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Author: Nicholas Saunders
Publisher: Routledge
ISBN: 1000184064
Category : Social Science
Languages : en
Pages : 267
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Book Description
Trench art is the evocative name given to a dazzling array of objects made from the waste of industrialized war. Each object, whether an engraved shell case, cigarette lighter or a pen made from shrapnel, tells a unique and moving story about its maker. For the first time, this book explores in-depth the history and cultural importance behind these ambiguous art forms. Not only do they symbolize human responses to the atrocities of war, but they also act as mediators between soldiers and civilians, individuals and industrial society, and, most importantly, between the living and the dead. Trench art resonates most obviously with the terror of endless bombardment, night raids, gas attacks and the bestial nature of trench life. It grew in popularity between 1919 and 1939 when the bereaved embarked on battlefield pilgrimages and returned with objects intended to keep alive the memory of loved ones. The term trench art is, however, misleading, as it does not simply refer to materials found in the trenches. It describes a diverse range of objects that have in some way emerged from the experience of war all over the world. Many distinctive objects, for example, were made during conflicts in Bosnia, Vietnam, Northern Ireland and Korea. Surprisingly, trench art predates World War I and it can be made in a number of earlier wars such as the Crimean War, the American Civil War, and the Boer War. Saunders looks at the broader issues of what is meant by trench art, what it was before the trenches and how it fits in with other art movements, as well as the specific materials used in making it. He suggests that it can be seen as a bridge between the nineteenth century certainties and the fragmented industrialized values and ideals of the modern world. This long overdue study offers an original and informative look at one of the most arresting forms of art. Spanning from 1800 to the present day, its analysis of art, human experience, and warfare will pave the way for new research.
Author: Nicholas Saunders
Publisher: Routledge
ISBN: 1000184064
Category : Social Science
Languages : en
Pages : 267
Get Book Here
Book Description
Trench art is the evocative name given to a dazzling array of objects made from the waste of industrialized war. Each object, whether an engraved shell case, cigarette lighter or a pen made from shrapnel, tells a unique and moving story about its maker. For the first time, this book explores in-depth the history and cultural importance behind these ambiguous art forms. Not only do they symbolize human responses to the atrocities of war, but they also act as mediators between soldiers and civilians, individuals and industrial society, and, most importantly, between the living and the dead. Trench art resonates most obviously with the terror of endless bombardment, night raids, gas attacks and the bestial nature of trench life. It grew in popularity between 1919 and 1939 when the bereaved embarked on battlefield pilgrimages and returned with objects intended to keep alive the memory of loved ones. The term trench art is, however, misleading, as it does not simply refer to materials found in the trenches. It describes a diverse range of objects that have in some way emerged from the experience of war all over the world. Many distinctive objects, for example, were made during conflicts in Bosnia, Vietnam, Northern Ireland and Korea. Surprisingly, trench art predates World War I and it can be made in a number of earlier wars such as the Crimean War, the American Civil War, and the Boer War. Saunders looks at the broader issues of what is meant by trench art, what it was before the trenches and how it fits in with other art movements, as well as the specific materials used in making it. He suggests that it can be seen as a bridge between the nineteenth century certainties and the fragmented industrialized values and ideals of the modern world. This long overdue study offers an original and informative look at one of the most arresting forms of art. Spanning from 1800 to the present day, its analysis of art, human experience, and warfare will pave the way for new research.
Author: Nicholas J. Saunders
Publisher: Casemate Publishers
ISBN: 1783461233
Category : Antiques & Collectibles
Languages : en
Pages : 276
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Book Description
A look at the items crafted by soldiers, prisoners, and civilians from war waste and other items during World War I and the years leading to World War II. Engraved shell-cases, bullet-crucifixes, letter openers and cigarette lighters made of shrapnel and cartridges, miniature airplanes and tanks, talismanic jewelry, embroidery, objects carved from stone, bone and wood—all of these things are trench art, the misleading name given to the dazzling array of objects made from the waste of war, in particular the Great War of 1914-1918 and the inter-war years. And they are now the subject of Nicholas Saunders’s pioneering study. Saunders reveals the lost world of trench art, for every piece relates to the story of the momentous experience of its maker—whether front-line soldier, prisoner of war, or civilian refugee. The objects resonate with the alternating terror and boredom of war, and those created by the prisoners symbolize their struggle for survival in the camps. Many of these items were poignant souvenirs bought by battlefield pilgrims between 1919 and 1939 and kept brightly polished on mantelpieces, often for a lifetime. Nicholas Saunders investigates their origins and how they were made, exploring their personal meaning and cultural significance. He also offers an important categorization of types which will be a useful guide for collectors. Praise for Trench Art “The array of art created from a combination of terror and boredom is astonishing. Nicholas writes knowledgeably and movingly on his subjects, and the photos and layout are first class.” —Steve Earles, Hellbound.ca
Author: Jane A. Kimball
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
"Trench art" is a highly evocative term conjuring up the image of a mud-spattered soldier in a soggy trench hammering out a souvenir for a loved one at home while dodging bullets and artillery shells. This is an appealing but very false conception of the reality of this art form. A few types of trench art could be made easily in a trench during lulls in the fighting, but the hammering involved in making many trench art pieces would have been greeted with unwelcome hostile fire from the enemy. Trench art items made during wars were in fact created at a distance from the front line trenches either by soldiers "at rest" behind the front lines, by skilled artisans among the civilian population, by prisoners of war, or by soldiers.
Author: Judy Waugh
Publisher:
ISBN: 9781925341331
Category : Art metal-work
Languages : en
Pages :
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Book Description
Author: Victor Buchli
Publisher: Taylor & Francis
ISBN: 9780415336420
Category : Social Science
Languages : en
Pages : 416
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Book Description
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Author: Alfred Emile Cornebise
Publisher: Texas A&M University Press
ISBN: 1623492025
Category : History
Languages : en
Pages : 174
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Book Description
Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the US Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary Forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the US Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.
Author: Miles Vining
Publisher: Pen and Sword History
ISBN: 1526767872
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
Two marines share their experiences of serving in Afghanistan and dealing with the shock of returning home to civil society. The Marines of First Battalion, Ninth Marines earned their macabre moniker “The Walking Dead” in the Vietnam War. Into Helmand with the Walking Dead follows the experiences of two Marine infantrymen from 1/9 fighting in Afghanistan. Following the 11 September attacks in 2001, Operation Enduring Freedom catalyzed the longest war in United States history. The lives of thousands of Afghans, Americans, and many others were forever altered due to the ensuing war. The book is a brutally honest portrayal of life and death in the Marine infantry both at war in Afghanistan and upon returning to the home front, where issues of reintegration and suicide become a reality. This is the tale of the young Americans who became infantrymen and conducted America’s foreign policy in its most ruthless and straightforward manner. But war, in and of itself, is only playing a small part. The culture and environment from which they reentered civil society would leave them uncertain, and confused as to the cataclysm they had just left. This book is a testimony to their experience and the legacy of war on their generation.
Author: Victor Buchli
Publisher: Routledge
ISBN: 1000184161
Category : Social Science
Languages : en
Pages : 287
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Book Description
Material culture has finally earned a central place within anthropology. Emerging from the pioneering work done at University College London, this reader brings together for the first time seminal articles that have helped shape the anthropological study of material culture. With topics ranging from the anthropology of art to architecture, landscape studies, archaeology, consumption studies and heritage management, this key text reflects the breadth of material culture studies today. The authors, who discuss field sites as distant as Vanuatu, New Ireland, Trinidad and Soviet Russia, show how material culture provides a new lens for viewing the world around us and effectively bridges the gap between theory and data. Providing the first-ever synthesis of these ground-breaking essays in an easily accessible volume, this book will serve as a comprehensive introduction to the subject and a valuable reference guide for anyone interested in material culture, anthropology, art and museum studies.
Author: Lucy Trench
Publisher:
ISBN: 9780226812007
Category : Art
Languages : en
Pages : 608
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Book Description
In our industrialized society, it is often difficult to imagine how the objects around us are made. How, for example, are triple spirals put into the stem of a wine glass or table tops inlaid with whole landscapes of semi-precious stones? This unique dictionary is devoted to the fascinating materials and techniques used in the decorative arts. Materials range from the exotic to the most basic, from rare stones found only in the mountains of Badakshan, unsavory animal products, and the ground bodies of South American insects to ones as common as sand, clay, and lime. Compiled by a team of experts, each with an intimate knowledge of his or her subject, the entries are written in clear, accessible language and supplemented by numerous photographs and drawings. Each core material (glass, ceramics, textiles, paper, plastics, leather, metal, stone, wood, and paint) is covered from its raw state through any processing or preparation to various craft stages and finally, to any surface finishing. Traditionally, the kind of information found in these pages has been passed on from craftsman to craftsman or confined to highly specialized books, and even common terms are often misunderstood. This dictionary makes the subject accessible to all--from art and architectural historians, curators, collectors, restoration specialists, artists, and museum staff to decorators, aficionados, and those who enjoy watching Antiques Roadshow. In short, this book is for all those who are intrigued by the materials and techniques used to create the beautiful objects that surround us.
Author: Nicholas J. Saunders
Publisher: Routledge
ISBN: 1135256713
Category : History
Languages : en
Pages : 334
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Book Description
Contested Objects explores the social worlds of First World War material culture, and investigates its archaeological and anthropological intersections with identity, memory, landscape and heritage.
