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Author: Ryder Thornton
Publisher: Taylor & Francis
ISBN: 1040088643
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
This book demonstrates Eugene O’Neill’s use of philosophy in the early period of his work and provides analyses of selected works from that era, concluding with The Hairy Ape, completed in 1921, as an illustration of the mastery he had achieved in dramatizing key concepts of philosophy. Analyses of one-act and full-length plays from 1913 to 1921 reveal the influence of the three philosophers and establish that O’Neill was fundamentally a philosophic playwright, even from his earliest dramatic sketches. Specific concepts from Schopenhauer, Stirner, and Nietzsche went into O’Neill’s shaping of character arcs, dramatic circumstances, symbology, and theme. Among them are Schopenhauer’s concept of will and representation, Stirner’s notion of possession, and Nietzsche’s principle of the Apollonian–Dionysian duality. These ideas were foundational to O’Neill’s construction of tragic irony apparent in his early period plays. The critical concepts of these three philosophers are the major pathways in this study. However, such an approach inevitably reveals other layers of spiritual influence, such as Catholicism and Eastern philosophy, which are touched on in these analyses. This book is a much-needed introduction to philosophic concepts in Eugene O’Neill’s early work and would be of great interest to students and scholars in theatre studies and philosophy.
Author: Ryder Thornton
Publisher: Taylor & Francis
ISBN: 1040088643
Category : Performing Arts
Languages : en
Pages : 183
Get Book Here
Book Description
This book demonstrates Eugene O’Neill’s use of philosophy in the early period of his work and provides analyses of selected works from that era, concluding with The Hairy Ape, completed in 1921, as an illustration of the mastery he had achieved in dramatizing key concepts of philosophy. Analyses of one-act and full-length plays from 1913 to 1921 reveal the influence of the three philosophers and establish that O’Neill was fundamentally a philosophic playwright, even from his earliest dramatic sketches. Specific concepts from Schopenhauer, Stirner, and Nietzsche went into O’Neill’s shaping of character arcs, dramatic circumstances, symbology, and theme. Among them are Schopenhauer’s concept of will and representation, Stirner’s notion of possession, and Nietzsche’s principle of the Apollonian–Dionysian duality. These ideas were foundational to O’Neill’s construction of tragic irony apparent in his early period plays. The critical concepts of these three philosophers are the major pathways in this study. However, such an approach inevitably reveals other layers of spiritual influence, such as Catholicism and Eastern philosophy, which are touched on in these analyses. This book is a much-needed introduction to philosophic concepts in Eugene O’Neill’s early work and would be of great interest to students and scholars in theatre studies and philosophy.
Author: Istvan Hornyak
Publisher: Author House
ISBN: 146850813X
Category : Drama
Languages : en
Pages : 237
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Book Description
The romantic sweep of Death and Transfiguration greets the reader immediately, from the onset of the first verse of the play to its dramatic conclusion. Set in the stunning locale of the magnificent vistas of the Swiss Alps by the Viervaldstettersee, this play takes you on a breathtaking journey into the psychological worlds of its characters. Based partly on earlier stories and legends of Faust, more specifically, works by Christopher Marlowe and Wolfgang von Goethe, we find him in this version challenging the temptations of evil rather than embracing them. The cosmic conflict between good and evil, between the light and the darkness, is the central theme of this work. Can man withstand the temptations of the evil forces or will he eventually succumb to those desires? Can his will, his spirit withdraw from the constant knocking of Satan? Can love overcome the seeds of hate and anger? Faust, at the outset, resists the invitation to join Mephistopheles; and, in subsequent engagements with the amoral and immortal prevaricator, he attempts and continues to withstand the clever manipulations of the devil. As a result of this ongoing conflict, the plot intensifies as this singular antagonist unveils and harnesses his many talents and powers, relentlessly attempting to infuse his will into the characters. The touching love story between Faust and Margaret takes on new dimensions here. Her growing madness tests the very sanity of Faust himself who finds himself more and more incapable of action as the tragedy unfolds. Will he too join her in the darkness? Is there, or can there be any redemption or salvation from suffering? Set throughout in poetry, the heart pounding pulse and rhythm of the work undeniably transports the reader or the spectator watching the play to new dimensions. Relish in a work that is unpredictable and unique, a play that will test your own convictions.
Author: Robert Kastenbaum
Publisher: Univ of California Press
ISBN: 0520218809
Category : Family & Relationships
Languages : en
Pages : 461
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Book Description
A profound look at how death and dying is understood, negotiated, and experienced by different cultures.
Author: Chafe
Publisher: Oxford University Press
ISBN: 0199711364
Category : Music
Languages : en
Pages : 344
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Book Description
During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music.
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 9780521271165
Category : Drama
Languages : en
Pages : 364
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Book Description
Eugene O'Neill - Clifford Odets - Left-wing theatre - Black drama - Thornton Wilder - Lillian Hellman - Luigi Pirandello - Arthur Miller.
Author: John Michael Perry
Publisher: Rowman & Littlefield
ISBN: 9781556125744
Category : Religion
Languages : en
Pages : 68
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Book Description
In this concise study, John Perry enables the reader to see that the Transfiguration story does not recount an actual event, but was created to teach an important 'symbolic' lesson abou thte Risen Jesus.
Author: Kelly Cherry
Publisher: LSU Press
ISBN: 9780807122112
Category : Family & Relationships
Languages : en
Pages : 68
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Book Description
In this, her latest, deeply moving collection, Kelly Cherry confronts the basic questions of love and death, faith and suffering. From her search for "a new poetry" - one that can face up to the worst barbarities of the twentieth century - Cherry wrests a passionate, authoritative, powerful vision that is itself transfiguring.
Author: Saitya Brata Das
Publisher: Springer Nature
ISBN: 9811510903
Category : Philosophy
Languages : en
Pages : 198
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Book Description
This book addresses the limits of metaphysics and the question of the possibility of ethics in this context. It is divided into six chapters, the first of which broadens readers’ understanding of difference as difference with specific reference to the works of Hegel. The second chapter discusses the works of Emmanuel Lévinas and the question of the ethical. In turn, the concepts of sovereignty and the eternal return are discussed in chapters three and four, while chapter five poses the question of literature in a new way. The book concludes with chapter six. The book represents an important contribution to the field of contemporary philosophical debates on the possibility of ethics beyond all possible metaphysical and political closures. As such, it will be of interest to scholars and researchers in both the humanities and social sciences. Beyond the academic world, the book will also appeal to readers (journalists, intellectuals, social activists, etc.) for whom the question of the ethical is the decisive question of our time.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 0791093662
Category :
Languages : en
Pages : 249
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Book Description
A collection of essays about the works of Eugene O'Neill.
Author: Friedrich Wilhelm Nietzsche
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 152
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Book Description
DigiCat Publishing presents to you this special edition of "The Birth of Tragedy; or, Hellenism and Pessimism" by Friedrich Wilhelm Nietzsche. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
