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Author: John and Mable Ringling Museum of Art
Publisher:
ISBN:
Category : Art, Cuban
Languages : en
Pages : 70
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Author: John and Mable Ringling Museum of Art
Publisher:
ISBN:
Category : Art, Cuban
Languages : en
Pages : 70
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Book Description
Author: Gary Russell Libby
Publisher:
ISBN:
Category :
Languages : es
Pages : 0
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Author: Museum of Arts and Sciences (Daytona Beach, Fla.)
Publisher:
ISBN:
Category : Art, Cuban
Languages : en
Pages : 64
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Book Description
Author: William Luis
Publisher: Bloomsbury Publishing USA
ISBN: 0313007179
Category : Social Science
Languages : en
Pages : 216
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Book Description
Cuba continues to loom large in U.S. consciousness and politics. Culture and Customs of Cuba is a much-needed resource to give students and other readers an in-depth view of our important island neighbor. Luis, of Cuban descent, provides detailed, clear insight into Cuban culture in its historical context. Religion, customs, economy, media, performing and creative arts, and cinema are some of the many topics discussed. Included in this discussion are contributions of Cubans in exile which Luis considers an inherent part of Cuban culture. Encouraging a wider understanding of Cuba, this volume describes and highlights the cultures and customs of the island. Cuba, as one will learn while reading this book, is an island of many cultural customs that have evolved out of a rich history. Presented in the context of three interrelated periods in Cuban history: the Colonial, the Republic, and Castro's Revolution, this book explores Cuba's dynamic culture. Luis also notes the spread of Cuban culture abroad, where a significant part of the Cuban population has lived since the earl 19th century. Students and others interested in this country will find this book to be extraordinarily helpful and informative.
Author: Alison Fraunhar
Publisher: Univ. Press of Mississippi
ISBN: 1496814460
Category : History
Languages : en
Pages : 273
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Book Description
Repeatedly and powerfully throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure's role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender. Fraunhar's study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.
Author: Philip D. Beidler
Publisher: University of Alabama Press
ISBN: 0817318208
Category : History
Languages : en
Pages : 206
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Book Description
A personal and cultural mediation, Philip D. Beidler’s The Island Called Paradise explores the fascinating ways Cuban history and culture have permeated North American consciousness, and vice versa. In The Island Called Paradise, Philip D. Beidler shares his personal discovery of the vast, rich, and astonishing history of the island of Cuba and the interrelatedness of Cuba and the US. Cuba first entered Beidler’s consciousness in the early 1960s when he watched with mesmerized anxiety the televised reports of the Cuban missile crisis, a conflict that reduced a multifaceted, centuries-old history between North America and Cuba to the stark duotones of Cold War politics. Fifty years later, when Beidler traveled to the US’s island neighbor, he found a Cuba unlike the nation portrayed in truculent political rhetoric or in the easy preconceptions of US popular culture. Instead he found an entrancing people and landscape with deep historical connections to the US and a dazzling culture that overwhelmed his creative spirit. In twelve original essays, Beidler reintroduces to English-speaking readers many of the central figures, both real and literary, of Cuban and Cuban-American history. Meet Cecilia Valdés, the young mixed-race heroine of a 1839 novel that takes readers to the poor streets and sumptuous salons of Spanish colonial Cuba, and Narciso López, a real-life Venezuelan adventurer and filibustero who attempted to foment a Cuban uprising against Spain. Both would have been familiar figures to nineteenth-century Americans. Beidler also visits the twentieth-century lives of “the two Ernestos” (Ernest Hemingway and Che Guevara), and the pop-culture Cuban icon Ricky Ricardo. A country not with one history but multiple layers of history, Cuba becomes a fertile island for Beidler’s exploration. Art, he argues, perpetually crosses walls erected by politics, history, and nationality. At its core, The Island Called Paradise renews and refreshes our knowledge of an older Atlantic world even as we begin to envision a future in which the old bonds between our nations may be restored.
Author: Museum of Modern Art of Latin America
Publisher: General Secretariat Organization of American States
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
Author: David H. Brown
Publisher: Routledge
ISBN: 1000008185
Category : Social Science
Languages : en
Pages : 467
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Book Description
Originally published in 2003, The Light Inside is a ground-breaking study of an Afro-Cuban secret society, its sacred arts, and their role in modern Cuban cultural history. Enslaved Africans and creoles developed the Abakuá Society, a system of men’s fraternal lodges, in urban Cuba beginnings in 1836. Drawing on years of fieldwork in the country, the book’s novel approach builds on close readings of dazzling Abakuá altars, chalk-drawn signs, and hooded masquerades. It looks at the art history of Abakuá altars, not only tracing changing styles but also how they evolve through cycles of tradition and renovation. The Light Inside reflects the essence of the artists’ creativity and experience: through adornment, altars project the powerful spirituality of Abakuá practice, an aesthetic strategy. The book also traces a biography of Abakuá objects – their shifting forms and meanings – as they participated in successive periods of Cuban cultural history. The book constructs close rhetorical and visual analyses of changing representations of the Abakuá, spanning nineteenth-century arts and letters, modern ethnographic texts, museum displays, paintings, and late twentieth century commercial kitsch. This interdisciplinary work combines art history, African Diaspora, cultural studies and cultural anthropology with Latin American.
Author: Ignacio Miguel Galbis
Publisher:
ISBN:
Category : Art, Colonial
Languages : en
Pages : 198
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Book Description
Author: Thomas D. Boswell
Publisher: Rowman & Littlefield Publishers
ISBN: 9780865981164
Category : Social Science
Languages : en
Pages : 216
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Book Description
