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Author: Joseph McBride
Publisher:
ISBN: 9781946208194
Category : Film criticism
Languages : en
Pages : 695
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Book Description
Two Cheers for Hollywood is a rich, insightful, often amusing chronicle of McBride's decades of covering the American film industry and observing its decline from the challenging films of the 1960s to the juvenilia of today. This provocative collection brings together sixty-four pieces with commentaries on them, including a new monograph on the Coen Bros. and several other essays written for this book. Two Cheers for Hollywood demonstrates why McBride has helped set the standard for the field of film scholarship. As the late novelist Thomas Flanagan wrote in The New York Review of Books, McBride "deploys his wide knowledge of American social and film history with tact, wit, and imagination." McBride is a professor in the School of Cinema at San Francisco State University. He spent several years as a film critic, reporter, and columnist for Daily Variety in Hollywood. His screenwriting credits include Rock 'n' Roll High School and five American Film Institute Life Achievement Award specials on CBS-TV.
Author: Joseph McBride
Publisher:
ISBN: 9781946208194
Category : Film criticism
Languages : en
Pages : 695
Get Book Here
Book Description
Two Cheers for Hollywood is a rich, insightful, often amusing chronicle of McBride's decades of covering the American film industry and observing its decline from the challenging films of the 1960s to the juvenilia of today. This provocative collection brings together sixty-four pieces with commentaries on them, including a new monograph on the Coen Bros. and several other essays written for this book. Two Cheers for Hollywood demonstrates why McBride has helped set the standard for the field of film scholarship. As the late novelist Thomas Flanagan wrote in The New York Review of Books, McBride "deploys his wide knowledge of American social and film history with tact, wit, and imagination." McBride is a professor in the School of Cinema at San Francisco State University. He spent several years as a film critic, reporter, and columnist for Daily Variety in Hollywood. His screenwriting credits include Rock 'n' Roll High School and five American Film Institute Life Achievement Award specials on CBS-TV.
Author: Joseph McBride
Publisher: University Press of Kentucky
ISBN: 0813144302
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
A portrait of the renowned film director based on seven years of interviews: “I am very happy that this book exists.” —François Truffaut Howard Hawks is often credited as the most versatile of the great American directors, having worked with equal ease in screwball comedies, westerns, gangster movies, musicals, and adventure films. He directed an impressive number of Hollywood’s greatest stars—including Humphrey Bogart, Cary Grant, John Wayne, Lauren Bacall, Rosalind Russell, and Marilyn Monroe—and some of his most celebrated films include Scarface, Bringing Up Baby, The Big Sleep, Red River, Gentlemen Prefer Blondes, and Rio Bravo. Hawks on Hawks draws on interviews that author Joseph McBride conducted with the director over the course of seven years, giving rare insight into Hawks’s artistic philosophy, his relationships with the stars, and his position in an industry that was rapidly changing. In its new edition, this classic book is both an account of the film legend’s life and work and a guidebook on how to make movies. “There are going to be many biographies of Howard Hawks, but they will all lean heavily on this book; the pioneer so honestly reveals himself and the people with whom he worked.” —Los Angeles Times
Author: James C. Scott
Publisher: Princeton University Press
ISBN: 0691161038
Category : Political Science
Languages : en
Pages : 198
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Book Description
A spirited defense of the anarchist approach to life James Scott taught us what's wrong with seeing like a state. Now, in his most accessible and personal book to date, the acclaimed social scientist makes the case for seeing like an anarchist. Inspired by the core anarchist faith in the possibilities of voluntary cooperation without hierarchy, Two Cheers for Anarchism is an engaging, high-spirited, and often very funny defense of an anarchist way of seeing—one that provides a unique and powerful perspective on everything from everyday social and political interactions to mass protests and revolutions. Through a wide-ranging series of memorable anecdotes and examples, the book describes an anarchist sensibility that celebrates the local knowledge, common sense, and creativity of ordinary people. The result is a kind of handbook on constructive anarchism that challenges us to radically reconsider the value of hierarchy in public and private life, from schools and workplaces to retirement homes and government itself. Beginning with what Scott calls "the law of anarchist calisthenics," an argument for law-breaking inspired by an East German pedestrian crossing, each chapter opens with a story that captures an essential anarchist truth. In the course of telling these stories, Scott touches on a wide variety of subjects: public disorder and riots, desertion, poaching, vernacular knowledge, assembly-line production, globalization, the petty bourgeoisie, school testing, playgrounds, and the practice of historical explanation. Far from a dogmatic manifesto, Two Cheers for Anarchism celebrates the anarchist confidence in the inventiveness and judgment of people who are free to exercise their creative and moral capacities.
Author: Joseph McBride
Publisher: Columbia University Press
ISBN: 0231546645
Category : Performing Arts
Languages : en
Pages : 590
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Book Description
Orson Welles called Ernst Lubitsch (1892–1947) “a giant” whose “talent and originality are stupefying.” Jean Renoir said, “He invented the modern Hollywood.” Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era. How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch’s films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the “Lubitsch Touch” and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch’s risqué, sophisticated, continental humor engaged the viewer’s intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride’s analysis of these films brings to life Lubitsch’s wit and inventiveness and offers revealing insights into his working methods.
Author: Steven J. Ross
Publisher: OUP USA
ISBN: 0195181727
Category : Biography & Autobiography
Languages : en
Pages : 513
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Book Description
In Hollywood Left and Right, Steven J. Ross tells a story that has escaped public attention: the emergence of Hollywood as a vital center of political life and the important role that movie stars have played in shaping the course of American politics.Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Through compelling larger-than-life figures in American cinema--Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger--Hollywood Left and Right reveals how the film industry's engagement in politics has been longer, deeper, and more varied than most people would imagine. As shown in alternating chapters, the Left and the Right each gained ascendancy in Tinseltown at different times. From Chaplin, whose movies almost always displayed his leftist convictions, to Schwarzenegger's nearly seamless transition from action blockbusters to the California governor's mansion, Steven J. Ross traces the intersection of Hollywood and political activism from the early twentieth century to the present.Hollywood Left and Right challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, as Ross shows in this passionate and entertaining work, is far more complicated. First, Hollywood has a longer history of conservatism than liberalism. Second, and most surprising, while the Hollywood Left was usually more vocal and visible, the Right had a greater impact on American political life, capturing a senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan).
Author: Michael Palin
Publisher: Macmillan
ISBN: 1429995939
Category : Biography & Autobiography
Languages : en
Pages : 649
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Book Description
A Kirkus Reviews Best Nonfiction of 2011 title The second volume of Michael Palin's diaries covers the bulk of the 1980s, a decade in which the ties binding the Pythons loosened—they made their last film Monty Pyton's Meaning of Life in 1983. For Michael, writing and acting took over much of his life, culminating in his appearances in A Fish Called Wanda, in which he played the hapless, stuttering Ken, and won a BAFTA for Best Supporting Actor. Halfway to Hollywood follows Palin's torturous trail through seven movies and ends with his final preparations for the documentary that was to change his life—Around the World in 80 Days. During these years he co-wrote and acted in Terry Gilliam's Time Bandits as well as spearing in Gilliam's follow-up success Brazil. Palin co-produced, wrote and played the lead in The Missionary opposite Maggie Smith, who also appeared with him in A Private Function, written by Alan Bennett. In television the decade was memorable for East of Ipswich, inspired his links with Suffolk. Such was his fame in the US, he was enticed into once again hosting the enormously popular show Saturday Night Live. He filmed one of the BBC's Great Railway Journeys as well as becoming chairman of the pressure group Transport 2000. His life with Helen and the family remains a constant, as the children enter their teens. Palin's joy of writing is evident once more in Halfway to Hollywood as he demonstrates his continuing sense of wonder at the world in which he finds himself. A world of screens large and small.
Author: Gabriel Miller
Publisher: University Press of Kentucky
ISBN: 0813142105
Category : Performing Arts
Languages : en
Pages : 520
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Book Description
During his forty-five-year career, William Wyler (1902--1981) pushed the boundaries of filmmaking with his gripping storylines and innovative depth-of-field cinematography. With a body of work that includes such memorable classics as Jezebel (1938), Mrs. Miniver (1942), Ben-Hur (1959), and Funny Girl (1968), Wyler is the most nominated director in the history of the Academy Awards and bears the distinction of having won an Oscar for Best Director on three occasions. Both Bette Davis and Lillian Hellman considered him America's finest director, and Sir Laurence Olivier said he learned more about film acting from Wyler than from anyone else. In William Wyler, Gabriel Miller explores the career of one of Hollywood's most unique and influential directors, examining the evolution of his cinematic style. Wyler's films feature nuanced shots and multifaceted narratives that reflect his preoccupation with realism and story construction. The director's later works were deeply influenced by his time in the army air force during World War II, and the disconnect between the idealized version of the postwar experience and reality became a central theme of Wyler's masterpiece, The Best Years of Our Lives (1946). None of Wyler's contemporaries approached his scope: he made successful and seminal films in practically every genre, including social drama, melodrama, and comedy. Yet, despite overwhelming critical acclaim and popularity, Wyler's work has never been extensively studied. This long-overdue book offers a comprehensive assessment of the director, his work, and his films' influence.
Author: William Friedkin
Publisher: Harper Collins
ISBN: 0062097261
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
“Friedkin’s book does the unthinkable: It relates the behind-the-scenes stories of his triumphs like The French Connection and The Exorcist, but also sees Friedkin take responsibility (brutally so) for his wrong calls. . . . In doing so, he captures the gut-wrenching shifts of a filmmaker’s life—the bizarre whipsaw from success to disaster.” —Variety An acclaimed memoir from William Friedkin, a maverick of American cinema and Academy Award–winning director of such legendary films as The French Connection, The Exorcist, and To Live and Die in LA.The Friedkin Connection takes readers from the streets of Chicago to the suites of Hollywood and from the sixties to today, with autobiographical storytelling as fast-paced and intense as any of the auteur's films. Friedkin’s success story has the makings of classic American film. He was born in Chicago, the son of Russian immigrants. Immediately after high school, he found work in the mailroom of a local television station, and patiently worked his way into the directing booth during the heyday of live TV. An award-winning documentary brought him attention as a talented new filmmaker and an advocate for justice, and it caught the eye of producer David L. Wolper, who brought Friedkin to Los Angeles. There he moved from television to film, displaying a versatile stylistic range. In 1971, The French Connection was released and won five Academy Awards, including Best Picture and Best Director, and two years later The Exorcist received ten Oscar nominations and catapulted Friedkin's career to stardom. Penned by the director himself, The Friedkin Connection takes readers on a journey through the numerous chance encounters and unplanned occurrences that led a young man from a poor urban neighborhood to success in one of the most competitive industries and art forms in the world. In this fascinating and candid story, he has much to say about the world of moviemaking and his place within it.
Author: Bob Willoughby
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
This book brings together the work of one of the foremost photojournalists of the Hollywood movie industry. Since the 1950s Willoughby has documented the making of hundreds of films, taking intimate portraits of directors and their stars, reflecting the drama and emotions both on and off the screen. This book is a tribute to the art of moviemaking and to many of its greatest personalities.--Publisher's description.
Author: Thomas Doherty
Publisher: Columbia University Press
ISBN: 0231512848
Category : Performing Arts
Languages : en
Pages : 441
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Book Description
From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.
