Author: Kenneth M. Lorenz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 92
Book Description
Two-minute Brown Wax and XP Cylinder Records of the Columbia Phonograph Company
Author: Kenneth M. Lorenz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 92
Book Description
Encyclopedia of Recorded Sound
Author: Frank Hoffmann
Publisher: Routledge
ISBN: 1135949506
Category : Business & Economics
Languages : en
Pages : 2569
Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135949506
Category : Business & Economics
Languages : en
Pages : 2569
Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Electric Sounds
Author: Steve J. Wurtzler
Publisher: Columbia University Press
ISBN: 0231136765
Category : Computers
Languages : en
Pages : 414
Book Description
Focuses on the innovations in the electronic production and transmission of sound in the 1920s and '30s and their explosive impact on the American mass media, especially the radio, the phonograph, and the cinema.
Publisher: Columbia University Press
ISBN: 0231136765
Category : Computers
Languages : en
Pages : 414
Book Description
Focuses on the innovations in the electronic production and transmission of sound in the 1920s and '30s and their explosive impact on the American mass media, especially the radio, the phonograph, and the cinema.
Tin Pan Alley and the Philippines
Author: Thomas P. Walsh
Publisher: Scarecrow Press
ISBN: 081088609X
Category : Music
Languages : en
Pages : 439
Book Description
In this innovative resource guide, Thomas P. Walsh has compiled a unique collection of some 1,400 published and unpublished American musical compositions relating in some way to the Philippines during the American colonial era in the country from 1898 to 1946. In preparing the guide, Walsh surveyed a wide array of sources: published songs listed in WorldCat, the online catalogs of sheet music collections of university libraries and major public and private research libraries, bibliographic compilations of popular music, the periodical literature on music and popular culture, published collections of “soldier songs,” and sheet music listed for sale on commercial auction websites. In addition, for the first time in the preparation of a research bibliography, the guide also identifies, from song registrations in the US Copyright Office’s Catalog of Copyright Entries (CCE), 48 years of musical compositions relating to the Philippines. In systematically going through the CCE, year by year, Walsh discovered hundreds of unpublished songs written by average Americans expressing their varied views about historical events and their personal experiences relating to America’s distant colony in Southeast Asia. Of the 1,400 chronologically-listed songs included in the guide, most will be new materials for scholars and students alike to study. Songs like “Ma Little Cebu Maid,” “My Own Manila Sue,” “My Fillipino Belle,” “Down on the Philippine Isles,” “Beside the Pasig River,” “My Philippino Pearl,” and “I Want a Filipino Man” were all published and widely promoted by Tin Pan Alley and were performed on stage and listened to at home on records and piano rolls across America. The lyrics often illustrate popular American attitudes, from shrilly patriotic numbers about the Battle of Manila Bay and, later, the Fall of Bataan and Corregidor to wistful, romantic, and even charming reminiscences of happy days spent in “old” Manila to racially charged pieces rife with deprecating stereotypes of Filipinos. This guide reprints a number of these hard-to-find song lyrics, making them available to readers for the first time in over a century. In addition to including the lyrics to a number of the songs, the guide also provides copyright registration numbers and dates of registration for many of the published and unpublished songs. Also provided are some 700 “notes” on particular songs and over 750 links that provide direct access to bibliographic records or even digital copies of the sheet music in libraries and collections. Exhaustive in its scope, Tin Pan Alley and the Philippines is an invaluable research resource for scholars and students of American history, Pacific studies, popular culture, and ethnomusicology.
Publisher: Scarecrow Press
ISBN: 081088609X
Category : Music
Languages : en
Pages : 439
Book Description
In this innovative resource guide, Thomas P. Walsh has compiled a unique collection of some 1,400 published and unpublished American musical compositions relating in some way to the Philippines during the American colonial era in the country from 1898 to 1946. In preparing the guide, Walsh surveyed a wide array of sources: published songs listed in WorldCat, the online catalogs of sheet music collections of university libraries and major public and private research libraries, bibliographic compilations of popular music, the periodical literature on music and popular culture, published collections of “soldier songs,” and sheet music listed for sale on commercial auction websites. In addition, for the first time in the preparation of a research bibliography, the guide also identifies, from song registrations in the US Copyright Office’s Catalog of Copyright Entries (CCE), 48 years of musical compositions relating to the Philippines. In systematically going through the CCE, year by year, Walsh discovered hundreds of unpublished songs written by average Americans expressing their varied views about historical events and their personal experiences relating to America’s distant colony in Southeast Asia. Of the 1,400 chronologically-listed songs included in the guide, most will be new materials for scholars and students alike to study. Songs like “Ma Little Cebu Maid,” “My Own Manila Sue,” “My Fillipino Belle,” “Down on the Philippine Isles,” “Beside the Pasig River,” “My Philippino Pearl,” and “I Want a Filipino Man” were all published and widely promoted by Tin Pan Alley and were performed on stage and listened to at home on records and piano rolls across America. The lyrics often illustrate popular American attitudes, from shrilly patriotic numbers about the Battle of Manila Bay and, later, the Fall of Bataan and Corregidor to wistful, romantic, and even charming reminiscences of happy days spent in “old” Manila to racially charged pieces rife with deprecating stereotypes of Filipinos. This guide reprints a number of these hard-to-find song lyrics, making them available to readers for the first time in over a century. In addition to including the lyrics to a number of the songs, the guide also provides copyright registration numbers and dates of registration for many of the published and unpublished songs. Also provided are some 700 “notes” on particular songs and over 750 links that provide direct access to bibliographic records or even digital copies of the sheet music in libraries and collections. Exhaustive in its scope, Tin Pan Alley and the Philippines is an invaluable research resource for scholars and students of American history, Pacific studies, popular culture, and ethnomusicology.
The Routledge Guide to Music Technology
Author: Thom Holmes
Publisher: Routledge
ISBN: 1135477876
Category : Music
Languages : en
Pages : 386
Book Description
First published in 2006. This guide is an A to Z trade reference aimed at music students, technophiles and audio-video computer users. The world of music technology has exploded over the last decades thanks to introductions of new digital formats. At the same time there has been a renaissance in analog high fidelity equipment and resurgent interest in turntables, long playing records and vintage stereo systems. Music students, collectors and consumers will appreciate the availability of a guide to all things musical in the technological universe.
Publisher: Routledge
ISBN: 1135477876
Category : Music
Languages : en
Pages : 386
Book Description
First published in 2006. This guide is an A to Z trade reference aimed at music students, technophiles and audio-video computer users. The world of music technology has exploded over the last decades thanks to introductions of new digital formats. At the same time there has been a renaissance in analog high fidelity equipment and resurgent interest in turntables, long playing records and vintage stereo systems. Music students, collectors and consumers will appreciate the availability of a guide to all things musical in the technological universe.
The Flute on Record
Author: Susan Nelson
Publisher: Rlpg/Galleys
ISBN:
Category : Music
Languages : en
Pages : 896
Book Description
"The Flute on Record: The 78 rpm Era serves as a comprehensive and practical guide to the wealth of flute recordings made between 1889 and 1954. The discography lists commercial, private, and unpublished recordings on cylinders and 78 rpm discs for more than two hundred national and international flutists. Recordings are logged in meticulous detail, including dates and locations, matrix numbers, domestic and foreign catalog numbers, and corresponding long-playing reissues. Solo works, chamber music, and vocal and orchestral works that feature flute passages are addressed in citations and complete appendixes of anonymous recordings. Details about broadcast transcriptions, live performance transcriptions, and films are also included. Notes and bibliographies offer background information on additional recordings and reparatory, providing a link between modern study and historical evidence. With a list of record labels and numerical series, as well as indexes of composers and musicians, this resource is invaluable for researchers, collectors, and general users alike."--BOOK JACKET.
Publisher: Rlpg/Galleys
ISBN:
Category : Music
Languages : en
Pages : 896
Book Description
"The Flute on Record: The 78 rpm Era serves as a comprehensive and practical guide to the wealth of flute recordings made between 1889 and 1954. The discography lists commercial, private, and unpublished recordings on cylinders and 78 rpm discs for more than two hundred national and international flutists. Recordings are logged in meticulous detail, including dates and locations, matrix numbers, domestic and foreign catalog numbers, and corresponding long-playing reissues. Solo works, chamber music, and vocal and orchestral works that feature flute passages are addressed in citations and complete appendixes of anonymous recordings. Details about broadcast transcriptions, live performance transcriptions, and films are also included. Notes and bibliographies offer background information on additional recordings and reparatory, providing a link between modern study and historical evidence. With a list of record labels and numerical series, as well as indexes of composers and musicians, this resource is invaluable for researchers, collectors, and general users alike."--BOOK JACKET.
Bibliographical Handbook of American Music
Author: Donald William Krummel
Publisher: University of Illinois Press
ISBN: 9780252014505
Category : Music
Languages : en
Pages : 288
Book Description
Publisher: University of Illinois Press
ISBN: 9780252014505
Category : Music
Languages : en
Pages : 288
Book Description
The Banjo on Record
Author: Uli Heier
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 670
Book Description
The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biographical information on the banjoist is provided wherever possible, and all performers anywhere in the world known to have recorded any type of music on banjo are included even if no data on the actual disks is available. Introduced in a foreword by British discographer Brian Rust, the discography also includes a narrative account of the banjo in phonograph recording history by Lowell Schreyer and an essay on the history of the banjo itself by Robert Lloyd Webb. In addition to the discography proper, the editors have provided a preface, A Quick Look at the Banjo Family, identifying the instruments; an extensive bibliography of sources; an index of all tune titles; and reproductions of 92 recording labels. These elements all combine to make this volume a true discopedia of the banjo.
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 670
Book Description
The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biographical information on the banjoist is provided wherever possible, and all performers anywhere in the world known to have recorded any type of music on banjo are included even if no data on the actual disks is available. Introduced in a foreword by British discographer Brian Rust, the discography also includes a narrative account of the banjo in phonograph recording history by Lowell Schreyer and an essay on the history of the banjo itself by Robert Lloyd Webb. In addition to the discography proper, the editors have provided a preface, A Quick Look at the Banjo Family, identifying the instruments; an extensive bibliography of sources; an index of all tune titles; and reproductions of 92 recording labels. These elements all combine to make this volume a true discopedia of the banjo.
Literature of American Music III, 1983-1992
Author: Guy A. Marco
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 488
Book Description
Literature of American Music III, 1983-1992 is the second supplement to the original Literature of American Music in Books and Folk Music Collections. Taken together, the three volumes provide a comprehensive inventory of the 5,100 books representing the core literature on American music. This volume cites and critically annotates monographs on American music published from 1983 to 1992, but does not include literature in folk music collections. More than 1,300 entries cover all aspects of American music, including folk, blues, jazz, rock, music of major cities, festivals, the music industry, instruments, music education, and music for TV and film. Entries are arranged according to Library of Congress classification numbers, which allows librarians to check their own holdings. Each citation provides full imprint data, ISBN, facts about earlier editions, series notes, references to reviews in standard media, descriptions of favorable and unfavorable features, and special notes of reference elements such as indexes and bibliographies. Includes title and subject indexes. Author indexing is included in the Checklist of Writings on American Music, 1640-1992.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 488
Book Description
Literature of American Music III, 1983-1992 is the second supplement to the original Literature of American Music in Books and Folk Music Collections. Taken together, the three volumes provide a comprehensive inventory of the 5,100 books representing the core literature on American music. This volume cites and critically annotates monographs on American music published from 1983 to 1992, but does not include literature in folk music collections. More than 1,300 entries cover all aspects of American music, including folk, blues, jazz, rock, music of major cities, festivals, the music industry, instruments, music education, and music for TV and film. Entries are arranged according to Library of Congress classification numbers, which allows librarians to check their own holdings. Each citation provides full imprint data, ISBN, facts about earlier editions, series notes, references to reviews in standard media, descriptions of favorable and unfavorable features, and special notes of reference elements such as indexes and bibliographies. Includes title and subject indexes. Author indexing is included in the Checklist of Writings on American Music, 1640-1992.
Kastlemusick Directory for Collectors of Recordings
Author:
Publisher:
ISBN:
Category : Sound recordings
Languages : en
Pages : 90
Book Description
Publisher:
ISBN:
Category : Sound recordings
Languages : en
Pages : 90
Book Description