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Author: Trish Morrissey
Publisher:
ISBN: 9781642049558
Category :
Languages : en
Pages : 40
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Book Description
This book is published to coincide with the exhibition Trish Morrissey: a certain slant of light at Hestercombe Gallery, the culmination of her residency during 2017.From Morrissey¿s first visit to Hestercombe ¿ once a grand estate, then occupied by Army, Fire Brigade and County Council and now being restored by an independent trust ¿ it was the stories of the house¿s last female occupants that compelled her to make work here.Consulting documents and photographs in the Hestercombe and Somerset Archives, she researched the lives of Miss Warre (1790-1872) and Mrs Portman (1854-1951), breathing new life into them `by diving into their world and then pulling them back with her into the present¿. 1 In her photographs and films, Morrissey embodies these characters, sometimes playing multiple roles, distilling her interpretation into a series of gestures and poses. She likens this methodology to historical fiction, which aims `to bring the past out of the archive and relocate it in a body¿. Morrissey has borrowed the exhibition title from a poem by Emily Dickinson (1830-1886) that describes the transformative effect of winter twilight, when `the landscape listens¿ and `shadows hold their breath¿, and it is in Hestercombe¿s empty rooms and gardens that she finds and locates her characters. Using what Freud called `the arsenal of the past¿ to reinvest Hestercombe with its history, the work opens up an indeterminate space where Morrissey explores identity and self.
Author: Trish Morrissey
Publisher:
ISBN: 9781642049558
Category :
Languages : en
Pages : 40
Get Book Here
Book Description
This book is published to coincide with the exhibition Trish Morrissey: a certain slant of light at Hestercombe Gallery, the culmination of her residency during 2017.From Morrissey¿s first visit to Hestercombe ¿ once a grand estate, then occupied by Army, Fire Brigade and County Council and now being restored by an independent trust ¿ it was the stories of the house¿s last female occupants that compelled her to make work here.Consulting documents and photographs in the Hestercombe and Somerset Archives, she researched the lives of Miss Warre (1790-1872) and Mrs Portman (1854-1951), breathing new life into them `by diving into their world and then pulling them back with her into the present¿. 1 In her photographs and films, Morrissey embodies these characters, sometimes playing multiple roles, distilling her interpretation into a series of gestures and poses. She likens this methodology to historical fiction, which aims `to bring the past out of the archive and relocate it in a body¿. Morrissey has borrowed the exhibition title from a poem by Emily Dickinson (1830-1886) that describes the transformative effect of winter twilight, when `the landscape listens¿ and `shadows hold their breath¿, and it is in Hestercombe¿s empty rooms and gardens that she finds and locates her characters. Using what Freud called `the arsenal of the past¿ to reinvest Hestercombe with its history, the work opens up an indeterminate space where Morrissey explores identity and self.
Author: Trish Morrissey
Publisher:
ISBN: 9780906361078
Category : Families in art
Languages : en
Pages : 46
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Book Description
Author: Trish Morrissey
Publisher:
ISBN: 9780906361764
Category :
Languages : en
Pages :
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Book Description
Author: Kate Best
Publisher:
ISBN: 9789527441121
Category :
Languages : en
Pages : 160
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Book Description
Autofictions is the first major survey of Irish artist Trish Morrissey (b.1967), charting her career from the early 2000s, and presenting new work made especially for the accompanying exhibition at the Serlachius Museums in 2022.00From her seminal photographs that interrogate the visual codes of the family album, to more recent projects exploring the lives of often overlooked women from history, Morrissey always appears in her films and photographs, sometimes performing more than one character. Autofictions explores this dual nature of her practice, whereby the artists? own biography weaves in and out of the stories of others, using her body as a means of both re-enactment and personal reflection. Together, the works create a narrative about female experience from youth to middle age, and beyond.00Trish Morrissey was born in Dublin and has been based in the UK since the early 1990s. She has exhibited widely in the UK and internationally and her work is held in major collections including the Victoria and Albert Museum, London and the Serlachius Art Collection. Autofictions is her first solo exhibition in Finland.00Exhibition: Serlachius Museum Gustaf, Mänttä, Finland (05.02.2022-08.01.2023).
Author: Karin Lesnik-Oberstein
Publisher: Manchester University Press
ISBN: 1847796753
Category : Social Science
Languages : en
Pages : 364
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Book Description
This is the first academic book ever written on women and body hair, which has been seen until now as too trivial, ridiculous or revolting to write about. Even feminist writers or researchers on the body have found remarkably little to say about body hair, usually ignoring it completely. It would appear that the only texts to elaborate on body hair are guides on how to remove it, medical texts on ‘hirsutism’, or fetishistic pornography on ‘hairy’ women. The last taboo also questions how and why any particular issue can become defined as ‘self-evidently’ too silly or too mad to write about. Using a wide range of thinking from gender theory, queer theory, critical and literary theory, history, art history, anthropology and psychology, the contributors argue that in fact body hair plays a central role in constructing masculinity and femininity and sexual and cultural identities. It is sure to provide many academic researchers with a completely fresh perspective on all of the fields mentioned above.
Author: Daniel Palmer
Publisher: Routledge
ISBN: 1000213080
Category : Art
Languages : en
Pages : 198
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Book Description
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
Author: Frances Black
Publisher: Hachette Books Ireland
ISBN: 1444725351
Category : Self-Help
Languages : en
Pages : 217
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Book Description
Here the many sides to addiction are explored in stories which, though often raw and at times heart-breaking, are bound together by their courage, honesty, hope and resolve. Each one recognises the power of openness in emerging from the dark shadow cast by addiction. In looking to a brighter day, they assert the loudly and clearly that, even when we feel at our most isolated, we are never alone. Help is at hand. With contributions from well-known public figures who have struggled with addiction, including Paul McGrath, Ben Dunne, singer Mary Coughlan and Oisin McConville, the accounts are interspersed with the thoughtful reflections of addiction therapist Frances Black on many themes of recovery. You Are Not Alone is a book that will give hope and practical advice to the hundreds of thousands of Irish people out there whose lives have been affected by addiction.
Author: Michael Langford
Publisher: Taylor & Francis
ISBN: 0240520351
Category : Photography
Languages : en
Pages : 446
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Book Description
This edition covers everything today's amateur and student photographer needs to know. Beginning with the making of a photograph and how images are viewed and used in the commercial and art world it also shows how to develop a personal style and how to understand the theory behind photography.
Author: Charlotte Cotton
Publisher: Thames & Hudson
ISBN: 050077594X
Category : Photography
Languages : en
Pages : 448
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Book Description
A new edition of the definitive title in the field of contemporary art photography by one of the world’s leading experts on the subject, Charlotte Cotton. In the twenty-first century, photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. The Photograph as Contemporary Art introduces the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged directorial spectacles. Arranged thematically, the book reproduces work from a vast span of photographers, including Andreas Gursky, Barbara Kasten, Catherine Opie, Cindy Sherman, Deana Lawson, Diana Markosian, Elle Pérez, Gregory Halpern, Lieko Shiga, Nan Goldin, Paul Mpagi Sepuya, Pixy Liao, Susan Meiselas, and Zanele Muholi. This fully revised and updated new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Alongside previously featured work, Charlotte Cotton celebrates a new generation of artists who are shaping photography as a culturally significant medium for our current sociopolitical climate. A superb resource, The Photograph as Contemporary Art is a uniquely broad and diverse reflection of the field.
Author: Sam Posey
Publisher: Random House Trade Paperbacks
ISBN: 0812971264
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
Why do grown men play with trains? Is it a primal attachment to childhood, nostalgia for the lost age of rail travel, or the stuff of flat-out obsession? In this delightful and unprecedented book, Grand Prix legend Sam Posey tracks those who share his “passion beyond scale” and discovers a wonderfully strange and vital culture. Posey’s first layout, wired by his mother in the years just after the Second World War, was, as he writes in his Introduction, “a miniature universe which I could operate on my own. Speed and control: I was fascinated by both, as well as by the way they were inextricably bound together.” Eventually, when Posey’s son was born, he was convinced that building him a basement layout would be the highest expression of fatherhood. Sixteen years and thousands of hours later, this project, “the outgrowth of chance meetings, unexpected friendships, mistakes, illness, latent ambitions, and sheer luck” was completed. But for Posey, the creation of his HO-scale masterpiece based on the historic Colorado Midland, was just the beginning. In Playing with Trains, Sam Posey ventures well beyond the borders of his layout in northwestern Connecticut, to find out what makes the top modelers tick. He expects to find men “engaged in a genial hobby, happy to spend a few hours a week escaping the pressures of contemporary life.” Instead he uncovers a world of extremes–extreme commitment, extreme passion, and extreme differences of approach. For instance, Malcolm Furlow, holed up on his ranch in the wilderness of New Mexico, insists that model railroading is defined by scenery and artistic self-expression. On the other hand, Tony Koester, a New Jersey modeler, believes his “mission” is to replicate, with fanatical precision and authenticity, the way a real railroad operates. Going to extremes himself, Posey actually “test drives” a real steam engine in Strasburg, Pennsylvania, in an attempt to understand the great machines that inspired the models and connect us to a time when “the railroad was inventing America.” Timeless and original, Playing with Trains reveals a classic, questing American world.
