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Author: Dorrit Claire Cohn
Publisher: Princeton University Press
ISBN: 0691213127
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This book investigates the entire spectrum of techniques for portraying the mental lives of fictional characters in both the stream-of-consciousness novel and other fiction. Each chapter deals with one main technique, illustrated from a wide range of nineteenth- and twentieth-century fiction by writers including Stendhal, Dostoevsky, James, Mann, Kafka, Joyce, Proust, Woolf, and Sarraute.
Author: Dorrit Claire Cohn
Publisher: Princeton University Press
ISBN: 0691213127
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This book investigates the entire spectrum of techniques for portraying the mental lives of fictional characters in both the stream-of-consciousness novel and other fiction. Each chapter deals with one main technique, illustrated from a wide range of nineteenth- and twentieth-century fiction by writers including Stendhal, Dostoevsky, James, Mann, Kafka, Joyce, Proust, Woolf, and Sarraute.
Author: Jordi Fernández
Publisher: Oxford University Press, USA
ISBN: 0199664021
Category : Philosophy
Languages : en
Pages : 268
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Book Description
How do we know our current states of mind—what we want, and believe in? Jordi Fernández proposes a new theory of self-knowledge, challenging the traditional view that it is a matter of introspection. He argues that we know what we believe and desire by 'looking outward', towards the states of affairs which those beliefs and desires are about.
Author: Paul Matthews
Publisher: Open Book Publishers
ISBN: 1805110497
Category : Fiction
Languages : en
Pages : 148
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Book Description
Transparent Minds explores the intersection between neuroscience and science fiction stories. Paul Matthews expertly analyses the narratives of humans and nonhumans from Mary Shelley to Kazuo Ishiguro across 200 years of the genre. In doing so he gives lucid insight into the meaning of existence and self-awareness. Rigorously researched and highly accessible, Matthews argues that psycho-emotional science fiction writers both imitate and inform alien and post-human consciousnesses through exploratory narratives and metaphor. Drawing from a diverse range of scholars and critics, Matthews explores topics such as psychonarration and neuroaesthetics, to create a thoughtful and cogent argument. By synthesising concepts from philosophy, neuroscience, and literary theory, Matthews posits the potential for science fiction to bridge the gap in understanding between AI and human minds. Given the recent advancements in AI technology, Matthews’ timely discussion enters the speculative realm of sentient technology and postcyborg ethics. The work constitutes a major contribution to cross-disciplinary perspectives on alien and posthuman psychology, that engages with future states of existence in both ourselves and the machines we create. Transparent Minds will be of interest to innovators, authors, and science fiction enthusiasts alike.
Author: Alan Palmer
Publisher: U of Nebraska Press
ISBN: 9780803237438
Category : Literary Collections
Languages : en
Pages : 300
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Book Description
"Readers create a continuing consciousness out of scattered references to a particular character and read this consciousness as an "embedded narrative" within the whole narrative of the novel. The combination of these embedded narratives forms the plot. This perspective on narrative enables us to explore hitherto neglected aspects of fictional minds such as dispositions, emotions, and action. It also highlights the social public and dialogic mind and the "mind beyond the skin." For example much of our thought is intermental, or joint, group or shared; even our identity is to an extent socially distributed.".
Author: Vladimir Tumanov
Publisher: BRILL
ISBN: 9004657568
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
In this book literary interior monologue is considered in relation to extraliterary phenomena, as well as narrative theory. The central question posed by this study is: what makes a particular interior monologue believable, given the unobservable nature of human thought? The discussion revolves around the unobservable counterpart of literary interior monologue, i.e., what is known in psychology as inner speech. Taking various experimental findings and theories from Soviet and American research on inner speech, the author compares them with literary interior monologue and tries to account for similarities and differences. Examples of literary interior monologue are analyzed in comparison with data from the linguistic study of real oral spontaneous discourse (also known as face-to-face communication). In the context of this interdisciplinary framework four examples of literary interior monologue are considered: V.M. Garshin's Four Days (1877), E. Dujardin's Les Lauriers sont coupés (1887), A Schnitzler's Leutnant Gustl (1900) and V. Larbaud's Amants, heureux amants... (1921). The inclusion of data from psychology and research on face-to-face communication makes a unique contribution not only to narrative theory, but also to the understanding of the relationship between literary and extraliterary communication.
Author: Martin McQuillan
Publisher: Psychology Press
ISBN: 9780415205320
Category : Narration (Rhetoric)
Languages : en
Pages : 372
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Book Description
The Narrative Reader provides a comprehensive survey of theories of narrative from Plato to Post-Structuralism. The broad selection of texts demonstrate the extent to which narrative permeates the entire field of literature & culture
Author: Adré Marshall
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636954
Category : Business & Economics
Languages : en
Pages : 292
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Book Description
James's narrative strategies are discussed in the context of the techniques employed by his literary predecessors. Illuminating comparisons are made with novelists such as Jane Austen and George Eliot, and particular attention is paid to the French novelist Flaubert, who was probably the most significant influence on James. The author examines James's stylistic devices in a selection of representative works from his early, middle, and late periods (Roderick Hudson, The Portrait of a Lady, and The Golden Bowl).
Author: Peter Garratt
Publisher: Springer
ISBN: 1137593296
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
This book identifies the ‘cognitive humanities’ with new approaches to literature and culture that engage with recent theories of the embodied mind in cognitive science. If cognition should be approached less as a matter of internal representation—a Cartesian inner theatre—than as a form of embodied action, how might cultural representation be rethought? What can literature and culture reveal or challenge about embodied minds? The essays in this book ask what new directions in the humanities open up when the thinking self is understood as a participant in contexts of action, even as extended beyond the skin. Building on cognitive literary studies, but engaging much more extensively with ‘4E’ cognitive science (embodied, embedded, enactive, extended) than previously, the book uses case studies from many different historical settings (such as early modern theatre and digital technologies) and in different media (narrative, art, performance) to explore the embodied mind through culture.
Author: Eric Rundquist
Publisher: John Benjamins Publishing Company
ISBN: 9027264538
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Free Indirect Style (FIS) is a linguistic technique that defies the logic of human subjectivity by enabling readers to directly observe the subjective experiences of third-person characters. This book consolidates the existing literary-linguistic scholarship on FIS into a theory that is based around one of its most important effects: consciousness representation. Modernist narratives exhibit intensified formal experimentation and a heightened concern with characters’ conscious experience, and this provides an ideal context for exploring FIS and its implications for character consciousness. This book focuses on three novels that are central to the Modernist canon: Virginia Woolf’s To the Lighthouse, D.H. Lawrence’s The Rainbow and James Joyce’s Ulysses. It applies the revised theory of FIS in close semantic analyses of the language in these narratives and combines stylistics with literary criticism, linking interpretations with linguistic features in distinct manifestations of the style.
Author: Jorge Estrada
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110656949
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
Experiencing ethics not only refers to being confronted with a situation in which one must choose a course of action; it also makes reference to giving a narrative account of the circumstances and chain of events leading to such crossroads. Between both there is a chasm, a space of indeterminacy into which R. Musil and L. Sterne delve with aesthetic means. Their poetics move in opposite directions, but by following them to their last critical consequences this study reveals a kindred ethical stance. This interpretation sheds light on the ethics revolving around character construction by examining the constraints thwarting any attempt to complete a biographical account or convey a protagonist that led his or her life. Neither Musil nor Sterne posit a narrative agenda that could reach a last chapter or lead to a groundwork determining their ethics. A closer look into their tight-knit prose reveals that both rely on the narrating, on a skill that must be incessantly cultivated through a digressive or essayistic style. Equipped with a vast theoretical repertoire, this approach makes a strong case for a new constellation in comparative literature.
