Author: Bert Winther-Tamaki
Publisher: U of Minnesota Press
ISBN: 1452966834
Category : Art
Languages : en
Pages : 438
Book Description
An examination of Japanese contemporary art through the lens of ecocriticism and environmental history Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth. In the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of “mudlarking” and “muckracking,” utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists’ engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. By focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.
Tsuchi
Author: Bert Winther-Tamaki
Publisher: U of Minnesota Press
ISBN: 1452966834
Category : Art
Languages : en
Pages : 438
Book Description
An examination of Japanese contemporary art through the lens of ecocriticism and environmental history Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth. In the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of “mudlarking” and “muckracking,” utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists’ engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. By focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.
Publisher: U of Minnesota Press
ISBN: 1452966834
Category : Art
Languages : en
Pages : 438
Book Description
An examination of Japanese contemporary art through the lens of ecocriticism and environmental history Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth. In the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of “mudlarking” and “muckracking,” utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists’ engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. By focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.
???? Kagu-Tsuchi: Part.1
Author: Andrew Jarman-Hall
Publisher: Lulu.com
ISBN: 1291084444
Category :
Languages : en
Pages : 50
Book Description
Publisher: Lulu.com
ISBN: 1291084444
Category :
Languages : en
Pages : 50
Book Description
Annual Report
Author: Smithsonian Institution
Publisher:
ISBN:
Category :
Languages : en
Pages : 906
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 906
Book Description
Report of the National Museum
Author: United States National Museum
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 910
Book Description
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 910
Book Description
Report of the United States National Museum ...
Author: United States National Museum
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 916
Book Description
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 916
Book Description
Report of the Assistant Director of the U.S. National Museum
Author: United States National Museum
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 910
Book Description
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 910
Book Description
Report on the Progress and Condition of the United States National Museum
Author: United States National Museum
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 908
Book Description
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 908
Book Description
Annual Report of the Board of Regents of the Smithsonian Institution
Author: Smithsonian Institution. Board of Regents
Publisher:
ISBN:
Category : Discoveries in science
Languages : en
Pages : 908
Book Description
Publisher:
ISBN:
Category : Discoveries in science
Languages : en
Pages : 908
Book Description
Report Upon the Condition and Progress of the U.S. National Museum During the Year Ending June 30 ...
Author: United States National Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 912
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 912
Book Description
Annual Report of the Board of Regents of the Smithsonian Institution
Author: Smithsonian Institution
Publisher:
ISBN:
Category :
Languages : en
Pages : 910
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 910
Book Description