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Author: Nkem DenChukwu
Publisher: iUniverse
ISBN: 9781469709390
Category : Fiction
Languages : en
Pages : 194
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Book Description
If children are our future, its important that they remember the past, because if they dont, no one will. Who, if not parents, can impart family histories and heritage upon children? Nkem DenChukwus inspirational collection, the issues of bloodline and heritage are tackled head-on, along with the importance of ones culture. In Part I, DenChukwu delves into the tribal heritage of the Igbos of Eastern Nigeria. She explains it vividly, how being born in any one country does not determine who you really are. Instead, your bloodline represents your true heritage. In understanding the difference, DenChukwu believes you can better understand yourself. In Part II, she transitions into lucid life tales to show the beauty in a language, how ones culture and the lack thereof, can affect ones thought processes and behavior. It is possible to lose an accent or assimilate into a new culture. It is also possible to forget your heritage, and in this forgetfulness, people lose much.
Author: Nkem DenChukwu
Publisher: iUniverse
ISBN: 9781469709390
Category : Fiction
Languages : en
Pages : 194
Get Book Here
Book Description
If children are our future, its important that they remember the past, because if they dont, no one will. Who, if not parents, can impart family histories and heritage upon children? Nkem DenChukwus inspirational collection, the issues of bloodline and heritage are tackled head-on, along with the importance of ones culture. In Part I, DenChukwu delves into the tribal heritage of the Igbos of Eastern Nigeria. She explains it vividly, how being born in any one country does not determine who you really are. Instead, your bloodline represents your true heritage. In understanding the difference, DenChukwu believes you can better understand yourself. In Part II, she transitions into lucid life tales to show the beauty in a language, how ones culture and the lack thereof, can affect ones thought processes and behavior. It is possible to lose an accent or assimilate into a new culture. It is also possible to forget your heritage, and in this forgetfulness, people lose much.
Author:
Publisher:
ISBN: 0992290457
Category : History
Languages : en
Pages : 977
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Book Description
Sounding 7 begins with Echo 107 titled CONTEMPORARY EUROPEAN EYES ON THE OZ CULTURE-CLASH FRONTIER followed by echoes on BUCKLEY REVISITED, AFTER THE PROTECTORATE CRUMBLED and WHAT OF PROTECTOR ROBINSON? Echoes follow on salvaging tribal ways, the Merri Creek black orphanage, ‘going round the bend’ at the Asylum and Echo 114: THE CELESTIALS OF VICTORIA, being the resented Chinese gold miners. Exploring the contrasting fate of Batman, La Trobe and Derrimut, leads into echoes on fringe-dwelling, cultural resistance and Oz racism, in particular the mass psychology of racist ideology that culminated with World War 2. After the gold rush era, life and right behaviour at the Healesville Coranderrk mission station and re-thinking William Thomas the Aboriginal Guardian lead to the pleasant notion of civilizing British colonies through sport. The life and exploits of Tom Wills is celebrated in Echo 122: THE MAKING & BREAKING OF VICTORIA’S FIRST SPORTING HERO. Turning to political history, Oz class struggles – convicts, capitalism and nation-building asks the question with Echo 124: WHITHER MARXISM [?] and then BRITISH EMPIRE POLICY REFORMS IN THE 1840s to contain a Chartist-led revolution. Facets of Victorian ‘quality of life’ since the land grab are followed by echoes on the astrology of the 1802 Port Phillip Crown possession claim and an echo titled TOWARDS AN ASTROLOGY OF CIVILIZATION. The Sounding concludes with approaches to researching Aboriginal society, an undergraduate essay on the Dreamtime and finally with Echo 130: A RAINBOW SERPENT BRIDGE. Today in the 21s century, I wonder how differently Oz would have developed if the then ruling British government in Sydney and London had not used censorship to delay the gold rush for almost 40 years! Sounding 8 begins with Echo 131: HISTORY DISTORTION & CENSORSHIP and is backed up with a critique of Britannia’s pirate empire that together spawn two more echoes of doubtful but controversial polemics in 1421 – THE YEAR CHINA DISCOVERED THE WORLD suggesting they were here in Oz many centuries before Captain Cook. Echo 135: THE KADAITCHA SUNG MEETS THE DRUID INHERITANCE pits Palm Islander Sam Watson’s 1990s fiction The Kadaitcha Sung [the ‘clever’ occult Oz Dreamtime] in occult war with the equally ancient European / Celtic / Druid magic in the psyche of the Aryan ‘race’, so to speak. Going even further out on a limb, the focus shifts to recent light shed on ‘dark ages barbarians’ now considered by some historians to have been more culturally refined than the modern city individual. Back in Oz with Echo 137: WHITE MAN’S LAW – BLACKFELLOW LAW and Echo 138: McLEOD’S BUCKET FROM SKULL CREEK brings Western Australia after WW2 into wider awareness with the Pilbara pastoral workers strike of 1946-49 that won half-decent wage rights for Aboriginal stockmen. Moving further north, Echo 141: RECENT ARNHEMLAND CONNECTIONS Part 1: Taming the NT is the stuff of White Australia’s race-based patriotism as depicted in Ion Idriess’s once-mainstream fascist fictions counterpointed by Part 2: James Gaykamangus’s Striving to bridge the chasm: my cultural learning journey. The final echo 142 talks treaty.
Author: David Kyhber Close
Publisher: BookPOD
ISBN: 0992290449
Category : History
Languages : en
Pages : 481
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Book Description
Sounding 6 begins with Bain Attwood’s thesis Blacks & Lohans and an echo titled SEX & SORROW EAST OF MELBOURNE. Then Henry Meyrick’s frontier life and death in Western Port and Gipps Land leads into Echo 93: TAMING MELBOURNE BAYSIDE & THE DANDENONGS. Turning to OPENING GIPPSLAND: elite squatters at Sale are contrasted by surviving Kooris on Jackson’s Track. The narrative then backtracks in time with Echo 95: CONTRIBUTIONS TO TRUTH ABOUT SLAUGHTER IN GIPPSLAND comprising the Porter, Cox, Fels and Gardner versions of the blood-stained land-grab. Fels then reports on the Native Police actions and Morgan’s recent overview of the Ganai before and after white settlement concludes the shameful issues long denied or excused. Echo 96: LIAR’S LUNCH charts the rise and fall of pioneer Angus McMillan MP before the focus shifts to the historical geography of East Gippsland clans and languages and on to missionary Bulmer at Lake Tyers with the stories of the payback of Hopping Kitty and Attwood’s study of Brataualung man Tarra Bobby. Alfred Howitt’s birthing of Oz anthropology with his opus The Native Tribes of South-east Australia published at the start of the 20th century is the source material of several echoes on the making of ‘clever’ men and on songs and song-makers. Sounding 6 closes with extracts reprinted from Professor Elkin’s Aboriginal Men of High Degree – their personality and ‘making’, the powers of medicine men, and in conclusion Echo 106: ABORIGINAL MEN OF HIGH DEGREE IN A CHANGING WORLD.
Author: Amit Pinchevski
Publisher: MIT Press
ISBN: 0262543400
Category : Social Science
Languages : en
Pages : 232
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Book Description
An exploration of echo not as simple repetition but as an agent of creative possibilities. In this volume in the MIT Press Essential Knowledge series, Amit Pinchevski proposes that echo is not simple repetition and the reproduction of sameness but an agent of change and a source of creation and creativity. Pinchevski views echo as a medium, connecting and mediating across and between disparate domains. He reminds us that the mythological Echo, sentenced by Juno to repeat the last words of others, found a way to make repetition expressive. So too does echo introduce variation into sameness, mediating between self and other, inside and outside, known and unknown, near and far. Echo has the potential to bring back something unexpected, either more or less than what was sent. Pinchevski distinguishes echo from the closely related but sometimes conflated reflection, reverberation, and resonance; considers echolalia as an active, reactive, and creative vocalic force, the launching pad of speech; and explores echo as a rhetorical device, steering between appropriation and response while always maintaining relation. He examines the trope of echo chamber and both destructive and constructive echoing; describes various echo techniques and how echo can serve practical purposes from echolocation in bats and submarines to architecture and sound recording; explores echo as a link to the past, both literally and metaphorically; and considers echo as medium using Marshall McLuhan’s tetrad.
Author: Dean Rader
Publisher: University of Texas Press
ISBN: 0292723997
Category : Social Science
Languages : en
Pages : 298
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Book Description
From Sherman Alexie's films to the poetry and fiction of Louise Erdrich and Leslie Marmon Silko to the paintings of Jaune Quick-To-See Smith and the sculpture of Edgar Heap of Birds, Native American movies, literature, and art have become increasingly influential, garnering critical praise and enjoying mainstream popularity. Recognizing that the time has come for a critical assessment of this exceptional artistic output and its significance to American Indian and American issues, Dean Rader offers the first interdisciplinary examination of how American Indian artists, filmmakers, and writers tell their own stories. Beginning with rarely seen photographs, documents, and paintings from the Alcatraz Occupation in 1969 and closing with an innovative reading of the National Museum of the American Indian, Rader initiates a conversation about how Native Americans have turned to artistic expression as a means of articulating cultural sovereignty, autonomy, and survival. Focusing on figures such as author/director Sherman Alexie (Flight, Face, and Smoke Signals), artist Jaune Quick-To-See Smith, director Chris Eyre (Skins), author Louise Erdrich (Jacklight, The Last Report on the Miracles at Little No Horse), sculptor Edgar Heap of Birds, novelist Leslie Marmon Silko, sculptor Allen Houser, filmmaker and actress Valerie Red Horse, and other writers including Joy Harjo, LeAnne Howe, and David Treuer, Rader shows how these artists use aesthetic expression as a means of both engagement with and resistance to the dominant U.S. culture. Raising a constellation of new questions about Native cultural production, Rader greatly increases our understanding of what aesthetic modes of resistance can accomplish that legal or political actions cannot, as well as why Native peoples are turning to creative forms of resistance to assert deeply held ethical values.
Author: Nkem DenChukwu
Publisher: AuthorHouse
ISBN: 1496920589
Category : Juvenile Fiction
Languages : en
Pages : 43
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Book Description
Zoe is an inspirational book written with every child in mind. It is a book about a boy, his twin sister, and a bird. In this story, you will learn how to draw strength from fear. You will also learn about obedience and the price you could pay for disobedience. This is a story about family, friendship, and love.
Author: Mary Ann Calo
Publisher: University of Michigan Press
ISBN: 9780472032303
Category : African American art
Languages : en
Pages : 284
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Book Description
Rewrites the history of African American art and artists in the inter-war years
Author: Jan Gyllenbok
Publisher: Birkhäuser
ISBN: 3319667122
Category : Science
Languages : en
Pages : 925
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Book Description
This third volume of Gyllenbok's encyclopaedia of historical metrology comprises the second part of the compendium of measurement systems and currencies of all sovereign states of the modern World (J-Z). Units of measurement are of vital importance in every civilization through history. Since the early ages, man has through necessity devised various measures to assist him in everyday life. They have enabled and continue to enable us to trade in commonly and equitably understood amounts, and to investigate, understand, and control the chemical, physical, and biological processes of the natural world. The encyclopeadia will be of use not only to historians of science and technology, but also to economic and social historians and should be in every major academic and national library as standard reference work on the topic.
Author: Alan M. Gillmor
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554586895
Category : Biography & Autobiography
Languages : en
Pages : 472
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Book Description
Eagle Minds—a selection from the correspondence between the Canadian composer and scholar Istvan Anhalt and his American counterpart George Rochberg—is a splendid chronicle and a penetrating analysis of the swerving socio-cultural movements of a volatile half-century as observed by two highly gifted individuals. Beginning in 1961 and spanning forty-four years, their conversation embraces not only music but other forms of contemporary art, as well as politics, philosophy, religion, and mysticism. The letters chronicle the deepening of their friendship over the years, and the openness, honesty, and genuine warmth between them provide the reader with an intimate look at their personalities. A fascinating intellectual tension emerges between the two men as they record their individual responses to musical modernism, to changing political and social realities, and to their Jewish heritage and sense of place, one as a son of Ukrainian immigrants to the United States, the other as a refugee from war-torn Hungary. Allowing us a privileged glimpse into the private lives and thoughts of these fascinating men, Eagle Minds is a valuable tool for scholars interested in North American composers in the late twentieth century and essential reading for anyone interested in the cultural and social history of that era.
Author: Phoebe Wolfskill
Publisher: University of Illinois Press
ISBN: 0252099702
Category : Social Science
Languages : en
Pages : 360
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Book Description
An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift. Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.
