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Author: Jerry Uelsmann
Publisher:
ISBN: 9780813049496
Category : Art
Languages : en
Pages : 0
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Book Description
The career of Gainesville-based photographic artist Jerry Uelsmann has stretched over more than half a century. His unique style has influenced other artists and photographers while still appealing to the general public. This retrospective work will feature the largest number of Uelsmann images ever collected in a single volume, drawn from nearly his entire career (1959 up to the present).
Author: Jerry Uelsmann
Publisher:
ISBN: 9780813049496
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
The career of Gainesville-based photographic artist Jerry Uelsmann has stretched over more than half a century. His unique style has influenced other artists and photographers while still appealing to the general public. This retrospective work will feature the largest number of Uelsmann images ever collected in a single volume, drawn from nearly his entire career (1959 up to the present).
Author: Jerry Uelsmann
Publisher:
ISBN: 9780813011592
Category : Photography
Languages : en
Pages : 114
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Book Description
Photographs create a surrealistic mood by seamlessly combining and overlapping images
Author: Jerry Uelsmann
Publisher: Bulfinch
ISBN: 9780821257425
Category : Photography
Languages : en
Pages : 112
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Book Description
Author: Jerry Uelsmann
Publisher:
ISBN: 9780980104448
Category : Photography, Artistic
Languages : en
Pages : 283
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Book Description
Author: Mia Fineman
Publisher: Metropolitan Museum of Art
ISBN: 1588394735
Category : Exhibitions
Languages : en
Pages : 298
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Book Description
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
Author: Maggie Taylor
Publisher: Jerry N. Uelsmann Incorporated
ISBN: 9780985878412
Category : Computer art
Languages : en
Pages : 0
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Book Description
"With a flatbed scanner and a rich library of found images, Maggie Taylor creates breathtaking, thought-provoking digital art. In these vibrant montages, often called fabricated photography, there are as many layers of symbolism and meaning as there are pieces of visual information. This retrospective of Taylor's work covers 1998-2012, showcasing 120 full-color images and including an essay by noted photography critic A. D. Coleman."--Publisher's description.
Author: John L. Ward
Publisher: University Press of Florida
ISBN:
Category : Art and photography
Languages : en
Pages : 102
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Book Description
Author: Mary Warner Marien
Publisher: Laurence King Publishing
ISBN: 1856694933
Category : Photography
Languages : en
Pages : 566
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Book Description
Each of the eight chapters takes a period of up to forty years and examines the medium through the lenses of art, science, social science, travel, war, fashion, the mass media and individual practitioners.-Back Cover.
Author: Frazier King
Publisher:
ISBN: 9789053309353
Category : Photography
Languages : en
Pages : 0
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Book Description
This book is a visual and written exploration of the constructed photograph as created in the last decades of the 20th century and the first decades of the 21st century. It documents a collection built by Frazier King, that was exhibited by FotoFest International in the Collector's Eye II Exhibition. An essay by Mr. King's essay reflects on 76 images of a variety of constructed photographs included in the collection. The narrative explores how Mr. King's own work with this type of image has resulted in a collection of constructed photographs and explains the varied nature of this category of image. The reader gets a personal and inside glimpse of the dynamics of photographic reviews such as FotoFest Meeting Place and how artists, collectors and curators interact in this venue and the relationships they form. In addition to an essay by Mr. King this volume includes an essay by Wendy Watriss, co-founder and Senior Artistic Advisor of FotoFest, on the significance of collecting and the role of the collector. The third essay is by Madeline Yale Preston, an independent curator based in London, who addresses the role of the collector as curator and the historical evolution and importance of the constructed photograph.
Author: Robert Hirsch
Publisher: CRC Press
ISBN: 1317818350
Category : Photography
Languages : en
Pages : 442
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Book Description
This groundbreaking survey of significant work and ideas focuses on imagemakers who have pushed beyond the boundaries of photography as a window on our material world. Through interviews with more than 40 key artists, this book explores a diverse group of curious experimentalists who have propelled the medium’s evolution by visualizing their subject matter as it originates from their mind’s eye. Many favor the historical techniques commonly known as alternative photographic processes, but all these makers demonstrate that the real alternative is found in their mental approach and not in their use of physical methods. Within this context, photographer and photography historian Robert Hirsch outlines the varied approaches these artists have utilized to question conventional photographic practices, to convey internal realities, and to examine what constitutes photographic reality. Hirsch explores the half-century evolution of these concepts and methodologies and their popularity among contemporary imagemakers who are merging digital and analog processes to express what was thought to be photographically inexpressible. Read an interview with the author at Photo.net: http://photo.net/learn/photographer-interviews/robert-hirsch
