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Author: Patrick Atkinson
Publisher: Greenwood
ISBN:
Category : Performing Arts
Languages : en
Pages : 496
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Book Description
Indexes photographs of 20th-century scenic designs appearing in 114 books, journals, and design exhibition catalogs.
Author: Patrick Atkinson
Publisher: Greenwood
ISBN:
Category : Performing Arts
Languages : en
Pages : 496
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Book Description
Indexes photographs of 20th-century scenic designs appearing in 114 books, journals, and design exhibition catalogs.
Author: E. Essin
Publisher: Springer
ISBN: 1137108398
Category : Performing Arts
Languages : en
Pages : 271
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Book Description
By casting designers as authors, cultural critics, activists, entrepreneurs, and global cartographers, Essin tells a story about scenic images on the page, stage, and beyond that helped American audiences see the everyday landscapes and exotic destinations from a modern perspective.
Author: Denis Bablet
Publisher: Leon Amiel Publisher
ISBN:
Category : Performing Arts
Languages : en
Pages : 400
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Book Description
This book is aiming to grasp the evolution of stage design in an entirely international spirit from the end of illusionary realism till present day. It reveals the work of designers and painters who are trying to create a world of stage design, to define space, fill it with forms, sings, color and lighting which will speak to each and every one of us.
Author: James Robert Thompson
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 372
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Book Description
Author: James Robert Thompson
Publisher:
ISBN:
Category : Theaters
Languages : en
Pages : 430
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Book Description
Author: Oscar G. Brockett
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
A lively, beautifully illustrated history of theatrical stage design from ancient Greek times to the present, coauthored by the world's leading authority, Oscar G. Brockett.
Author: Joseph Brandesky
Publisher: University of Iowa Press
ISBN: 1587297124
Category : Drama
Languages : en
Pages : 118
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Book Description
This stimulating compilation of essays and images reveals an essential and valuable component of Czech contributions to the world of modern theatre heretofore largely unseen outside the country itself. Featuring the craft of twenty-seven of the best stage and costume designers of the twentieth century, Joe Brandesky supplies ample evidence of their consistently high quality and dynamic creativity, survival skills for a people whose national identity had been dismantled during many years of occupation and repression. Essays by Vera Ptacková, Dennis Christilles, Delbert Unruh, and, Marie Zdenková their full texts restored and reedited for this volume since their initial publication in exhibit catalogs, provide historical and linguistic insights into contemporary Czech scenography as well as comparisons to the major art movements affecting the designers. Brandesky’s informative introductory essay contextualizes the shifting tenets of Czech theatre design. Also included are biographies of the designers, a bibliography, and thirty black-and-white photographs. The accompanying CD provides access to the vibrant and sophisticated images of the Czech theatrical world: 138 richly colorful paintings and drawings of costumes, models, and set designs and in situ photos of exhibited designs plus 27 color and black-and-white photos of the designers. The CD also includes the full text of the book with links to all the art and to the designers’ biographies. Book and CD together showcase the Czech Republic as a center of international stage design.
Author: Anne Fletcher
Publisher: SIU Press
ISBN: 080938681X
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Rediscovering Mordecai Gorelik explores the life and work of the pioneering scene designer whose career spanned decades in American theatre. Anne Fletcher’s insightful volume draws intriguing parallels and contrasts between Gorelik’s productions and the theatrical movements of the twentieth century, exposing the indelible mark he left on the stage. Through in-depth analysis of his letters, diaries, designs, and theoretical works, Fletcher examines the ways in which Gorelik’s productions can be used as a mirror to reflect the shifting dramatic landscapes of his times. Fletcher places Gorelik against the colorful historical backdrops that surrounded him—including the avant-garde movement of the 1920s, World War II, the Cold War, and absurdism—using the designer’s career as a window into the theatre during these eras. Within these cultural contexts, Gorelik sought to blaze his own unconventional path through the realms of theatre and theory. Fletcher traces Gorelik’s tenures with such companies as the Provincetown Players, the Theatre Guild, and the Theatre Union, as well as his relationships with icons such as Bertolt Brecht, revealing how his interactions with others influenced his progressive designs and thus set the stage for major dramatic innovations. In particular, Fletcher explores Gorelik’s use of scenic metaphor: the employment of stage design techniques to subtly enhance the tone or mood of a production. Fletcher also details the designer’s written contributions to criticism and theory, including the influential volume New Theatres for Old, as well as other articles and publications. In addition to thorough examinations of several of Gorelik’s most famous projects, Rediscovering Mordecai Gorelik contains explications of productions by such legends as John Howard Lawson, Clifford Odets, and Arthur Miller. Also included are numerous full-color and black-and-white illustrations of Gorelik’s work, most of which have never been available to the public until now. More than simply a portrait of one man, this indispensable volume is a cultural history of American theatre as seen through the career of a visionary designer and theoretician.
Author: W. Oren Parker, Harvey K. Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
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Book Description
Author: Alistair Fair
Publisher: Routledge
ISBN: 1317056914
Category : Architecture
Languages : en
Pages : 470
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Book Description
During the twentieth century, an increasingly diverse range of buildings and spaces was used for theatre. Theatre architecture was re-formed by new approaches to staging and performance, while theatre was often thought to have a reforming role in society. Innovation was accompanied by the revival and reinterpretation of older ideas. The contributors to this volume explore these ideas in a variety of contexts, from detailed discussions of key architects’ work (including Denys Lasdun, Peter Moro, Cedric Price and Heinrich Tessenow) to broader surveys of theatre in West Germany and Japan. Other contributions examine the Malmö Stadsteater, ’ideal’ theatres in post-war North America, ’found space’ in 1960s New York, and Postmodernity in 1980s East Germany. Together these essays shed new light on this complex building type and also contribute to the wider architectural history of the twentieth century.
