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Author:
Publisher: Club Lighthouse Publishing
ISBN: 1927337593
Category :
Languages : en
Pages : 289
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Book Description
Author:
Publisher: Club Lighthouse Publishing
ISBN: 1927337593
Category :
Languages : en
Pages : 289
Get Book Here
Book Description
Author: Golden Angel
Publisher:
ISBN: 9781386638339
Category :
Languages : en
Pages : 0
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Book Description
Author: Shirley Hazzard
Publisher: Penguin
ISBN: 0140107479
Category : Fiction
Languages : en
Pages : 353
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Book Description
"The Transit of Venus is one of the great English-language novels of the twentieth century." - The Paris Review Finalist for the National Book Award Winner of the National Book Critics' Circle Award The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard—the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of the planets themselves The Transit of Venus is considered Shirley Hazzard's most brilliant novel. It tells the story of two orphan sisters, Caroline and Grace Bell, as they leave Australia to start a new life in post-war England. What happens to these young women--seduction and abandonment, marriage and widowhood, love and betrayal--becomes as moving and wonderful and yet as predestined as the transits of the planets themselves. Gorgeously written and intricately constructed, Hazzard's novel is a story of place: Sydney, London, New York, Stockholm; of time: from the fifties to the eighties; and above all, of women and men in their passage through the displacements and absurdities of modern life.
Author: Stephen Brown
Publisher: Club Lighthouse Publishing
ISBN: 177217081X
Category : Fiction
Languages : en
Pages : 245
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Book Description
When the day comes that you are tested, will you be equal to the challenge? Jon Jameson, investment advisor, has always wondered if he'd have the courage to rescue someone by racing into a burning building. Not that he's likely to be called on to do so. He leads an easy life: a good job, a beautiful wife and one financial indulgence. Jon collects houses. House collecting is an expensive hobby, but he's not greedy. A bit of patience, an eye for a good deal and careful negotiation will bring the collection together. The rent he collects from his small collection is re-invested, one hundred percent, to bring his properties to the state he believes they deserve. One hundred percent. Not one penny for anything else, not even for his wife, Frieda, who handles the day-to-day business of maintaining those properties. That is not what she signed up for. When Jon's test comes it has nothing to do with burning buildings. One of his co-workers has crossed the line legally, and Jon is dragged down with him. Through no fault of his own, Jon Jameson is not only unemployed, he is unemployable. Frieda is not supportive. Jon screwed up. Jon can solve it. She continues to live and spend as usual, including her habit of purchasing twenty lottery tickets per week. While checking them for her, Jon discovers one worth sixty-million dollars. He should tell her, but they're not legally married. Frieda and her spoiled daughter getting rich while he remains a pauper? Unthinkable. He palms it. Life becomes complicated. Frieda buys lottery tickets. Jon never does, and everyone knows it. How to claim it? He needs to get Frieda and her daughter to go away - far away. He also needs a junior partner, someone with enough nerve to cash the ticket and someone who won't arouse Frieda's suspicions when the winner's name hits the media. A real-estate agent he met once, Adriana Compote, seems perfect. She agrees. There's a lot of work to do, but they need to avoid any kind of contact until well after the ticket is cashed. They need a go-between and someone to do the leg work. Fife, the man who accidentally caused Jon's downfall, and who is just as unemployable, is brought on board. Adriana will collect the money, use it to create a high-end, real-estate company and then hire Jon as vice-president and Fife as manager. All three will draw overly-generous salaries (plus bonuses). What could go wrong? Despite his desperate financial condition, Jon cannot get Frieda to leave. The morning of the day that Adriana is going to surrender the ticket, Frieda discovers a note from Jon to someone called "Adriana Compote", a name that will be all over the news by evening as a lottery winner who bought at the same kiosk and in the same quantity that Frieda did. Jon calls Fife and tells him to call it off, but it's too late. Adriana has already submitted the ticket. She sends back a message telling Jon to grow a pair and "handle it". He does. To the surprise of the three conspirators, their business, Vintage Properties, makes money buying and renovating high-end houses. Jon looks forward to adding the best to his collection, which at the time consists of nothing, because he had to sell his modest collection to cover expenses. As a joke, a business acquaintance tells him about a mansion north of Toronto that "needs work". The mansion is a ruin. Built at the end of the nineteenth century, it was the domain of Randolph Cranshaw a tyrant who liked to keep his wife and daughters isolated in a place where he had them under his control. Money came easily, but social status and a career in politics eluded him because of his reputation. Frustrated by those failures, Cranshaw poured his money into the house and, above all, into the extensive gardens that spread south to a cottage that he built to house a series of extra-marital affairs. Long after the era of the Cranshaws, a highway bypass cut the former estate in half. The rotting ruins of the mansion lie at the top of the north section. The cottage, still occupied, remains at the bottom edge of the severed southern part. The garden has gone wild for a century. The decayed mansion is beyond rescue, but the cottage is in good shape. Nestled deep in the trees along a secluded lane, it calls out to Jon offering seclusion and safety. He feels the need for both, because he is being followed. Is it because of the lottery win or is it the unexplained disappearance of Frieda and her daughter? Perhaps leaving their bodies in the deep-freeze of a basement apartment wasn't the best long-term solution. He carries their frozen remains to the remote mansion property for burial but discovers that digging among trees is impossible; there are too many roots. Instead he buries them in the cellar of the mansion. The graves will remain undisturbed as long as the land remains a wood lot. No sooner has the mansion been turned into a cemetery then a client turns up at Vintage Properties to ask about the property. Jon becomes even more paranoid. He convinces Fife to purchase the cottage property and rent it to him. Not only will it give him an untraceable place to rest, it will also allow him to keep an eye on the property to the north without attracting attention to himself by buying it. He investigates the history of the estate and concludes that the cottage was Cranshaw's love nest. More investigation turns up a name: Elizabeth Levisham. Elizabeth first visited the Cranshaw estate at the age of fourteen. Five years later, at the age of nineteen, she appeared in a picture of a skating party on the garden pond. In the picture, Randolph Cranshaw stands behind her, smiling and with one hand resting on her shoulder. Mrs Cranshaw stands off to the side, not smiling. In nineteen twenty-nine, at the age of twenty three, Elizabeth stayed in the cottage for an extended period. When she left, a gossip column in the local paper commented that she would be "much missed" by the Cranshaws. The columnist was fired the next day. Despite an extensive search, Jon can find no record of Elizabeth Levisham after the day she left the cottage. He becomes suspicious that she never did leave...... .
Author: Golden Angel
Publisher: Golden Angel LLC
ISBN:
Category : Fiction
Languages : en
Pages : 365
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Book Description
When Jessica went to the Venus School of Sex she never imagined that she would fall in love with one man, much less two. She'd just gotten comfortable with the idea of going semi-public at home with Justin and Chris when her ex-boyfriend outed their unconventional relationship to all her friends. To her horror she finds out that her family is the reason her ex even knows about it. But it doesn't matter how people react, she's not going to give up on Justin and Chris and they're not going to give up on her - it's time to face her family and make them realize that she's choosing her happiness over other people's judgments. Liam and Hilary are having their own problems now that Liam's realized Hilary kept him a secret from her parents. What he can't understand is why. He's been falling in love with his honey-girl, does she not feel the same way? This is the conclusion to the Venus Rising Quartet, although Justin, Chris, Jessica, Liam and Hilary will also appear quite often in G. Angel's follow-up Stronghold series, for which there is a teaser included at the end of this book.
Author: Michael F. N. Dixon
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773514256
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
Michael Dixon applies rhetorical theory to The Faerie Queene, highlighting the importance of rhetoric and locating the inventio, or organizing principle, of Spenser's epic narrative in the conception of justice. He demonstrates how Spenser adapts classical rhetoric to the poetics of romance-epic and illustrates the usefulness of rhetorical analysis as a complement to allegorical studies and the New Critical and new historicist approaches that currently dichotomize Spenserian scholarship.
Author: Joseph Chilton Pearce
Publisher: Simon and Schuster
ISBN: 1594778752
Category : Body, Mind & Spirit
Languages : en
Pages : 281
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Book Description
Uses new research about the brain to explore how we can transcend our current physical and cultural limitations • Reveals that transcendence of current modes of existence requires the dynamic interaction of our fourth and fifth brains (intellect and intelligence) • Explores the idea that Jesus, Lao-tzu, and other great beings in history are models of nature’s possibility and our ability to achieve transcendence • 17,000 sold in hardcover since April 2002 Why do we seem stuck in a culture of violence and injustice? How is it that we can recognize the transcendent ideal represented by figures such as Jesus, Lao-tzu, and many others who have walked among us and yet not seem to reach the same state? In The Biology of Transcendence Joseph Chilton Pearce examines the current biological understanding of our neural organization to address how we can go beyond the limitations and constraints of our current capacities of body and mind--how we can transcend. Recent research in the neurosciences and neurocardiology identifies the four neural centers of our brain and indicates that a fifth such center is located in the heart. This research reveals that the evolutionary structure of our brain and its dynamic interactions with our heart are designed by nature to reach beyond our current evolutionary capacities. We are quite literally, made to transcend. Pearce explores how this “biological imperative” drives our life into ever-greater realms of being--even as the “cultural imperative” of social conformity and behavior counters this genetic heritage, blocks our transcendent capacities, and breeds violence in all its forms. The conflict between religion and spirit is an important part of this struggle. But each of us may overthrow these cultural imperatives to reach “unconflicted behavior,” wherein heart and mind-brain resonate in synchronicity, opening us to levels of possibility beyond the ordinary.
Author: Susan Plunket
Publisher: John Hunt Publishing
ISBN: 1789041716
Category : Fiction
Languages : en
Pages : 323
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Book Description
The dark side has infiltrated many governments and much of the world of finance. The mission from Venus threatens their planned takeover of Earth. Failing a takeover, the dark lords will cause the planet's destruction through nuclear war, to prevent Earth from ascending to the fourth dimension on the path of light. The volunteer wanderers are all that stand in the way.
Author: STEPHEN BROWN
Publisher: Club Lighthouse Publishing
ISBN: 1772170488
Category : Fiction
Languages : en
Pages : 326
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Book Description
The Degeneratron is an international research project to send probes to distant galaxies. It is also a money-sucking white elephant. After six years and two hundred and twelve billion dollars its only accomplishment is a tenuous connection to a single, boring planet. That planet, a foggy, smelly gravel pile supports a single life form: smelly Kreote plants. Nothing else. No insects. No bacteria. Not even a lousy virus. Trevor Tarklington has drawn the short straw and is taking new equipment to squeeze further knowledge from the planet before the connection is lost forever. Trevor's daily reports form the first part of this story. Trevor's capsule arrives off target and crushes the foot of Aaron Hurleman, the person waiting to help him from the transport capsule. In his panic to leave the cramped cylinder, Trevor also breaks Aaron's nose. Aaron's injuries send him back to Earth, leaving the team short-handed. The two remaining members are Dan Dennison, project manager and expert at everything, and Deborah, a short, round, silent woman with no patience for clumsy new arrivals. Dan explains that with Aaron gone it would be best it Trevor remained for the duration. That solves two problems. The first is manpower. The second is that Dan has been keeping a secret from the controllers back on Earth, and he doesn't want Trevor to return and give it away. The secret is that there is a another form of life, one that makes even less sense than the smelly Kreote plants. It consists of an army of cartoon-like bugs who parade in columns while humming marching tunes. Dan intends to solve the problem of the planet's bizarre life forms himself. He wants no interference from Earth. The disgusting smell of the planet is due to the oil produced by the Kreote plants. The first explorers reported that it has a mild narcotic effect. It causes dreams. The oil has another property. If one oil molecule develops a flaw, other oil molecules copy the flaw. Dan suspects that the planet is a giant library, constantly storing and refreshing memories. The plants produce the oil that copies and stores the memories. The bugs cultivate the plants, but where do the memories originate? During their explorations, they discover portals to a real world, one rich with plants, animals and clear skies, but their connection to Earth is failing. They have to return immediately. Dan tells Trevor and Deborah that they must go back to report what they've discovered so far, but he is going to remain. There is an unexplored world right at his finger tips. Trevor and Deborah return to the cylinder, but at the last moment, Deborah decides that she can't abandon Dan. As soon as Trevor crawls inside, she slams the hatch shut and sends him back alone. Trevor realizes that all of their records are back on the fog world. He has nothing to back up his tales of marching bugs and alternate worlds. Worse, the people on Earth will have to take his word for it that he didn't deliberately abandon the rest of the team to slow starvation on a hellish planet.....
Author: Janell Hobson
Publisher: Taylor & Francis
ISBN: 1315299380
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
In this second edition of the remarkable, and now classic, cultural history of black women’s beauty, Venus in the Dark, Janell Hobson explores the enduring figure of the "Hottentot Venus" and the history of critical and artistic responses to her by black women in contemporary photography, film, literature, music, and dance. In 1810, Sara Baartman was taken from South Africa to Europe, where she was put on display at circuses, salons, museums, and universities as the "Hottentot Venus." The subsequent legacy of representations of black women’s sexuality—from Josephine Baker to Serena Williams to hip-hop and dancehall videos—refer back to her iconic image. Via a new preface, Hobson argues for the continuing influence of Baartman’s legacy, as her image still reverberates through the contemporary marketization of black women’s bodies, from popular music and pornography to advertising. A brand new chapter explores how historical echoes from previous eras map onto highly visible bodies in the twenty-first century. It analyzes fetishistic spectacles of the black "booty," with particular emphasis on the role of Beyoncé Knowles in the popularization of the "bootylicious" body, and the counter-aesthetic the singer has gone on to advance for black women’s bodies and beauty politics. By studying the imagery of the "Hottentot Venus," from the nineteenth century to now, readers are invited to confront the racial and sexual objectification and embodied resistance that make up a significant part of black women’s experience.
