Author: Roy Strong
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 420
Book Description
Tudor & Jacobean Portraits
Author: Roy Strong
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 420
Book Description
A Guide to Tudor and Jacobean Portraits
Author: Tarnya Cooper
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 52
Book Description
This accessible and visually stunning guide puts Tudor and Jacobean portraits into historical context. Many of these important works are in museums and country houses across the UK, and this introductory guide invites the reader to look afresh and to understand why and how they were created.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 52
Book Description
This accessible and visually stunning guide puts Tudor and Jacobean portraits into historical context. Many of these important works are in museums and country houses across the UK, and this introductory guide invites the reader to look afresh and to understand why and how they were created.
Tudor & Jacobean Portraits
Author: Charlotte Bolland
Publisher: National Portrait Gallery
ISBN: 9781855147669
Category : Great Britain
Languages : en
Pages : 176
Book Description
The Collection of the National Portrait Gallery, London, is renowned for its portraits from the Tudor and Jacobean eras, many of which are on display at the Gallery or at Montacute House, our regional partner in Somerset. This book presents portraits of key individuals from this period, from the monarchs and members of the ruling elite to the writers, artists and artisans that characterised the literary and artistic flourishing of the sixteenth and seventeenth centuries. An introductory essay provides important historical context, and the ninety works selected from the collections of the National Portrait Gallery and National Trust are accompanied by extended captions exploring the sitter and artist's significance to the period and technical information about the portrait. The publication features sections on Tudor monarchs, the Stuarts, courtiers, the family in portraiture, and iconography.The Collection of the National Portrait Gallery, London, is renowned for its portraits from the Tudor and Jacobean eras, many of which are on display at the Gallery or at Montacute House, our regional partner in Somerset. This book presents portraits of key individuals from this period, from the monarchs and members of the ruling elite to the writers, artists and artisans that characterised the literary and artistic flourishing of the sixteenth and seventeenth centuries. An introductory essay provides important historical context, and the ninety works selected from the collections of the National Portrait Gallery and National Trust are accompanied by extended captions exploring the sitter and artist's significance to the period and technical information about the portrait. The publication features sections on Tudor monarchs, the Stuarts, courtiers, the family in portraiture, and iconography.
Publisher: National Portrait Gallery
ISBN: 9781855147669
Category : Great Britain
Languages : en
Pages : 176
Book Description
The Collection of the National Portrait Gallery, London, is renowned for its portraits from the Tudor and Jacobean eras, many of which are on display at the Gallery or at Montacute House, our regional partner in Somerset. This book presents portraits of key individuals from this period, from the monarchs and members of the ruling elite to the writers, artists and artisans that characterised the literary and artistic flourishing of the sixteenth and seventeenth centuries. An introductory essay provides important historical context, and the ninety works selected from the collections of the National Portrait Gallery and National Trust are accompanied by extended captions exploring the sitter and artist's significance to the period and technical information about the portrait. The publication features sections on Tudor monarchs, the Stuarts, courtiers, the family in portraiture, and iconography.The Collection of the National Portrait Gallery, London, is renowned for its portraits from the Tudor and Jacobean eras, many of which are on display at the Gallery or at Montacute House, our regional partner in Somerset. This book presents portraits of key individuals from this period, from the monarchs and members of the ruling elite to the writers, artists and artisans that characterised the literary and artistic flourishing of the sixteenth and seventeenth centuries. An introductory essay provides important historical context, and the ninety works selected from the collections of the National Portrait Gallery and National Trust are accompanied by extended captions exploring the sitter and artist's significance to the period and technical information about the portrait. The publication features sections on Tudor monarchs, the Stuarts, courtiers, the family in portraiture, and iconography.
Dynasties
Author: Karen Hearn
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
More than 150 works of the Tudor and Stuart monarchs and their coutiers.
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
More than 150 works of the Tudor and Stuart monarchs and their coutiers.
Citizen Portrait
Author: Tarnya Cooper
Publisher: Paul Mellon Centre for Studies
ISBN: 9780300162790
Category : Art
Languages : en
Pages : 0
Book Description
For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility--not just for themselves as individuals, but for their entire class or industry. In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art. Published for the Paul Mellon Centre for Studies in British Art
Publisher: Paul Mellon Centre for Studies
ISBN: 9780300162790
Category : Art
Languages : en
Pages : 0
Book Description
For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility--not just for themselves as individuals, but for their entire class or industry. In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art. Published for the Paul Mellon Centre for Studies in British Art
Tudor and Jacobean Jewellery
Author: Diana Scarisbrick
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 108
Book Description
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 108
Book Description
The Elizabethan Image
Author: Roy Strong
Publisher: Yale University Press
ISBN: 0300244290
Category : Art
Languages : en
Pages : 226
Book Description
Fifty years after his seminal Tate gallery London exhibition, 'The Elizabethan Image', leading authority Roy Strong returns with fresh eyes to the subject closest to his heart, The Virgin Queen, her court and our first Elizabethan age From celebrated portraits of the Queen and paintings of knights and courtiers, to works depicting an aspiring 'middle class', Strong presents a detailed and authoritative examination of one of the most fascinating periods of British art. Enriching previous perceptions and ways of seeing the Elizabethans in their world, he reveals an age parallel in many ways to our own--a country aspiring professionally and changing socially. The gaze is from the inside, capturing the knights, melancholy lovers, poets (including Sidney, Donne and Sir John Davies), court favourites and their 'Gloriana'--as they mirrored and made themselves. Beginning with the great portrait of the Queen in grand procession with her Garter Knights, Strong pinpoints the characters and key motifs that run through the rest of the book: chivalry, changes to the social order, emblems and imagery - the full richness of the Elizabethan imagination. These pictures were intimate--personal commissions by private individuals, and not necessarily for public view. As such they are a glimpse into private worlds and sentiments and speak eloquently for the people who paid for, painted and lived amongst them, reversing an academic tendency to treat the portraits as if they had a life of their own, not grounded by the real people who commissioned them. Roy Strong concludes this richly illustrated volume with the famous and complex Rainbow Portrait, unpicking the iconography of this final painting of an ageless Elizabeth in her 'Mask of Youth'. Within a year of its completion the queen was dead--her portraits increasingly demoted and replaced by Mary Stuart's--as the splendour of the Elizabethan age and 'the cult of the queen' made way for new monarch James VI, who was to rule over a united England and Scotland.
Publisher: Yale University Press
ISBN: 0300244290
Category : Art
Languages : en
Pages : 226
Book Description
Fifty years after his seminal Tate gallery London exhibition, 'The Elizabethan Image', leading authority Roy Strong returns with fresh eyes to the subject closest to his heart, The Virgin Queen, her court and our first Elizabethan age From celebrated portraits of the Queen and paintings of knights and courtiers, to works depicting an aspiring 'middle class', Strong presents a detailed and authoritative examination of one of the most fascinating periods of British art. Enriching previous perceptions and ways of seeing the Elizabethans in their world, he reveals an age parallel in many ways to our own--a country aspiring professionally and changing socially. The gaze is from the inside, capturing the knights, melancholy lovers, poets (including Sidney, Donne and Sir John Davies), court favourites and their 'Gloriana'--as they mirrored and made themselves. Beginning with the great portrait of the Queen in grand procession with her Garter Knights, Strong pinpoints the characters and key motifs that run through the rest of the book: chivalry, changes to the social order, emblems and imagery - the full richness of the Elizabethan imagination. These pictures were intimate--personal commissions by private individuals, and not necessarily for public view. As such they are a glimpse into private worlds and sentiments and speak eloquently for the people who paid for, painted and lived amongst them, reversing an academic tendency to treat the portraits as if they had a life of their own, not grounded by the real people who commissioned them. Roy Strong concludes this richly illustrated volume with the famous and complex Rainbow Portrait, unpicking the iconography of this final painting of an ageless Elizabeth in her 'Mask of Youth'. Within a year of its completion the queen was dead--her portraits increasingly demoted and replaced by Mary Stuart's--as the splendour of the Elizabethan age and 'the cult of the queen' made way for new monarch James VI, who was to rule over a united England and Scotland.
Tudor and Jacobean Tournaments
Author: Alan R. Young
Publisher:
ISBN:
Category : History
Languages : en
Pages : 232
Book Description
This is the first book to trace the history & significance of the tournament in all its aspects in the Tudor & Jacobean periods. In its original medieval form, the tournament was a cross between sport & warfare, often an event involving two large opposing groups of knights who fought each other across a wide area of country. Loss of life or limb was common. These brutal events were a far cry from the carefully controlled & staged affairs that tournaments had become by Tudor times, a development that mirrors a profound change in role. As a vehicle for training in warfare, the Tudor & Jacobean tournament was largely anachronistic, but it played a crucial part in the political & cultural life of the country. These events were a major instrument of political propaganda, a public spectacle which the monarch could use in the profoundly serious business of displaying his or her magnificence. They were frequently staged & lavishly financed, with the provision of rich & costly trappings for participants & key spectators alike. Tournaments were also of considerable importance in keeping alive the ideals of chivalry, & all that these implied about service to king & country. Unlike later court entertainments, tournaments were spectacles at which even the meanest citizen could bask in the display of royal magnificence. Drawing on much original research, Professor Young fully explores all aspects of the tournament & its significance, including the construction of tiltyards, the tournament as theatre, & tournament literature, some of which was contributed by such great figures as Philip Sidney & Ben Jonson. But above all Young makes clear that the tournament was never mere entertainment, extravagant fantasy, or the archaic exercise of obsolete military skills. In fact, Tudor & Jacobean tournaments helped to keep alive values & ideals which perhaps contributed to the English Civil War, the American Civil War & even World War I.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 232
Book Description
This is the first book to trace the history & significance of the tournament in all its aspects in the Tudor & Jacobean periods. In its original medieval form, the tournament was a cross between sport & warfare, often an event involving two large opposing groups of knights who fought each other across a wide area of country. Loss of life or limb was common. These brutal events were a far cry from the carefully controlled & staged affairs that tournaments had become by Tudor times, a development that mirrors a profound change in role. As a vehicle for training in warfare, the Tudor & Jacobean tournament was largely anachronistic, but it played a crucial part in the political & cultural life of the country. These events were a major instrument of political propaganda, a public spectacle which the monarch could use in the profoundly serious business of displaying his or her magnificence. They were frequently staged & lavishly financed, with the provision of rich & costly trappings for participants & key spectators alike. Tournaments were also of considerable importance in keeping alive the ideals of chivalry, & all that these implied about service to king & country. Unlike later court entertainments, tournaments were spectacles at which even the meanest citizen could bask in the display of royal magnificence. Drawing on much original research, Professor Young fully explores all aspects of the tournament & its significance, including the construction of tiltyards, the tournament as theatre, & tournament literature, some of which was contributed by such great figures as Philip Sidney & Ben Jonson. But above all Young makes clear that the tournament was never mere entertainment, extravagant fantasy, or the archaic exercise of obsolete military skills. In fact, Tudor & Jacobean tournaments helped to keep alive values & ideals which perhaps contributed to the English Civil War, the American Civil War & even World War I.
Black Tudors
Author: Miranda Kaufmann
Publisher: Simon and Schuster
ISBN: 1786071851
Category : History
Languages : en
Pages : 354
Book Description
A new, transformative history – in Tudor times there were Black people living and working in Britain, and they were free ‘This is history on the cutting edge of archival research, but accessibly written and alive with human details and warmth.’ David Olusoga, author of Black and British: A Forgotten History A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England… They were present at some of the defining moments of the age. They were christened, married and buried by the Church. They were paid wages like any other Tudors. The untold stories of the Black Tudors, dazzlingly brought to life by Kaufmann, will transform how we see this most intriguing period of history. *** Shortlisted for the Wolfson History Prize 2018 A Book of the Year for the Evening Standard and the Observer ‘That rare thing: a book about the 16th century that said something new.’ Evening Standard, Books of the Year ‘Splendid… a cracking contribution to the field.’ Dan Jones, Sunday Times ‘Consistently fascinating, historically invaluable… the narrative is pacy... Anyone reading it will never look at Tudor England in the same light again.’ Daily Mail
Publisher: Simon and Schuster
ISBN: 1786071851
Category : History
Languages : en
Pages : 354
Book Description
A new, transformative history – in Tudor times there were Black people living and working in Britain, and they were free ‘This is history on the cutting edge of archival research, but accessibly written and alive with human details and warmth.’ David Olusoga, author of Black and British: A Forgotten History A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England… They were present at some of the defining moments of the age. They were christened, married and buried by the Church. They were paid wages like any other Tudors. The untold stories of the Black Tudors, dazzlingly brought to life by Kaufmann, will transform how we see this most intriguing period of history. *** Shortlisted for the Wolfson History Prize 2018 A Book of the Year for the Evening Standard and the Observer ‘That rare thing: a book about the 16th century that said something new.’ Evening Standard, Books of the Year ‘Splendid… a cracking contribution to the field.’ Dan Jones, Sunday Times ‘Consistently fascinating, historically invaluable… the narrative is pacy... Anyone reading it will never look at Tudor England in the same light again.’ Daily Mail
Painting in Britain, 1500-1630
Author: Tarnya Cooper
Publisher:
ISBN: 9780197265840
Category : Art
Languages : en
Pages : 0
Book Description
This overview answers key questions about the production and consumption of art in Britain in the 16th and early 17th century, integrating art history, history and conservation science. The illustrations allow the reader to engage directly and to see some of the most famous Tudor and Jacobean paintings in a new light.
Publisher:
ISBN: 9780197265840
Category : Art
Languages : en
Pages : 0
Book Description
This overview answers key questions about the production and consumption of art in Britain in the 16th and early 17th century, integrating art history, history and conservation science. The illustrations allow the reader to engage directly and to see some of the most famous Tudor and Jacobean paintings in a new light.