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Author: Virginia Button
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
The Turner Prize has played a vital role over the last 20 years in bringing British contemporary art to the attention of a wider audience. This book offers an opportunity to survey all the artists who have been shortlisted for the prize, from Howard Hodgkin and Richard Long to Damien Hirst and Chris O'li. Their works are illustrated alongside a brief summary of their careers. A history of the prize, along with an essay assessing its impact, make this book an invaluable resource on contemporary art.
Author: Virginia Button
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 212
Get Book Here
Book Description
The Turner Prize has played a vital role over the last 20 years in bringing British contemporary art to the attention of a wider audience. This book offers an opportunity to survey all the artists who have been shortlisted for the prize, from Howard Hodgkin and Richard Long to Damien Hirst and Chris O'li. Their works are illustrated alongside a brief summary of their careers. A history of the prize, along with an essay assessing its impact, make this book an invaluable resource on contemporary art.
Author: Virginia Button
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
"Turner Prize was established in 1984 and has from the start aimed to draw contemporary British art to the attention of a wide audience. With media coverage and visitor numbers increasing each year, its success is not in doubt, but has controversy flourished at the expense of serious consideration of the artists involved? Why did the 1992 winner, Grenville Davey advise future contenders that they would need protective headgear, thick gloves and barrier cream?"--Publisher's description.
Author: Phil Daoust
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages :
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Book Description
Author: Turner Prize
Publisher:
ISBN:
Category : Turner Prize
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN: 9781854378460
Category : Art
Languages : en
Pages : 32
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Book Description
Author: Katharine Stout
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Since mid 1980s the visual arts scene in Britain has changed beyond recognition and the Turner Prize lies at the heart of contemporary culture in the U.K. This book features a transcribed discussion between Mark Lawson, Grayson Perry (Turner Prize winner 2003), and Lionel Shriver (Orange Prize winner 2005), who consider the effect of the prizes.
Author: A. Oddey
Publisher: Springer
ISBN: 0230590721
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
Oddey questions the role of the spectator and director, and the nature of art works and performance. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic twenty-first century landscape.
Author: Nicholas A. Basbanes
Publisher:
ISBN: 9780979949104
Category : Bibliomania
Languages : en
Pages : 0
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Book Description
General Adult. From the acclaimed author of A Gentle Madness comes a new collection of more than thirty dispatches from the world of books. Reports on a nascent library in Iraq and a firsthand account of a high-stakes book auction combine with provocative discussions of the deliberate destruction of books and insightful profiles of book collectors, writers, and librarians to create a panoramic view of bibliomania.
Author:
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 236
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Book Description
Author: ChristopherR. Marshall
Publisher: Routledge
ISBN: 1351549545
Category : Art
Languages : en
Pages : 227
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Book Description
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
