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Author: Franz Lachner
Publisher: A-R Editions, Inc.
ISBN: 0895795469
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 170
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Book Description
Enthält: Bläserquintette Nr. 1 in F-Dur ; Nr. 2 in Es-Dur.
Author: Franz Lachner
Publisher: A-R Editions, Inc.
ISBN: 0895795469
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 170
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Book Description
Enthält: Bläserquintette Nr. 1 in F-Dur ; Nr. 2 in Es-Dur.
Author: Albert J. Andraud
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 72
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Book Description
Author: Larry Sitsky
Publisher: Alfred Music
ISBN: 9781457470318
Category : Music
Languages : en
Pages : 92
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Book Description
Some of the most beautiful melodies of all time come from the Russian masters. Kalmus is proud to present some of these timeless melodies in transcriptions for oboe and piano. These pieces are great for recitals, and will be well-received at any public performance. Included in this volume are transcriptions of famous themes by Glinka, Scriabin, Rubenstein, Cui, Rebikov, Rimsky-Korsakov, Mussorgsky, and others.
Author: Ross Taylor
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 262
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Book Description
Author:
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 72
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Book Description
Author: Paul Jeffery
Publisher: The Crowood Press
ISBN: 0719825075
Category : Music
Languages : en
Pages : 291
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Book Description
Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.
Author: Nancy Toff
Publisher: Oxford University Press
ISBN: 0199883556
Category : Music
Languages : en
Pages : 452
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Book Description
Georges Barrère (1876-1944) holds a preeminent place in the history of American flute playing. Best known for two of the landmark works that were written for him--the Poem of Charles Tomlinson Griffes and Density 21.5 by Edgard Varèse--he was the most prominent early exemplar of the Paris Conservatoire tradition in the United States and set a new standard for American woodwind performance. Barrère's story is a musical tale of two cities, and this book uses his life as a window onto musical life in Belle Epoque Paris and twentieth-century New York. Recurrent themes are the interactions of composers and performers; the promotion of new music; the management, personnel, and repertoire of symphony orchestras; the economic and social status of the orchestral and solo musician, including the increasing power of musicians' unions; the role of patronage, particularly women patrons; and the growth of chamber music as a professional performance medium. A student of Paul Taffanel at the Paris Conservatoire, by age eighteen Barrère played in the premiere of Debussy's Prelude to the Afternoon of a Faun. He went on to become solo flutist of the Concerts Colonne and to found the Sociètè Moderne d'Instruments á Vent, a pioneering woodwind ensemble that premiered sixty-one works by forty composers in its first ten years. Invited by Walter Damrosch to become principal flute of the New York Symphony in 1905, he founded the woodwind department at the Institute of Musical Art (later Juilliard). His many ensembles toured the United States, building new audiences for chamber music and promoting French repertoire as well as new American music. Toff narrates Barrère's relationships with the finest musicians and artists of his day, among them Isadora Duncan, Yvette Guilbert, André Caplet, Paul Hindemith, Albert Roussel, Wallingford Riegger, and Henry Brant. The appendices of the book, which list Barrère's 170 premieres and the 50 works dedicated to him, are a resource for a new generation of performers. Based on extensive archival research and oral histories in both France and the United States, this is the first biography of Barrère.
Author: Siu-Lan Tan
Publisher: Psychology Press
ISBN: 1136997059
Category : Music
Languages : en
Pages : 362
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Book Description
Why are some disturbances of air molecules heard as 'noise' while others are perceived as music? What happens at the level of the sound wave, the ear, and the brain when we perform or listen to music? How do musical abilities emerge and develop, and become refined as one acquires musical expertise? And what gives music its deep emotional significance and its power to influence social behavior, across vastly different cultural contexts? These are some of the primary questions defining the field called 'the psychology of music' and driving the present volume. This book provides an introduction to classic and current studies in the psychology of music, combining a comprehensive summary with critical assessments of existing research. The volume captures the interdisciplinary breadth of the field, while covering central topics in depth. Part One explores sound and music at an acoustic level, explaining auditory events with respect to the workings of the ear and brain. Part Two focuses on perception and cognition of melody, rhythm, and formal structure. Part Three examines the emergence and development of musical skills, and turns to the most practical aspects of psychology of music: music practice and performance. Finally, Part Four broadens the discussion to the question of meaning in music, with respect to its social, emotional, philosophical, and cultural significance. Throughout, both behavioral and neuroscientific perspectives are developed. This book will be invaluable to undergraduate and postgraduate students in the fields of psychology and music, and will appeal to anyone else who is interested in the psychology of music.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1732
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Book Description
Author:
Publisher: National Library Australia
ISBN:
Category :
Languages : en
Pages : 1818
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Book Description
