Travelling Players in Shakespeare's England PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Travelling Players in Shakespeare's England PDF full book. Access full book title Travelling Players in Shakespeare's England by S. Keenan. Download full books in PDF and EPUB format.
Author: S. Keenan
Publisher: Springer
ISBN: 0230597548
Category : Literary Criticism
Languages : en
Pages : 263
Get Book Here
Book Description
Travelling Players in Shakespeare's England is the first extended study of the touring practices and performances of Elizabethan and Jacobean travelling players. It opens with a general introduction to the lively, competitive world of professional touring theatre. Following chapters focus on playing practices and performances in the spaces used as temporary theatres by touring actors (such a town halls and country houses). The final chapter looks at the decline of this important theatrical tradition in the 1620s.
Author: S. Keenan
Publisher: Springer
ISBN: 0230597548
Category : Literary Criticism
Languages : en
Pages : 263
Get Book Here
Book Description
Travelling Players in Shakespeare's England is the first extended study of the touring practices and performances of Elizabethan and Jacobean travelling players. It opens with a general introduction to the lively, competitive world of professional touring theatre. Following chapters focus on playing practices and performances in the spaces used as temporary theatres by touring actors (such a town halls and country houses). The final chapter looks at the decline of this important theatrical tradition in the 1620s.
Author: Alwin Thaler
Publisher:
ISBN:
Category : Traveling theater
Languages : en
Pages : 38
Get Book Here
Book Description
Author: Siobhan Keenan
Publisher:
ISBN: 9781349428373
Category : Traveling theater
Languages : en
Pages : 0
Get Book Here
Book Description
Travelling players in Shakespeare's England is the first extended study of the touring practices and performances of Elizabethan and Jacobean travelling players. It opens with a general introduction to the lively, competitive world of professional touring theatre. Following chapters focus on playing practices and performances in the spaces used as temporary theatres by touring actors (such a town halls and country houses). The final chapter looks at the decline of this important theatrical tradition in the 1620s.
Author: S. Keenan
Publisher: Palgrave Macmillan
ISBN: 9780333968208
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
Travelling Players in Shakespeare's England is the first extended study of the touring practices and performances of Elizabethan and Jacobean travelling players. It opens with a general introduction to the lively, competitive world of professional touring theatre. Following chapters focus on playing practices and performances in the spaces used as temporary theatres by touring actors (such a town halls and country houses). The final chapter looks at the decline of this important theatrical tradition in the 1620s.
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 052187839X
Category : Literary Criticism
Languages : en
Pages : 370
Get Book Here
Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Shakespeare Survey 60 is 'Theatres for Shakespeare'.
Author: Siobhan Keenan
Publisher: A&C Black
ISBN: 1472575679
Category : Performing Arts
Languages : en
Pages : 283
Get Book Here
Book Description
Acting Companies and their Plays in Shakespeare's London explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Acting Companies and their Plays in Shakespeare's London makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage.
Author: Sean Benson
Publisher: Rowman & Littlefield
ISBN: 1683930266
Category : Literary Criticism
Languages : en
Pages : 175
Get Book Here
Book Description
The last quarter century has seen a “turn to religion” in Shakespeare studies as well as competing assertions by secular critics that Shakespeare’s plays reflect profound skepticism and even dismissal of the truth claims of revealed religion. This divide, though real, obscures the fact that Shakespeare often embeds both readings within the same play. This book is the first to propose an accommodation between religious and secular readings of the plays. Benson argues that Shakespeare was neither a mere debunker of religious orthodoxies nor their unquestioning champion. Religious inquiry in his plays is capacious enough to explore religious orthodoxy and unorthodoxy, everything from radical belief and the need to tolerate religious dissent to the possibility of God’s nonexistence. Shakespeare’s willingness to explore all aspects of religious and secular life, often simultaneously, is a mark of his tremendous intellectual range. Taking the heterodox as his focus, Benson examines five figures and ideas on the margins of the post-Reformation English church: nonconforming puritans such as Malvolio as well as physical revenants—the walking dead—whom Shakespeare alludes to and features so tantalizingly in Hamlet. Benson applies what Keats called Shakespeare’s “negative capability”—his ability to treat both sides of an issue equally and without prejudice—to show that Shakespeare considers possible worlds where God is intimately involved in the lives of persons and, in the very same play, a world in which God may not even exist. Benson demonstrates both that the range of Shakespeare’s investigation of religious questions is more daring than has previously been thought, and that the distinction between the sacred and the profane, between the orthodox and the unorthodox, is one that Shakespeare continually engages.
Author: Hopkins Lisa Hopkins
Publisher: Edinburgh University Press
ISBN: 1474454143
Category : English literature
Languages : en
Pages : 369
Get Book Here
Book Description
Explores how cultural conceptions of mobility and the road contribute to identity and culture in early modern BritainOpens new windows on early modern culture, subjectivity and perceptions around the experience of the road and how that shapes the idea of the road itselfOffers insight into the ways both the bare boards of the stage and prose narratives were used to imagine road journeys and the intersections between public and private spaceEnhances historical understanding of the literal place of theatre in the road networks around early modern LondonProvides a crucial ligature in English literary and cultural history. The present plays and prose are prolegomena to the travel literature of Montagu, Swift, Boswell and Johnson in the Hebrides, Sterne's Sentimental Journey, Fielding's Tom Jones, and peripatetic Civil War narrativesThis book brings together thirteen essays, by both established and emerging scholars, which examine the most influential meanings of roads in early modern literature and culture. Chapters develop our understanding of the place of the road in the early modern imagination and open various windows on a geography which may by its nature seem passing or trivial but is in fact central to all conceptions of movement. They also shed new light on perhaps the most astonishing achievement of early modern plays: their use of one small, bare space to suggest an amazing variety of physical and potentially metaphysical locations.
Author: Michael Blanding
Publisher: Hachette Books
ISBN: 0316493287
Category : Literary Criticism
Languages : en
Pages : 548
Get Book Here
Book Description
The true story of a self-taught sleuth's quest to prove his eye-opening theory about the source of the world's most famous plays, taking readers inside the vibrant era of Elizabethan England as well as the contemporary scene of Shakespeare scholars and obsessives. What if Shakespeare wrote Shakespeare . . . but someone else wrote him first? Acclaimed author of The Map Thief, Michael Blanding presents the twinning narratives of renegade scholar Dennis McCarthy and Elizabethan courtier Sir Thomas North. Unlike those who believe someone else secretly wrote Shakespeare, McCarthy argues that Shakespeare wrote the plays, but he adapted them from source plays written by North decades before. In Shakespeare's Shadow alternates between the enigmatic life of North, the intrigues of the Tudor court, the rivalries of English Renaissance theater, and academic outsider McCarthy's attempts to air his provocative ideas in the clubby world of Shakespearean scholarship. Through it all, Blanding employs his keen journalistic eye to craft a captivating drama, upending our understanding of the beloved playwright and his "singular genius." Winner of the 2021 International Book Award in Narrative Non-Fiction
Author: Rebecca Olson
Publisher: Rutgers University Press
ISBN: 1644530686
Category : Literary Criticism
Languages : en
Pages : 148
Get Book Here
Book Description
Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
