Author: William Burgwinkle
Publisher: Cambridge University Press
ISBN: 0521897866
Category : Literary Criticism
Languages : en
Pages : 823
Book Description
The most comprehensive history of literature written in French ever produced in English.
The Cambridge History of French Literature
Author: William Burgwinkle
Publisher: Cambridge University Press
ISBN: 0521897866
Category : Literary Criticism
Languages : en
Pages : 823
Book Description
The most comprehensive history of literature written in French ever produced in English.
Publisher: Cambridge University Press
ISBN: 0521897866
Category : Literary Criticism
Languages : en
Pages : 823
Book Description
The most comprehensive history of literature written in French ever produced in English.
The Columbia History of Twentieth-century French Thought
Author: Lawrence D. Kritzman
Publisher: Columbia University Press
ISBN: 9780231107907
Category : History
Languages : en
Pages : 820
Book Description
This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.
Publisher: Columbia University Press
ISBN: 9780231107907
Category : History
Languages : en
Pages : 820
Book Description
This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.
France at War in the Twentieth Century
Author: Valerie Holman
Publisher: Berghahn Books
ISBN: 9781571817709
Category : History
Languages : en
Pages : 180
Book Description
"There are suggestive and interesting contributions ... Historians of modern France and historians interested in the cultural aspects of war will find much to engage with in this stimulating collection." - French History France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.
Publisher: Berghahn Books
ISBN: 9781571817709
Category : History
Languages : en
Pages : 180
Book Description
"There are suggestive and interesting contributions ... Historians of modern France and historians interested in the cultural aspects of war will find much to engage with in this stimulating collection." - French History France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.
Romance and Readership in Twentieth-Century France
Author: Diana Holmes
Publisher: OUP Oxford
ISBN: 0191514365
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Romance in modern times is the most widely read yet the most critically despised of genres. Associated almost entirely with women, as readers and as writers, its popularity has been argued by gender traditionalists to confirm women's innate sentimentality, while feminist critics have often condemned the genre as a dangerous opiate for the female masses. This study adopts the more positive perspective of critics such as Janice Radway, and takes seriously the pleasure that women readers consistently seem to find in romance. Drawing on the social constructionist feminism of Simone de Beauvoir, the psychoanalytical theories of Jessica Benjamin, and a range of social theorists from Bourdieu to Zygmunt Bauman, the book uncovers the history of romantic fiction in France from the late nineteenth to the early twenty-first century, and explores its place in women's lives and imaginations. Romance is not defined - as it usually is - solely in terms of its mass-market form. Rather, the history of women's popular fiction is traced in its full context, as one dimension of a literary story that encompasses the mainstream or 'middlebrow' as well as 'high' culture. Thus this study ranges from the formula romance (from the pious but popular Delly to global brand Harlequin), through 'middlebrow' bestsellers like Marcelle Tinayre, Françoise Sagan, Régine Deforges, to critically esteemed stories of love in the work of such authors as Colette, Simone de Beauvoir, Elsa Triolet, and Camille Laurens. Criss-crossing the boundaries of taste and class, as well as those of sexual orientation, the romance has been at times reactionary, at others progressive, utopian, and contestatory. It has played an important part in the lives of twentieth-century women, providing both a source of imaginative escape, and a fictional space in which to rehearse and make sense of identity, relationship, and desire.
Publisher: OUP Oxford
ISBN: 0191514365
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Romance in modern times is the most widely read yet the most critically despised of genres. Associated almost entirely with women, as readers and as writers, its popularity has been argued by gender traditionalists to confirm women's innate sentimentality, while feminist critics have often condemned the genre as a dangerous opiate for the female masses. This study adopts the more positive perspective of critics such as Janice Radway, and takes seriously the pleasure that women readers consistently seem to find in romance. Drawing on the social constructionist feminism of Simone de Beauvoir, the psychoanalytical theories of Jessica Benjamin, and a range of social theorists from Bourdieu to Zygmunt Bauman, the book uncovers the history of romantic fiction in France from the late nineteenth to the early twenty-first century, and explores its place in women's lives and imaginations. Romance is not defined - as it usually is - solely in terms of its mass-market form. Rather, the history of women's popular fiction is traced in its full context, as one dimension of a literary story that encompasses the mainstream or 'middlebrow' as well as 'high' culture. Thus this study ranges from the formula romance (from the pious but popular Delly to global brand Harlequin), through 'middlebrow' bestsellers like Marcelle Tinayre, Françoise Sagan, Régine Deforges, to critically esteemed stories of love in the work of such authors as Colette, Simone de Beauvoir, Elsa Triolet, and Camille Laurens. Criss-crossing the boundaries of taste and class, as well as those of sexual orientation, the romance has been at times reactionary, at others progressive, utopian, and contestatory. It has played an important part in the lives of twentieth-century women, providing both a source of imaginative escape, and a fictional space in which to rehearse and make sense of identity, relationship, and desire.
The Documentary Imagination in Twentieth-Century French Literature
Author: Alison James
Publisher: Oxford University Press, USA
ISBN: 0198859686
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
Studying works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, this volume re-thinks twentieth-century French literature and engages with the question of distinctions between the factual and the fictional.
Publisher: Oxford University Press, USA
ISBN: 0198859686
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
Studying works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, this volume re-thinks twentieth-century French literature and engages with the question of distinctions between the factual and the fictional.
Twentieth-century French Philosophy
Author: Eric Matthews
Publisher: Oxford University Press on Demand
ISBN: 9780192892485
Category : Philosophy
Languages : en
Pages : 232
Book Description
This book offers a historical and critical account of the works of some of the major French philosophers of the twentieth century. Avoiding jargon, Eric Matthews shows how the philosophical tradition derived from Descartes has developed in the present century in the writings of key figures such as Bergson, Sartre, Merleau-Ponty, Foucault, Derrida, and contemporary French feminists. He relates philosophy to the wider French culture, and draws parallels with English-language philosophers.
Publisher: Oxford University Press on Demand
ISBN: 9780192892485
Category : Philosophy
Languages : en
Pages : 232
Book Description
This book offers a historical and critical account of the works of some of the major French philosophers of the twentieth century. Avoiding jargon, Eric Matthews shows how the philosophical tradition derived from Descartes has developed in the present century in the writings of key figures such as Bergson, Sartre, Merleau-Ponty, Foucault, Derrida, and contemporary French feminists. He relates philosophy to the wider French culture, and draws parallels with English-language philosophers.
Traces of War
Author: Colin Davis
Publisher: Liverpool University Press
ISBN: 1786948249
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Traces of War examines how the trauma of the Second World War influenced the work of the brilliant generation of writers and intellectuals who lived through it.
Publisher: Liverpool University Press
ISBN: 1786948249
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Traces of War examines how the trauma of the Second World War influenced the work of the brilliant generation of writers and intellectuals who lived through it.
Dance, Desire, and Anxiety in Early Twentieth-Century French Theater
Author: Charles R. Batson
Publisher: Routledge
ISBN: 135194648X
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
The 1909 arrival of Serge de Diaghilev's Ballets Russes in Paris marked the beginning of some two decades of collaboration among littérateurs, painters, musicians, and choreographers, many not native to France. Charles Batson's original and nuanced exploration of several of these collaborations integral to the formation of modernism and avant-gardist aesthetics reinscribes performances of the celebrated Russians and the lesser-known but equally innovative Ballets Suédois into their varied artistic traditions as well as the French historical context, teasing out connections and implications that are usually overlooked in less decidedly interdisciplinary studies. Batson not only uncovers the multiple meanings set in motion through the interplay of dancers, musicians, librettists, and spectators, but also reinterprets literary texts that inform these meanings, such as Valéry's 'L'Ame et la danse'. Identifying the performing body as a site where anxieties, drives, and desires of the French public were worked out, he shows how the messages carried by and ascribed to bodies in performance significantly influenced thought and informed the direction of much artistic expression in the twentieth century. His book will be a valuable resource for scholars working in the fields of literature, dance, music, and film, as well as French cultural studies.
Publisher: Routledge
ISBN: 135194648X
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
The 1909 arrival of Serge de Diaghilev's Ballets Russes in Paris marked the beginning of some two decades of collaboration among littérateurs, painters, musicians, and choreographers, many not native to France. Charles Batson's original and nuanced exploration of several of these collaborations integral to the formation of modernism and avant-gardist aesthetics reinscribes performances of the celebrated Russians and the lesser-known but equally innovative Ballets Suédois into their varied artistic traditions as well as the French historical context, teasing out connections and implications that are usually overlooked in less decidedly interdisciplinary studies. Batson not only uncovers the multiple meanings set in motion through the interplay of dancers, musicians, librettists, and spectators, but also reinterprets literary texts that inform these meanings, such as Valéry's 'L'Ame et la danse'. Identifying the performing body as a site where anxieties, drives, and desires of the French public were worked out, he shows how the messages carried by and ascribed to bodies in performance significantly influenced thought and informed the direction of much artistic expression in the twentieth century. His book will be a valuable resource for scholars working in the fields of literature, dance, music, and film, as well as French cultural studies.
The Yale Anthology of Twentieth-century French Poetry
Author: Mary Ann Caws
Publisher: Yale University Press
ISBN: 0300133154
Category : Poetry
Languages : en
Pages : 690
Book Description
An influential social thinker, the late Richard Harvey Brown was professor of sociology at the University of Maryland and the author of Toward a Democratic Science: Scientific Narration and Civic Communication, published by Yale University Press.
Publisher: Yale University Press
ISBN: 0300133154
Category : Poetry
Languages : en
Pages : 690
Book Description
An influential social thinker, the late Richard Harvey Brown was professor of sociology at the University of Maryland and the author of Toward a Democratic Science: Scientific Narration and Civic Communication, published by Yale University Press.
The Columbia History of Twentieth-century French Thought
Author: Lawrence D. Kritzman
Publisher: Columbia University Press
ISBN: 9780231107914
Category : History
Languages : en
Pages : 828
Book Description
Unrivaled in its scope and depth, "The Columbia History of Twentieth-Century French Thought" assesses the intellectual figures, movements, and publications that helped shape and define fields as diverse as history and historiography, psychoanalysis, film, literary theory, cognitive and life sciences, literary criticism, philosophy, and economics. More than two hundred entries by leading intellectuals discuss developments in French thought on such subjects as pacifism, fashion, gastronomy, technology, and urbanism. Contributors include prominent French thinkers, many of whom have played an integral role in the development of French thought, and American, British, and Canadian scholars who have been vital in the dissemination of French ideas.
Publisher: Columbia University Press
ISBN: 9780231107914
Category : History
Languages : en
Pages : 828
Book Description
Unrivaled in its scope and depth, "The Columbia History of Twentieth-Century French Thought" assesses the intellectual figures, movements, and publications that helped shape and define fields as diverse as history and historiography, psychoanalysis, film, literary theory, cognitive and life sciences, literary criticism, philosophy, and economics. More than two hundred entries by leading intellectuals discuss developments in French thought on such subjects as pacifism, fashion, gastronomy, technology, and urbanism. Contributors include prominent French thinkers, many of whom have played an integral role in the development of French thought, and American, British, and Canadian scholars who have been vital in the dissemination of French ideas.