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Author: Maurice Ravel
Publisher:
ISBN:
Category : Choruses, Secular
Languages : en
Pages : 12
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Book Description
Author: Maurice Ravel
Publisher:
ISBN:
Category : Choruses, Secular
Languages : en
Pages : 12
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Book Description
Author:
Publisher:
ISBN:
Category : Part-songs, French
Languages : en
Pages : 14
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Book Description
Author: Deborah Mawer
Publisher: Cambridge University Press
ISBN: 9780521648561
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.
Author: Chester L. Alwes
Publisher: Oxford University Press
ISBN: 0190463651
Category : Music
Languages : en
Pages : 662
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Book Description
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Volume II examines the major genres common to the Classical and Romantic eras and offers a thorough exploration of the array of styles and approaches developed over the course of the twentieth century, from Impressionism to the Avant-Garde.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 856
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Book Description
Author: Allen A. Brown Collection (Boston Public Library)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 462
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Book Description
Author: Julien Tiersot
Publisher: Boston : Oliver Ditson Company
ISBN:
Category : Folk songs, French
Languages : en
Pages : 194
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Book Description
Author: Plinio Pratesi
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
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Book Description
Author: Caroline Rae
Publisher: Routledge
ISBN: 0429769423
Category : Music
Languages : en
Pages : 374
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Book Description
This first book in English on the French composer André Jolivet (1905–1974) investigates his music, life and influence. A pupil of Varèse and colleague of Messiaen in La Jeune France, Jolivet is a major figure in French music of the twentieth century. His music combines innovative language with spirituality, summarised in his self-declared axiom to ‘restore music’s ancient original meaning when it was the magic and incantatory expression of the sacred in human communities’. The book’s contextual introduction is followed by contributions, edited by Caroline Rae, from leading international scholars including the composer’s daughter Christine Jolivet-Erlih. These assess Jolivet’s output and activities from the 1920s through to his last works, exploring creative process, aesthetic, his relationship with the exotic and influences from literature. They also examine, for the first time, the significance of Jolivet’s involvement with the visual arts and his activities as conductor, teacher and critic. A chronology of Jolivet’s life and works with details of first performances provides valuable overview and reference. This fascinating and comprehensive volume is an indispensable source for research into French music and culture of the twentieth century.
Author: Carl B. Schmidt
Publisher: Clarendon Press
ISBN: 0191585165
Category : Music
Languages : en
Pages : 638
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Book Description
The name of Francis Poulenc (1899-1963) was first brought to prominence in the 1920s as a member of Les Six, a group of young French composers encouraged by Satie and Cocteau. His subsequent fame spread well beyond France, and he is coming to be regarded as one of this century's most significant composers. His compositions are heard constantly in concert halls the world over, and numerous recordings, including complete sets of songs and piano music, have been released. Books, articles and more than a dozen doctoral dissertations have discussed his music. Carl Schmidt's catalogue of Poulenc's works represents the first comprehensive attempt to list an oeuvre which numbers approximately 185 compositions written from his teenage years until his death at the age of 63. The Catalogue indentifies a number of unpublished works, and adds a small group of compositions to his musical canon for the first time. Each work, whether complete or unfinished, published or unpublished, is described fully. Catalogue entries list and describe all known printed editions (including reprints) and manuscript copies of each work. In addition, they provide detailed compositional histories based on numerous letters, documents, and press accounts, many of which have not been published previously. Russian interest in Poulenc's music, manifested in press runs exceeding one million copies, is also revealed for the first time.
