Author: Liudmila Miliayeva
Publisher: Parkstone International
ISBN: 1639198970
Category : Art
Languages : en
Pages : 424
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Book Description
Icon painting, the ultimate expression of Orthodox Christian art, reached its zenith in Ukraine between the 11th and 18th centuries. This book spans the entire period, showing the development of the style. The Ukrainian icon is a surprising synthesis of the traditions of Eastern Byzantine art and the stylistic characteristics of Russian icon painting. The introduction of this book explains the stages of development of icon-painting over five centuries in Ukraine’s major Centres of art - Kyiv, Chernihiv, Transcarpathia, Galicia, and Volhynia - and discusses the life and work of the masters of icon-painting. Despite the strict stylistic considerations imposed by the genre, Ukrainian icons display a striking range and variety of backgrounds and contexts. The author has been awarded the Ukrainian Medal of Arts, the Order of Princess Olga.
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ISBN:
Category : Icon painting
Languages : en
Pages : 354
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Book Description
Author: Robert B. Klymasz
Publisher: University of Ottawa Press
ISBN: 1772823643
Category : History
Languages : en
Pages : 182
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Book Description
Separated from its origins in the Old World, east Christian iconography in Canada has come to enjoy a popular following from coast to coast. With its fourteen chapters the present volume documents this living tradition from a variety of perspectives to offer the first national survey of its kind. Here, for the first time, folklorists join with art historians, anthropologists, a scientist, a theologian, enthusiasts, and iconographers to underscore the richness of a phenomenon that continues to captivate large segments of the country’s population.
Author: Serhii Plokhy
Publisher: University of Toronto Press
ISBN: 0802093272
Category : History
Languages : en
Pages : 417
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Book Description
The question of where Russian history ends and Ukrainian history begins has not yet received a satisfactory answer. Generations of historians referred to Kyiv, the capital of Ukraine, as the starting point of the Muscovite dynasty, the Russian state, and, ultimately, the Russian nation. However, the history of Kyiv and that of the Scythians of the Northern Black Sea region have also been claimed by Ukrainian historians, and are now regarded as integral parts of the history of Ukraine. If these are actually the beginnings of Ukrainian history, when does Russian history start? In Ukraine and Russia, Serhii Plokhy discusses many questions fundamental to the formation of modern Russian and Ukrainian historical identity. He investigates the critical role of history in the development of modern national identities and offers historical and cultural insight into the current state of relations between the two nations. Plokhy shows how history has been constructed, used, and misused in order to justify the existence of imperial and modern national projects, and how those projects have influenced the interpretation of history in Russia and Ukraine. This book makes important assertions not only about the conflicts and negotiations inherent to opposing historiographic traditions, but about ways of overcoming the limitations imposed by those traditions.
Author: Philip Zweig
Publisher: Parkstone International
ISBN: 163919844X
Category : Art
Languages : en
Pages : 121
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Book Description
Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences — the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs — combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.
Author: Lyudmila Milyayeva
Publisher: Parkstone International
ISBN: 1781608512
Category : Art
Languages : en
Pages : 252
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Book Description
This book analyses the evolution of iconic art from its beginning in Byzantium to the time of the Russian Empire. Icons are a fundamental element in the history of art, and it is therefore crucial to understand how this form of expression began and how it developed over centuries. Icons are discussed by one of the world-renowned experts on early Christian iconography, offering a valuable point of reference for specialists, as well as students.
Author: Anna Makolkin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110887584
Category : Language Arts & Disciplines
Languages : en
Pages : 280
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Book Description
No detailed description available for "Name, Hero, Icon".
Author: KatherineT. Brown
Publisher: Routledge
ISBN: 1351559060
Category : Art
Languages : en
Pages : 257
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Book Description
Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.
Author: Lisa DeBoer
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467446890
Category : Religion
Languages : en
Pages : 310
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Book Description
Although numerous studies have examined biblical and theological rationales for using the visual arts in worship, this book by Lisa J. DeBoer fills in a piece of the picture missing so far — the social dimensions of both our churches and the various art worlds represented in our congregations. The first part of the book looks at Orthodoxy, Catholicism, and Protestantism in turn — including case studies of specific congregations — showing how each tradition’s use of the visual arts reveals an underlying ecclesiology. DeBoer then focuses on six themes that emerge when Orthodox, Catholic, and Protestant uses of the visual arts are examined together — the arts as expressions of the church’s local and universal character, the meanings attributed to particular styles of art for the church, the role of the arts in enculturating the gospel, and more. DeBoer’s Visual Arts in the Worshiping Church will focus and deepen the thinking of pastors, worship leaders, artists, students, and laypeople regarding what the arts might do in the midst of their congregations.
Author: John-Paul Himka
Publisher: University of Toronto Press
ISBN: 1487530609
Category : History
Languages : en
Pages : 329
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Book Description
Few subjects in Christianity have inspired artists as much as the last judgment. Last Judgment Iconography in the Carpathians examines images of the last judgment from the fifteenth century to the present in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania, as a way to consider history free from the traditional frameworks and narratives of nations. Over ten years, John-Paul Himka studied last-judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region. Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Tracing their origins with monks, he follows these images' increased popularity as they were commissioned by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and slavists.
