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Author: Guy Barefoot
Publisher: Columbia University Press
ISBN: 0231542690
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the reasons for studying, denigrating, or celebrating the detritus of film history, it also considers the place of a trash aesthetic within and beyond 1960s American avant-garde and looks at the cult of trash in the fanzines of the 1980s. It draws on debates about cult, paracinema, and camp, arguing that trash cinema exists in relation to these but brings with it a particular history that includes the ordinary as well as the strange. Trash Cinema places these debates, and the strand of self-proclaimed low culture that emerged in the second half of the twentieth century, within a historical and international perspective. It focuses on American cinema history but addresses Eurotrash reception as well as the related field of garbology, examining trash cinema as a distinct but fluid category.
Author: Guy Barefoot
Publisher: Columbia University Press
ISBN: 0231542690
Category : Performing Arts
Languages : en
Pages : 187
Get Book Here
Book Description
This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the reasons for studying, denigrating, or celebrating the detritus of film history, it also considers the place of a trash aesthetic within and beyond 1960s American avant-garde and looks at the cult of trash in the fanzines of the 1980s. It draws on debates about cult, paracinema, and camp, arguing that trash cinema exists in relation to these but brings with it a particular history that includes the ordinary as well as the strange. Trash Cinema places these debates, and the strand of self-proclaimed low culture that emerged in the second half of the twentieth century, within a historical and international perspective. It focuses on American cinema history but addresses Eurotrash reception as well as the related field of garbology, examining trash cinema as a distinct but fluid category.
Author: Andrew J. Rausch
Publisher:
ISBN: 9781310846021
Category :
Languages : en
Pages :
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Book Description
It is frequently said that one man's trash is another man's treasure, and nowhere is this statement more accurate than in the case of obscure bizarro exploitation films. Containing 55 essays on such trash classics as Ilsa: She Wolf of the SS (1975), I Spit on Your Grave (1978), and Faster, Pussycat! Kill! Kill! (1965), Trash CInema: A Celebration of Overlooked Masterpieces celebrates the good, the bad, and the ugly of these so-called "trash" films. Some of the pieces are reverential, some poke fun at the absurdity of the films, and others offer a more critical eye to these proceedings. With essays from more than 40 noted film writers, this collection is a one-of-a-kind treasure for those amongst us with a passion for the seedier side of cinema.
Author: Jacques Boyreau
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 156
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Book Description
Free your mind, and the trash will follow."--BOOK JACKET.
Author: Kenneth W. Harrow
Publisher: Indiana University Press
ISBN: 0253007577
Category : Social Science
Languages : en
Pages : 527
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Book Description
An “engaging” study of trash as a metaphor in contemporary African cinema (African Studies Review). Highlighting what is melodramatic, flashy, low, and gritty in the characters, images, and plots of African cinema, Kenneth W. Harrow uses trash as the unlikely metaphor to show how these films have depicted the globalized world. Rather than focusing on topics such as national liberation and postcolonialism, he employs the disruptive notion of trash to propose a destabilizing aesthetics of African cinema. Harrow argues that the spread of commodity capitalism has bred a culture of materiality and waste that now pervades African film. He posits that a view from below permits a way to understand the tropes of trash present in African cinematic imagery.
Author: Jon Davies
Publisher: arsenal pulp press
ISBN: 1551523485
Category : Performing Arts
Languages : en
Pages : 135
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Book Description
“This series will be a significant, valuable contribution to the history and literature of gay cinema. Each of these works will be valuable additions for academic and popular students of film and gay culture.”—Library Journal Trash, one of three inaugural titles in Arsenal Pulp Press' new film book series Queer Film Classics, delves into the legendary 1970 film that was arguably the greatest collaboration between director Paul Morrissey and producer Andy Warhol. The film Trash is a down-and-out domestic melodrama about a decidedly eccentric couple: Joe, an impotent junkie (played by Warhol film regular Joe Dallesandro), and Holly, Joe's feisty and sexually frustrated girlfriend (played by trans Warhol superstar Holly Woodlawn). Joe is the hunky yet passive center around whom proud Holly orbits; while Morrissey intended to show that "there's no difference between a person using drugs and a piece of refuse," Woodlawn's incredible turn reverses his logic: she makes trash as precious as human beings. The book examines the film in the context of Morrissey and Warhol's legendary partnership, with a special focus on Woodlawn's acclaimed performance: a glorious embodiment of "trash" and glamour that was so stunning, director George Cukor led a campaign (albeit unsuccessful) to win her an Oscar nomination.
Author: Blake Ryan
Publisher: Stonegarden.Net Publishing
ISBN: 9781600760600
Category : Cult films
Languages : en
Pages : 0
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Book Description
Trash Cinephile is an irreverent guide to 99 intriguing examples of exploitation cinema from a wide variety of sub-genres. These are films that are often branded as B-movies, Trash films, and also rather unfairly as 'bad movies'. Many are so bizarre that they defy any kind of generic definition; which is why you will find the films discussed within these pages gathered together in eight very loosely themed chapters.
Author: Ian Hunter
Publisher: Bloomsbury Publishing
ISBN: 1838714855
Category : Art
Languages : en
Pages : 420
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Book Description
BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-house camp, Hammer's prehistoric fantasies and the worst British films ever made, author I.Q. Hunter draws on rare archival material and new primary research to take us through the weird and wonderful world of British trash cinema. Beginning by outlining the definitions of trash films and their place in British film history, Hunter explores topics including: Hammer's overlooked fantasy films, the emergence of the sexploitation film in the 1950s and 60s, the sex industry in the 1970s, Ken Russell's high camp Gothic and erotic adaptations since the 1980s, gross-out comedies, revenge films, and contemporary straight-to-DVD horror and erotica.
Author: Johannes Schönherr
Publisher: Headpress
ISBN: 9781900486194
Category : Drama
Languages : en
Pages : 180
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Book Description
For author Johannes Schonherr, no place is too distant or strange that he cannot screen or hunt down obscure underground trash movies. From the bowels of New York's Lower East Side and punk clubs in San Francisco, to Moscow on a fake visa and Pyongyan, North Korea, Schonherr is a cineaste on a mission. Plus extra features such as Nick Zedd being attacked by German feminists, advice on how to run a no-budget rathouse of a cinema, GG Allin's final gig and discovering wild cinematic treats at New York's cheapest film-to-video store.
Author: Jack Sargeant
Publisher: Creation Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
An illustrated history, account and critique of he Cinema of Transgression', providing a long-overdue and comprehensice documentation of this essential, modern sociological and cultural movement. With a brief history of underground film, and studies of seminal influences including Warhol, Kenneth Anger, Jack Smith, George and Mike Kuchar and John Waters and interviews with Richard Kern and Nick Zedd, this is an extensive illustrated film guide with synopses and critiques of key works of transgressive cinema and related films.'
Author: Carol A. Schwartz
Publisher:
ISBN: 9781578591138
Category : Performing Arts
Languages : en
Pages : 841
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Book Description
Lists and reviews alternative and underground films that have achieved cult status.
