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Author: Max Byrd
Publisher: Routledge
ISBN: 1317678567
Category : Literary Criticism
Languages : en
Pages : 173
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Book Description
Max Byrd’s lucidly written and compelling volume aims to provide a scholarly introduction to one of the most puzzling pieces of eighteenth-century literature, and a stimulus to critical thought and discussion. Laurence Sterne – an eccentric and largely unsuccessful clergyman - was forty-six when he sat down in January of 1759 to being his literary masterpiece. Aside from his sermons, only two of which had ever been published, Sterne had little more to do with the literary life than any other respectable provincial clergyman. His explosion into the history of English literature occurred not only without preparation, but also without apparent aptitude. Tristram Shandy, first published in 1985, sketches Sterne’s life and literary antecedents, closely analysing key passages of his great satire and concluding with the critical history and bibliography. It will thus be of use to all students of eighteenth-century English literature.
Author: Max Byrd
Publisher: Routledge
ISBN: 1317678567
Category : Literary Criticism
Languages : en
Pages : 173
Get Book Here
Book Description
Max Byrd’s lucidly written and compelling volume aims to provide a scholarly introduction to one of the most puzzling pieces of eighteenth-century literature, and a stimulus to critical thought and discussion. Laurence Sterne – an eccentric and largely unsuccessful clergyman - was forty-six when he sat down in January of 1759 to being his literary masterpiece. Aside from his sermons, only two of which had ever been published, Sterne had little more to do with the literary life than any other respectable provincial clergyman. His explosion into the history of English literature occurred not only without preparation, but also without apparent aptitude. Tristram Shandy, first published in 1985, sketches Sterne’s life and literary antecedents, closely analysing key passages of his great satire and concluding with the critical history and bibliography. It will thus be of use to all students of eighteenth-century English literature.
Author: Laurence Sterne
Publisher: Modern Library
ISBN: 0679641963
Category : Fiction
Languages : en
Pages : 752
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Book Description
Tristram Shandy provoked a literary sensation when it first appeared in a series of installments between 1759 and 1767. The ribald, high-spirited book prompted Diderot to hail Sterne as 'the English Rabelais.' An ingeniously structured novel (about writing a novel) that fascinates like a verbal game of chess, Tristram Shandy is both a joyful celebration of the infinite possibilities of the art of fiction and a wry demonstration of its limitations. Many view this picaresque masterpiece as the precursor of the modern novel. A Sentimental Journey, which came out in 1768, begins as a travelogue. Yet it ends as a treasury of portraits, sketches, and philosophical musings, for as Virginia Woolf observed: 'A Sentimental Journey, for all its levity and wit, is based upon something fundamentally philosophic--the philosophy of pleasure.'
Author: Thomas Keymer
Publisher: Oxford University Press
ISBN: 9780195175608
Category : Language Arts & Disciplines
Languages : en
Pages : 298
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Book Description
Thomas Keymer's introduction to this casebook examines the historical context and controversial reception of Tristram Shandy, and connects the essays selected for inclusion to the diverse traditions of Sterne Criticism.
Author: Liam Williams
Publisher:
ISBN: 9781473694873
Category :
Languages : en
Pages : 256
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Book Description
Author: Helen Williams
Publisher: Cambridge University Press
ISBN: 1108912834
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Scrutinising Sterne's fiction through a book history lens, Helen Williams creates novel readings of his work based on meticulous examination of its material and bibliographical conditions. Alongside multiple editions and manuscripts of Sterne's own letters and works, a panorama of interdisciplinary sources are explored, including dance manuals, letter-writing handbooks, newspaper advertisements, medical pamphlets and disposable packaging. For the first time, this wealth of previously overlooked material is critically analysed in relation to the design history of Tristram Shandy, conceptualising the eighteenth-century novel as an artefact that developed in close conjunction with other media. In examining the complex interrelation between a period's literature and the print matter of everyday life, this study sheds new light on Sterne and eighteenth-century literature by re-defining the origins of his work and of the eighteenth-century novel more broadly, whilst introducing readers to diverse print cultural forms and their production histories.
Author: Henry Fielding
Publisher:
ISBN:
Category : England
Languages : en
Pages : 458
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Book Description
Author: Laurence Sterne
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
Author: Ryan J. Stark
Publisher: Bloomsbury Publishing
ISBN: 1350177784
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Cover -- Contents -- Acknowledgments -- 1 The Shandean Apology -- 2 Paranormal Tristram Shandy -- 3 Are the Sermons Funny? -- 4 Maria in the Biblical Sense -- 5 Otherworldly Yorick -- 6 Ghost Rhetoric -- 7 Why Sterne? -- Notes -- Bibliography -- Index.
Author: René Bosch
Publisher: BRILL
ISBN: 940120506X
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
With their appearance during the 1760s, the five instalments of Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman caused something like a booksellers’ hype. Small publishers and anonymous imitators seized on Sterne’s success by bringing out great numbers of spurious new volumes, critical or ironic pamphlets, and works that in style and title express a congeniality with Tristram Shandy. This study explores these eighteenth-century imitations as indicators of contemporary assumptions about Sterne’s intentions. Comparisons between the original, the first reactions, and a number of late eighteenth-century imitations, show that Tristram Shandy was initially read against the background of Augustan and Grub-street satire. The earliest imitators harked back to traditions of banter and folklore, bawdy and grotesque humour, pathetic stories and orthodox religiosity, reaffirming a pattern of moral and aesthetic values that was conservative for its time. Philosophical Sentimentalism appears to have been a late development. It is also argued that, partly because of their bad reputation, some of the authors of forgeries and parodies had a greater influence on the original than the reviewers to whom Sterne is often said to have listened. The imitators followed leads and themes in the first instalments, developing them according to their own conception of Sterne’s project and the reasons for his success. As a consequence, they unintentially put a pressure on Sterne to alter his course, and even to abandon some of the narrative lines and themes he had set out for himself. The literature section contains a chronological checklist of English eighteenth-century Sterneana.
Author: Akwaeke Emezi
Publisher: Penguin
ISBN: 0525541616
Category : Fiction
Languages : en
Pages : 256
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Book Description
A Good Morning America Buzz Pick INSTANT NEW YORK TIMES BESTSELLER "Electrifying." — O: The Oprah Magazine Named a Best Book of 2020 by The New York Times, The Washington Post, NPR, USA TODAY, Vanity Fair, Elle, Harper's Bazaar, Marie Claire, Shondaland, Teen Vogue, Vulture, Lit Hub, Bustle, Electric Literature, and BookPage What does it mean for a family to lose a child they never really knew? One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.
