T.S. Eliot's Dramatic Theory and Practice

T.S. Eliot's Dramatic Theory and Practice PDF Author: Carol H. Smith
Publisher: Princeton University Press
ISBN: 140087940X
Category : Literary Criticism
Languages : en
Pages : 264

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Book Description
Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot's dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot’s latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot’s interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

T.S. Eliot's Dramatic Theory and Practice

T.S. Eliot's Dramatic Theory and Practice PDF Author: Carol H. Smith
Publisher: Princeton University Press
ISBN: 140087940X
Category : Literary Criticism
Languages : en
Pages : 264

Get Book Here

Book Description
Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot's dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot’s latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot’s interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

T.S. Eliot's Dramatic Theory and Practice

T.S. Eliot's Dramatic Theory and Practice PDF Author: Carol H. Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 264

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Book Description


T. S. Eliot

T. S. Eliot PDF Author: Carol H. Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 251

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Book Description


FROM 'SWEENEY AGONISTES' TO 'THE ELDER STATESMAN': A STUDY OF THE DRAMATIC THEORY AND PRACTICE OF T. S. ELIOT.

FROM 'SWEENEY AGONISTES' TO 'THE ELDER STATESMAN': A STUDY OF THE DRAMATIC THEORY AND PRACTICE OF T. S. ELIOT. PDF Author: CAROL HERTZIG SMITH
Publisher:
ISBN:
Category :
Languages : en
Pages : 554

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Book Description


T.S. Eliot's Dramatic Theory and Practice, from Sweenay Agonistes to The Elder Statesman

T.S. Eliot's Dramatic Theory and Practice, from Sweenay Agonistes to The Elder Statesman PDF Author: Carol H. Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 251

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Book Description


T.S. Eliot's Dramatic Theory and Practice from Sweney Agonistes to the Elder Statesman

T.S. Eliot's Dramatic Theory and Practice from Sweney Agonistes to the Elder Statesman PDF Author: Carol H. Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 251

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Book Description


T.S. Eliot's Dramtic Theory and Practice

T.S. Eliot's Dramtic Theory and Practice PDF Author: Carol H. Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 251

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Book Description


T.S. Eliot's Dramatic Theory and Practice from Sweeney Agonistes to the Eleder Statesman

T.S. Eliot's Dramatic Theory and Practice from Sweeney Agonistes to the Eleder Statesman PDF Author: Carol H. Simth
Publisher:
ISBN:
Category :
Languages : en
Pages : 251

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Book Description


T. S. Eliot

T. S. Eliot PDF Author: H. L. Sharma
Publisher: Lawrence Verry Incorporated
ISBN:
Category :
Languages : en
Pages : 202

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Book Description


The Complete Plays of T. S. Eliot

The Complete Plays of T. S. Eliot PDF Author: T. S. Eliot
Publisher: HMH
ISBN: 0544358457
Category : Drama
Languages : en
Pages : 361

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Book Description
The collected dramatic works of the Nobel Prize winner, from Murder in the Cathedral to The Elder Statesman. T. S. Eliot’s plays—Murder in the Cathedral, The Family Reunion, The Cocktail Party (which won a Tony Award for its Broadway production), The Confidential Clerk, and The Elder Statesman—are brought together for the first time in this volume. They summarize the Nobel Prize winner’s achievements in restoring dramatic verse to the English and American stages, an effort of great significance both for the theater and for the development of Eliot’s art. Between 1935, when Murder in the Cathedral was first produced at the Canterbury Festival, and 1958, when The Elder Statesman opened at the Edinburgh Festival prior to engagements in London and New York, Eliot had given three other plays to the theater. His paramount concerns can be traced through all five works. They have been said to be closely related, marking stages in the development of a new and individual form of drama, in which the poet worked out his intention “to take a form of entertainment, and subject it to the process that would leave it a form of art.” What Mark Van Doren said, in reviewing Murder in the Cathedral, is true of all these plays: “Mr. Eliot adapts himself to the stage with dignity, simplicity, and skill.”