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Author: Stendhal
Publisher: Courier Corporation
ISBN: 0486120635
Category : Fiction
Languages : en
Pages : 226
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Book Description
In writing these two ardently romantic and turbulent tales, Stendhal delved deep into old Italian narratives and into his own impassioned heart. “Vanina Vanini” and “L’abbesse de Castro” abound in the qualities for which the French author remains enduringly popular: his strong-willed, impulsive characters; his dry wit and keen irony; and the sweeping drama of his historical settings. Originally published in the Revue de Paris in 1829, “Vanina Vanini” traces the fortunes of an aristocrat’s daughter who falls in love with a wounded soldier, and prefigures Stendhal’s superb novel, The Red and the Black, which appeared two years later. “L’abbesse de Castro,” published in 1839 under a pseudonym in the prestigious Revue des Deux Mondes, was reputedly derived from Roman and Florentine source manuscripts. Consisting chiefly of Stendhal’s own invention, it recounts the illicit liaison and subsequent trial of an abbess. The only dual-language edition of these stories, this book features an informative introduction and ample footnotes, making it not only a pleasure to read but also a valuable learning and teaching aid for students and teachers of French literature.
Author: Stendhal
Publisher: Courier Corporation
ISBN: 0486120635
Category : Fiction
Languages : en
Pages : 226
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Book Description
In writing these two ardently romantic and turbulent tales, Stendhal delved deep into old Italian narratives and into his own impassioned heart. “Vanina Vanini” and “L’abbesse de Castro” abound in the qualities for which the French author remains enduringly popular: his strong-willed, impulsive characters; his dry wit and keen irony; and the sweeping drama of his historical settings. Originally published in the Revue de Paris in 1829, “Vanina Vanini” traces the fortunes of an aristocrat’s daughter who falls in love with a wounded soldier, and prefigures Stendhal’s superb novel, The Red and the Black, which appeared two years later. “L’abbesse de Castro,” published in 1839 under a pseudonym in the prestigious Revue des Deux Mondes, was reputedly derived from Roman and Florentine source manuscripts. Consisting chiefly of Stendhal’s own invention, it recounts the illicit liaison and subsequent trial of an abbess. The only dual-language edition of these stories, this book features an informative introduction and ample footnotes, making it not only a pleasure to read but also a valuable learning and teaching aid for students and teachers of French literature.
Author: Stanley Appelbaum
Publisher: Courier Corporation
ISBN: 0486122549
Category : Foreign Language Study
Languages : en
Pages : 256
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Book Description
French text and English translations on facing pages of six stories: Merimée's Mateo Falcone, Nerval's Sylvie, Daudet's La mule du Pape, Flaubert's Hérodias, Zola's L’attaque du moulin,, de Maupassant's Mademoiselle Perle.
Author: Stanley Appelbaum
Publisher:
ISBN: 9781306839693
Category :
Languages : en
Pages :
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Book Description
"Vanina Vanini" traces the fortunes of a Roman aristocrat's daughter who falls in love with a wounded soldier, and "L'abbesse de Castro" recounts the illicit liaison and subsequent trial of an abbess. Dual-language edition.
Author: James M. Robinson
Publisher: BRILL
ISBN: 900426423X
Category : Religion
Languages : en
Pages : 1262
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Book Description
The Nag Hammadi Story is not a history of research in the usual sense of a Forschungsbericht, which would report on the massive amount of scholarship that has been devoted to the content of the Nag Hammadi Codices for more than a half-century. Rather it is a socio-historical narration of just what went on during the thirty-two years from their discovery late in 1945, via their initial trafficking, and then the attempts to monopolize them, until finally, through the intervention of UNESCO, the whole collection of thirteen Codices was published in facsimiles and in English translation, both completed late in 1977.
Author: Simon Lee
Publisher: ePenguin
ISBN:
Category : Fiction
Languages : en
Pages : 264
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Book Description
Collection of eight short stories representative of 20th century French writing.
Author:
Publisher: BRILL
ISBN: 9004487158
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
This collection of essays focuses on Canadian history and its legacies as represented in novels and films in English and French, produced in Canada mainly in the 1980s and 1990s. The approach is both cross-cultural and interdisciplinary, aiming at articulating Canadian differences through a comparison of anglophone and francophone cultures, illustrated by works treating some of the different groups which make up Canadian society – English-Canadian, Québecois, Acadian, Native, and ethnic minorities. The emphasis is on the problematic representation of Canadianness, which is closely bound up with constructions of history and its legacies – dispossession, criminality, nomadism, Gothicism, the Maritime. The English/French language difference is emblematic of Canadian difference; the two-part arrangement, with one section on Literature and the other on Film, sets up the pattern of relationships between the two forms of cultural representation that these essays explore. Essays in the Literature section are on single texts by such writers as: Margaret Atwood, Tomson Highway, Ann-Marie MacDonald, Anne Michaels, and Alice Munro; Gabrielle Roy, Anne Hébert, Antonine Maillet, Bernard Assiniwi, and Régine Robin. The Film section with its mirror structure both supplements and amplifies this dialogue, extending notions of Canadianness with its emphasis on voices from Quebec and Acadia traditionally ‘othered’ in Canadian history. Filmmakers treated include: Phillip Borsos, Atom Egoyan, Ted Kotcheff, Mort Ransen, and Vincent Ward; Denys Arcand, Gilles Carle, Alanis Obomsawin, Léa Pool, and Jacques Savoie.
Author: Michael Robinson
Publisher: MHRA
ISBN: 0947623817
Category : Reference
Languages : en
Pages : 726
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Book Description
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity. The bibliography is published in three parts. Volume 2, The Plays (978-0-947623-82-1) and Volume 3, Prose, Poetry, Miscellaneous (978-0-947623-83-8) are also now available. Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.
Author: M. Asaduddin
Publisher: Routledge
ISBN: 1317205723
Category : Social Science
Languages : en
Pages : 299
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Book Description
This volume explores the reception of Premchand’s works and his influence in the perception of India among Western cultures, especially Russian, German, French, Spanish and English. The essays in the collection also take a critical look at multiple translations of the same work (and examine how each new translation expands the work’s textuality and annexes new readership for the author) as well as representations of celluloid adaptations of Premchand’s works. An important intervention in the field of translation studies, this book will interest scholars and researchers of comparative literature, cultural studies and film studies.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 838
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Book Description
Author: Don Beecher
Publisher: University of Toronto Press
ISBN: 144269954X
Category : Fiction
Languages : en
Pages : 673
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Book Description
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.
