kindled new enthusiasm in their compatriots and admiration in non-Latino readers. This book brings together recent interviews with fifteen Latino/a poets, a cross-section of Chicano, Puerto Rican, and Cuban voices who discuss not only their work but also related issues that help define their place in American literature. Each talks at length about the craft of his or her poetry—both the influences and the process behind it—and takes a stand on social and political issues affecting Latinos across the United States. The interviews feature both established writers published as early as the 1960s and emerging artists, each of whom has enjoyed success in other literary forms also. As Bruce Dick's insightful questions reveal, the key threads linking these writers are their connections to their families and communities and their concern for civil rights—believing like Chicana writer Pat Mora that "the work of the poet is for the people." The interviews also reveal diversity among and within the three communities, from Victor Hernández Cruz, who traces Latino collective identity to Africa and claims that all Latinos are "swimming in olive oil," to Cuban writer Gustavo Perez Firmat, who considers nationality more important than ethnicity and says that "the term Latino erases [his] nationality." The dialogues also offer new insights on the place of Chicano/a writings in the U.S.-Mexico borderlands, on the Puerto Rican/Nuyorican establishment, and on the anti-Castro stand of Cuban-born poets. As these writers answer questions about their work, background, ethnic identity, and political ideology, they provide a wealth of biographical, intellectual, and literary material collected here for the first time. A Poet's Truth is a provocative and revealing book that not only conveys the fire of these writers' passions but also sheds important light on a whole literary movement. Interviews with: Miguel Algarín Martín Espada Sandra María Esteves Victor Hernández Cruz Carolina Hospital and Carlos Medina Demetria Martínez Pat Mora Judith Ortiz Cofer Ricardo Pau-Llosa Gustavo Pérez Firmat Leroy Quintana Aleida Rodríguez Luis Rodríguez Benjamin Alire Sáenz Virgil Suárez
Author: Emmanuel S. Nelson
Publisher: Bloomsbury Publishing USA
ISBN: 0313052891
Category : Literary Criticism
Languages : en
Pages : 542
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Book Description
Despite their significant contributions to the American theater, African American dramatists have received less critical attention than novelists and poets. This reference offers thorough critical assessments of the lives and works of African American playwrights from the 19th century to the present. The book alphabetically arranges entries on more than 60 dramatists, including James Baldwin, Arna Bontemps, Ossie Davis, Zora Neale Hurston, and Richard Wright. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, a summary of the playwright's critical reception, and primary and secondary bibliographies. The volume closes with a selected, general bibliography. African American dramatists have made enormous contributions to the theater and their works are included in numerous editions and anthologies. Some of the most popular plays of the 20th century have been written by African Americans, and high school students and undergraduates study their works. But for all their popularity and influence, African American playwrights have received less critical attention than poets and novelists. This reference offers thorough critical assessments of more than 60 African American dramatists from the 19th century to the present.
Author: Josef Sorett
Publisher: Oxford University Press
ISBN: 0199844941
Category : History
Languages : en
Pages : 313
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Book Description
Most of the major black literary and cultural movements of the twentieth century have been understood and interpreted as secular, secularizing and, at times, profane. In this book, Josef Sorett demonstrates that religion was actually a formidable force within these movements, animating and organizing African American literary visions throughout the years between the New Negro Renaissance of the 1920s and the Black Arts movement of the 1960s. Sorett unveils the contours of a literary history that remained preoccupied with religion even as it was typically understood by authors, readers, and critics alike to be modern and, therefore, secular. Spirit in the Dark offers an account of the ways in which religion, especially Afro-Protestantism, remained pivotal to the ideas and aspirations of African American literature across much of the twentieth century. From the dawn of the New Negro Renaissance until the ascendance of the Black Arts movement, black writers developed a spiritual grammar for discussing race and art by drawing on terms such as "church" and "spirit" that were part of the landscape and lexicon of American religious history. Sorett demonstrates that religion and spirituality have been key categories for identifying and interpreting what was (or was not) perceived to constitute or contribute to black literature and culture. By examining figures and movements that have typically been cast as "secular," he offers theoretical insights that trouble the boundaries of what counts as "sacred" in scholarship on African American religion and culture. Ultimately, Spirit in the Dark reveals religion to be an essential ingredient, albeit one that was always questioned and contested, in the forging of an African American literary tradition.
Author: John Lowney
Publisher: University of Illinois Press
ISBN: 0252099931
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Jazz emerged during the political and social upheaval of world war, communist revolution, Red Scares, and the Black Migration. The tumult bred disagreements about the cultural significance of jazz that concerned both its African American roots and its international appeal. The questions about what was new or even radical about the music initiated debates that writers recapitulated for decades. Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities—and challenges—of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates.
