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Author: William Shakespeare
Publisher: BookCaps Study Guides
ISBN: 162107322X
Category : Drama
Languages : en
Pages : 795
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Book Description
Comedy and tragedy fuse together in perfect harmoney in this classic play. Now if only you can understand it... If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of Troilus and Cressidae. The original text is also presented in the book, along with a comparable version of both text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.
Author: William Shakespeare
Publisher: BookCaps Study Guides
ISBN: 162107322X
Category : Drama
Languages : en
Pages : 795
Get Book Here
Book Description
Comedy and tragedy fuse together in perfect harmoney in this classic play. Now if only you can understand it... If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of Troilus and Cressidae. The original text is also presented in the book, along with a comparable version of both text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.
Author: William Shakespeare
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 332
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Book Description
Given the wealth of formal debate contained in this tragedy, Troilus and Cressida was probably written in 1602 for a performance at one of the Inns of the Court. Shakespeare's treatment of the age-old tale of love and betrayal is based on many sources, from Homer and Ovid to Chaucer andShakespeare's near contemporary Robert Greene. In the introduction the various problems connected with the play, its performance, and publication, are considered succinctly; its multiple sources are discussed in detail, together with its peculiar stage history and its renewed popularity in recentyears.
Author: Geoffrey Chaucer
Publisher: Penguin UK
ISBN: 0141914513
Category : Poetry
Languages : en
Pages : 372
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Book Description
Set against the epic backdrop of the battle of Troy, Troilus and Criseyde is an evocative story of love and loss. When Troilus, the son of Priam, falls in love with the beautiful Criseyde, he is able to win her heart with the help of his cunning uncle Pandarus, and the lovers experience a brief period of bliss together. But the pair are soon forced apart by the inexorable tide of war and - despite their oath to remain faithful - Troilus is ultimately betrayed. Regarded by many as the greatest love poem of the Middle Ages, Troilus and Criseyde skilfully combines elements of comedy and tragedy to form an exquisite meditation on the fragility of romantic love, and the fallibility of humanity.
Author: John Lewis Walker
Publisher: Taylor & Francis
ISBN: 9780824066970
Category : Civilization, Classical, in literature
Languages : en
Pages : 920
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
Author: John Bayley
Publisher: Routledge
ISBN: 1000350444
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Every generation develops its own approach to tragedy, attitudes successively influenced by such classic works as A. C. Bradley’s Shakespearean Tragedy and the studies in interpretation by G. Wilson Knight. A comprehensive new book on the subject by an author of the same calibre was long overdue. In his book, originally published in 1981, John Bayley discusses the Roman plays, Troilus and Cressida and Timon of Athens as well as the four major tragedies. He shows how Shakespeare’s most successful tragic effects hinge on an opposition between the discourses of character and form, role and context. For example, in Lear the dramatis personae act in the dramatic world of tragedy which demands universality and high rhetoric of them. Yet they are human and have their being in the prosaic world of domesticity and plain speaking. The inevitable intrusion of the human world into the world of tragedy creates the play’s powerful off-key effects. Similarly, the existential crisis in Macbeth can be understood in terms of the tension between accomplished action and the free-ranging domain of consciousness. What is the relation between being and acting? How does an audience become intimate with a protagonist who is alienated from his own play? What did Shakespeare add to the form and traditions of tragedy? Do his masterpieces in the genre disturb and transform it in unexpected ways? These are the issues raised by this lucid and imaginative study. Professor Bayley’s highly original rethinking of the problems will be a challenge to the Shakespearean scholar as well as an illumination to the general reader.
Author: John Dryden
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
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Book Description
The play begins seven years into the Trojan War. You know, that epic series of battles fought because a "wanton" (a.k.a. horny) Trojan prince named Paris stole Helen, the luscious wife of a Greek King named Menelaus.While most of the Greeks and Trojans have been busy getting their epic battle on, a young Trojan prince named Troilus has been trying to get his epic love affair on... with a hot local girl named Cressida. The problem is, Cressida's been playing hard to get for quite some time, so Troilus is depending on Cressida's dirty-joke-loving uncle Pandarus to help facilitate a steamy hook-up. (Got that? Good, because Troilus's hot and heavy desire for Cressida is the center of the play's first major storyline, a.k.a. the "Love Plot.")Over at the Greek camp, the mighty Achilles refuses to come out of his tent. Instead of fighting against the Trojans, he spends all his time "lolling" around his bed with his BFF/ not-so-secret lover, Patroclus, playing a little game called "Hide the..." Wait. No, not that game. A game called "Let's Bag on Our Greek Military Leaders."As you can guess, the Greek military leaders are not happy about their best warrior being on strike. Ulysses hatches a plan to jump-start the stagnant war by getting the mighty Achilles out of his tent and back on the battlefield. (Get your highlighters out, kids, because getting Achilles to fight in the war is the center of the play's second major storyline, a.k.a. the "War Plot.")So, what is this evil-genius plot to get Achilles involved in the war? Well, it involves Hector, the biggest and baddest Trojan warrior around. Hector has just issued a throw-down challenge to the Greeks and says he wants to square off in man-to-man combat with their biggest and baddest warrior. (Psst. That would be Achilles.)But, instead of sending Achilles to face Hector, the Greek military leaders try to use some fancy reverse psychology. They have a fake lottery and choose a meathead named Ajax to fight. The idea is that Achilles will be so furious that he wasn't picked that he'll get his butt back out on the battlefield ASAP to prove he's a mighty warrior.Meanwhile, the Trojans bicker about whether or not they should just send Helen back to the Greeks to put an end to the war. In the end, they decide to keep her as a matter of "honor." Finally, Troilus goes to Cressida's house for the long awaited hook-up. Uncle Pandarus is there to literally walk these two kids to the bedroom (eww!).But first, he cracks a bunch of filthy jokes, makes everyone feel uncomfortable, and to tries to kill any and all romance as he rushes them into the bedroom and says they should hurry up and do it already. Despite this, our nervous lovebirds are kind of sweet (almost as sweet as Romeo and Juliet) and swear they won't cheat on each other. They promise that if they're not faithful they hope that from here on out, "all constant men [should be called] Troiluses, all false women Cressids, and all brokers-between Pandars!" (Yep. That's called irony, Shmoopers. We'll tell you more about this in "Symbols.")While Troilus and Cressida spend the night together, Cressida's dad (a traitor named Calchas who has gone over to the Greek side) convinces the Greeks that they should trade his daughter for a Trojan prisoner. The deal goes through. The very next morning, a guy named Diomedes takes Cressida away to the Greek camp, promising Troilus that he'll take real good care of Cressida. (Uh, oh.)As Cressida arrives at the camp, the Greek leaders line up to greet her. And by "greet" we mean kiss her, paw at her, and flirt / talk dirty to her. Cressida flirts back and kisses each of them, except for Ulysses, who snidely refuses to lock lips with such a "sluttish" girl.That same day, the Greeks and Trojans gather at the Greek camp to watch Hector and Ajax throw down...
Author: Geoffrey Chaucer
Publisher: Norton Paperbacks
ISBN: 9780393927559
Category : Poetry
Languages : en
Pages : 628
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Book Description
The editor's lucid introduction, marginal glosses, and explanatory annotations make Troilus and Criseyde easily accessible to students with no prior knowledge of Chaucer or Middle English. Also included is Robert Henryson's Testament of Cresseid, the poignant "sequel" to Troilus and Criseyde from fifteenth-century Scotland. "Criticism" includes ten essays by a diverse group of distinguished Chaucerians, among them C. S. Lewis, E. Talbot Donaldson, Karla Taylor, Lee Patterson, and Jill Mann, that illuminate the major scholarly issues raised by this complex and challenging poem. A Glossary and Selected Bibliography are also included
