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Author: Steven Vande Moortele
Publisher: Leuven University Press
ISBN: 9462704384
Category : Music
Languages : en
Pages : 229
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Book Description
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin’s theory of formal functions, and Hepokoski and Darcy’s Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-depth examination of nine exemplary works by four Central European composers: the Piano Sonata in B minor and the symphonic poems Tasso and Die Ideale by Franz Liszt, Richard Strauss’s tone poems Don Juan and Ein Heldenleben, the symphonic poem Pelleas und Melisande, the First String Quartet and the First Chamber Symphony by Arnold Schoenberg, and Alexander Zemlinsky’s Second String Quartet.
Author: Steven Vande Moortele
Publisher: Leuven University Press
ISBN: 9462704384
Category : Music
Languages : en
Pages : 229
Get Book Here
Book Description
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin’s theory of formal functions, and Hepokoski and Darcy’s Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-depth examination of nine exemplary works by four Central European composers: the Piano Sonata in B minor and the symphonic poems Tasso and Die Ideale by Franz Liszt, Richard Strauss’s tone poems Don Juan and Ein Heldenleben, the symphonic poem Pelleas und Melisande, the First String Quartet and the First Chamber Symphony by Arnold Schoenberg, and Alexander Zemlinsky’s Second String Quartet.
Author: Steven Vande Moortele
Publisher: Leuven University Press
ISBN: 9058677516
Category : Music
Languages : en
Pages : 229
Get Book Here
Book Description
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-depth examination of nine exemplary works by four Central European composers: the Piano Sonata in B minor and the symphonic poems Tasso and Die Ideale by Franz Liszt; Richard Strauss's tone poems Don Juan and Ein Heldenleben; the symphonic poem Pelleas und Melisande, the First String Quartet and the First Chamber Symphony by Arnold Schoenberg, and Alexander Zemlinsky's Second String Quartet.
Author: Julian Horton
Publisher: Cambridge University Press
ISBN: 1107469708
Category : Music
Languages : en
Pages : 469
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Book Description
Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.
Author: Kenneth Smith
Publisher: Boydell & Brewer
ISBN: 1783276568
Category : Composers
Languages : en
Pages : 358
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Book Description
An innovative contribution to Scriabin studies, covering aspects of Scriabin''s life, personality, beliefs, training, creative output, and interaction with contemporary Russian culture.This book is an innovative contribution to Alexander Scriabin (1872-1915) studies, covering aspects of Scriabin''s life, personality, beliefs, training, creative output, as well as his interaction with contemporary Russian culture. It offers new and original research from leading and upcoming Russian music scholars. Key Scriabin topics such as mysticism, philosophy, music theory, contemporary aesthetics, and composition processes are covered. Musical coverage spans the composer''s early, middle and late period. All main repertoire is being discussed: the piano miniatures and sonatas as well as the symphonies. In more detail, chapters consider: Scriabin''s part in early twentieth-century Russia''s cultural climate; how Scriabin moved from early pastiche to a style much more original; the influence of music theory on Scriabin''s idiosyncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music. his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.
Author: Charles Rosen
Publisher: W. W. Norton & Company
ISBN: 9780393302196
Category : Music
Languages : en
Pages : 438
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Book Description
"Nobody writes better about music .... again and again, unerring insight into just the features that make the music special and fine."--The New York Review of Books
Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
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Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: Joanne Cormac
Publisher: Cambridge University Press
ISBN: 1107181410
Category : Music
Languages : en
Pages : 381
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Book Description
A fresh evaluation of Liszt's symphonic poems, based on contextual, philosophical and musical evidence.
Author: Costantino Maeder
Publisher: Leuven University Press
ISBN: 946270080X
Category : Music
Languages : fr
Pages : 197
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Book Description
Nouvelles perspectives en sémiotique Tout est musique, et la musique nous accompagne partout : ces lieux communs n’ont jamais été si vrais qu’aujourd’hui, au temps de l’arrosage musical continuel. Cette ubiquité, loin d’être simplement une mode, nous oblige à repenser sémiotiquement la fonction et le fonctionnement de la musique. Les essais composant Sémiotique et vécu musical montrent dans quelle direction se dirigent les recherches de nos jours. L’analyse de l’expérience musicale, par exemple, détermine la réception affective, peut provoquer l’ébranlement intérieur, transformer le temps vécu, changer et déterminer les structures de l’expérience ainsi que l’expérientialité. L’expérience musicale est profondément liée à l’incarnation et à la corporalité. Elle peut redéfinir l’horizon de compréhension, moduler les attentes, déterminer et délimiter les contenus phénoménaux. Elle est fondamentalement conditionnée par l’interaction physique avec un instrument ou encore modelée par le studio d’enregistrement. L’intelligence artificielle et l’usage de robots dans des spectacles commencent à remettre en cause nos conceptions de l’expérience musicale. Ces nouvelles perspectives développées en sémiotique s’ouvrent nécessairement et impérativement aux sciences cognitives, aux nouvelles approches de la musicologie, à la transdisciplinarité et au transmédial. Le caractère innovant du présent ouvrage qui touche la théorie, la méthodologie et l’empirisme, témoigne de la vivacité, de l’inventivité et du dynamisme qui caractérisent la sémiotique toujours jeune, curieuse et surprenante. Contributors Sylvain Brétéché (Aix-Marseille Université), Guillaume Deveney (Aix-Marseille Université), Carole Egger (Université de Strasbourg), Christine Esclapez (Aix-Marseille Université ), Márta Grabócz (Université de Strasbourg), Michel Imberty (Université de Paris X, Nanterre), Thomas Le Colleter (Université Paris-IV Sorbonne), Gabriel Manzaneque (Aix-Marseille Université), Zaven Paré (Universidade Federal do Rio de Janeiro), Isabelle Reck (Université de Strasbourg), Mathias Rousselot (Aix-Marseille Université)
Author: Daniel Elphick
Publisher: Cambridge University Press
ISBN: 110849367X
Category : History
Languages : en
Pages : 317
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Book Description
Complements the ongoing revival of Mieczyslaw Weinberg's music and explains its unique blend of Polish and Soviet Russian influences.
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
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Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
