Author: M. O'Neill
Publisher: Springer
ISBN: 0230369065
Category : Social Science
Languages : en
Pages : 197
Book Description
This book focuses upon the breaking of rules and taboos involved in 'doing crime', including violent crime as represented in fictive texts and ethnographic research. It includes chapters on topics of urgent contemporary interest such as asylum seekers, sex work, serial killers, school shooters, crimes of poverty and understandings of 'madness'.
Transgressive
Author: Rachel Anne Williams
Publisher: Jessica Kingsley Publishers
ISBN: 1785926489
Category : Social Science
Languages : en
Pages : 274
Book Description
How do I know I am trans? Is trans feminism real feminism? What is there to say about trans women's male privilege? This collection of insightful, pithy and passionately argued think pieces from a trans-feminist perspective explores issues surrounding gender, feminism and philosophy and challenges misconceptions about trans identities. The book confronts contentious debates in gender studies to alleviate ongoing tension between feminism and trans women. Split into six sections, this collection covers wider issues, as well as autobiographical experiences, designed to stimulate the reader and encourage them to actively participate.
Publisher: Jessica Kingsley Publishers
ISBN: 1785926489
Category : Social Science
Languages : en
Pages : 274
Book Description
How do I know I am trans? Is trans feminism real feminism? What is there to say about trans women's male privilege? This collection of insightful, pithy and passionately argued think pieces from a trans-feminist perspective explores issues surrounding gender, feminism and philosophy and challenges misconceptions about trans identities. The book confronts contentious debates in gender studies to alleviate ongoing tension between feminism and trans women. Split into six sections, this collection covers wider issues, as well as autobiographical experiences, designed to stimulate the reader and encourage them to actively participate.
TRANS/gressive
Author: Riki Wilchins
Publisher: Riverdale Avenue Books LLC
ISBN: 1626013675
Category : Social Science
Languages : en
Pages : 151
Book Description
In the early 1990s, no one talked about transgender people, and no one knew one. We were not on TV or in movies. What formed the visible part of the transcommunity – overwhelmingly white, urban, and middle class – was also overwhelmingly focused on conferences, surgery or hormones and cisgender acceptance. This was still a determinedly non-political population, often in defensive crouch because it was also constantly under attack by the media, police, local legislatures, feminists and even LGB-but-never-T advocates. We were a group that still thought of ourselves as a collection of separate individuals, not a movement. What made political consciousness so difficult was that there was no “transgender section” of town, where we saw each other regularly. And mainstream society mostly ignored us. And when it didn’t, it usually made clear it despised us. We were freaks. We were gendertrash. We lived in a transient and indoor community that knew itself only a few days at a time during conferences at hotels out on the interstate. But all that was about to change. Even when politics are avoided, bringing despised and marginalized people together is itself a political act. Without realizing or intending it, the community was reaching critical mass. Even in those pre-Internet, pre-cellphone days, enough transpeople were running into one another often enough to begin realizing we could be a force, that we didn’t really need cisgender acceptance. What we needed was our civil rights. This is the inside story of how in just a few years, a handful of trans activists would come together in the face of enormous difficulties and opposition to launch from the very margins of society what would grow into the modern political movement for gender rights.
Publisher: Riverdale Avenue Books LLC
ISBN: 1626013675
Category : Social Science
Languages : en
Pages : 151
Book Description
In the early 1990s, no one talked about transgender people, and no one knew one. We were not on TV or in movies. What formed the visible part of the transcommunity – overwhelmingly white, urban, and middle class – was also overwhelmingly focused on conferences, surgery or hormones and cisgender acceptance. This was still a determinedly non-political population, often in defensive crouch because it was also constantly under attack by the media, police, local legislatures, feminists and even LGB-but-never-T advocates. We were a group that still thought of ourselves as a collection of separate individuals, not a movement. What made political consciousness so difficult was that there was no “transgender section” of town, where we saw each other regularly. And mainstream society mostly ignored us. And when it didn’t, it usually made clear it despised us. We were freaks. We were gendertrash. We lived in a transient and indoor community that knew itself only a few days at a time during conferences at hotels out on the interstate. But all that was about to change. Even when politics are avoided, bringing despised and marginalized people together is itself a political act. Without realizing or intending it, the community was reaching critical mass. Even in those pre-Internet, pre-cellphone days, enough transpeople were running into one another often enough to begin realizing we could be a force, that we didn’t really need cisgender acceptance. What we needed was our civil rights. This is the inside story of how in just a few years, a handful of trans activists would come together in the face of enormous difficulties and opposition to launch from the very margins of society what would grow into the modern political movement for gender rights.
Transgressive Tales
Author: Kay Turner
Publisher: Wayne State University Press
ISBN: 0814338100
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
The stories in the Grimm brothers' Kinder- und Hausmärchen (Children's and Household Tales), first published in 1812 and 1815, have come to define academic and popular understandings of the fairy tale genre. Yet over a period of forty years, the brothers, especially Wilhelm, revised, edited, sanitized, and bowdlerized the tales, publishing the seventh and final edition in 1857 with many of the sexual implications removed. However, the contributors in Transgressive Tales: Queering the Grimms demonstrate that the Grimms and other collectors paid less attention to ridding the tales of non-heterosexual implications and that, in fact, the Grimms' tales are rich with queer possibilities. Editors Kay Turner and Pauline Greenhill introduce the volume with an overview of the tales' literary and interpretive history, surveying their queerness in terms of not just sex, gender and sexuality, but also issues of marginalization, oddity, and not fitting into society. In three thematic sections, contributors then consider a range of tales and their queer themes. In Faux Femininities, essays explore female characters, and their relationships and feminine representation in the tales. Contributors to Revising Rewritings consider queer elements in rewritings of the Grimms' tales, including Angela Carter's The Bloody Chamber, Jeanette Winterson's Twelve Dancing Princesses, and contemporary reinterpretations of both "Snow White" and "Snow White and Rose Red." Contributors in the final section, Queering the Tales, consider queer elements in some of the Grimms' original tales and explore intriguing issues of gender, biology, patriarchy, and transgression. With the variety of unique perspectives in Transgressive Tales, readers will find new appreciation for the lasting power of the fairy-tale genre. Scholars of fairy-tale studies and gender and sexuality studies will enjoy this thought-provoking volume.
Publisher: Wayne State University Press
ISBN: 0814338100
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
The stories in the Grimm brothers' Kinder- und Hausmärchen (Children's and Household Tales), first published in 1812 and 1815, have come to define academic and popular understandings of the fairy tale genre. Yet over a period of forty years, the brothers, especially Wilhelm, revised, edited, sanitized, and bowdlerized the tales, publishing the seventh and final edition in 1857 with many of the sexual implications removed. However, the contributors in Transgressive Tales: Queering the Grimms demonstrate that the Grimms and other collectors paid less attention to ridding the tales of non-heterosexual implications and that, in fact, the Grimms' tales are rich with queer possibilities. Editors Kay Turner and Pauline Greenhill introduce the volume with an overview of the tales' literary and interpretive history, surveying their queerness in terms of not just sex, gender and sexuality, but also issues of marginalization, oddity, and not fitting into society. In three thematic sections, contributors then consider a range of tales and their queer themes. In Faux Femininities, essays explore female characters, and their relationships and feminine representation in the tales. Contributors to Revising Rewritings consider queer elements in rewritings of the Grimms' tales, including Angela Carter's The Bloody Chamber, Jeanette Winterson's Twelve Dancing Princesses, and contemporary reinterpretations of both "Snow White" and "Snow White and Rose Red." Contributors in the final section, Queering the Tales, consider queer elements in some of the Grimms' original tales and explore intriguing issues of gender, biology, patriarchy, and transgression. With the variety of unique perspectives in Transgressive Tales, readers will find new appreciation for the lasting power of the fairy-tale genre. Scholars of fairy-tale studies and gender and sexuality studies will enjoy this thought-provoking volume.
Transgressive Devotion
Author: Natalie Wigg-Stevenson
Publisher: SCM Press
ISBN: 033405947X
Category : Religion
Languages : en
Pages : 144
Book Description
Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.
Publisher: SCM Press
ISBN: 033405947X
Category : Religion
Languages : en
Pages : 144
Book Description
Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.
Transgression in Games and Play
Author: Kristine Jorgensen
Publisher: MIT Press
ISBN: 026203865X
Category : Games & Activities
Languages : en
Pages : 328
Book Description
Contributors from a range of disciplines explore boundary-crossing in videogames, examining both transgressive game content and transgressive player actions. Video gameplay can include transgressive play practices in which players act in ways meant to annoy, punish, or harass other players. Videogames themselves can include transgressive or upsetting content, including excessive violence. Such boundary-crossing in videogames belies the general idea that play and games are fun and non-serious, with little consequence outside the world of the game. In this book, contributors from a range of disciplines explore transgression in video games, examining both game content and player actions. The contributors consider the concept of transgression in games and play, drawing on discourses in sociology, philosophy, media studies, and game studies; offer case studies of transgressive play, considering, among other things, how gameplay practices can be at once playful and violations of social etiquette; investigate players' emotional responses to game content and play practices; examine the aesthetics of transgression, focusing on the ways that game design can be used for transgressive purposes; and discuss transgressive gameplay in a societal context. By emphasizing actual player experience, the book offers a contextual understanding of content and practices usually framed as simply problematic. Contributors Fraser Allison, Kristian A. Bjørkelo, Kelly Boudreau, Marcus Carter, Mia Consalvo, Rhys Jones, Kristine Jørgensen, Faltin Karlsen, Tomasz Z. Majkowski, Alan Meades, Torill Elvira Mortensen, Víctor Navarro-Remesal, Holger Pötzsch, John R. Sageng, Tanja Sihvonen, Jaakko Stenros, Ragnhild Tronstad, Hanna Wirman
Publisher: MIT Press
ISBN: 026203865X
Category : Games & Activities
Languages : en
Pages : 328
Book Description
Contributors from a range of disciplines explore boundary-crossing in videogames, examining both transgressive game content and transgressive player actions. Video gameplay can include transgressive play practices in which players act in ways meant to annoy, punish, or harass other players. Videogames themselves can include transgressive or upsetting content, including excessive violence. Such boundary-crossing in videogames belies the general idea that play and games are fun and non-serious, with little consequence outside the world of the game. In this book, contributors from a range of disciplines explore transgression in video games, examining both game content and player actions. The contributors consider the concept of transgression in games and play, drawing on discourses in sociology, philosophy, media studies, and game studies; offer case studies of transgressive play, considering, among other things, how gameplay practices can be at once playful and violations of social etiquette; investigate players' emotional responses to game content and play practices; examine the aesthetics of transgression, focusing on the ways that game design can be used for transgressive purposes; and discuss transgressive gameplay in a societal context. By emphasizing actual player experience, the book offers a contextual understanding of content and practices usually framed as simply problematic. Contributors Fraser Allison, Kristian A. Bjørkelo, Kelly Boudreau, Marcus Carter, Mia Consalvo, Rhys Jones, Kristine Jørgensen, Faltin Karlsen, Tomasz Z. Majkowski, Alan Meades, Torill Elvira Mortensen, Víctor Navarro-Remesal, Holger Pötzsch, John R. Sageng, Tanja Sihvonen, Jaakko Stenros, Ragnhild Tronstad, Hanna Wirman
Thinking Queerly
Author: Jes Battis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501515330
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Why do we love wizards? Where do these magical figures come from? Thinking Queerly traces the wizard from medieval Arthurian literature to contemporary YA adaptations. By exploring the link between Merlin and Harry Potter, or Morgan le Fay and Sabrina, readers will see how the wizard offers spaces of hope and transformation for young readers. In particular, this book examines how wizards think differently, and how this difference can resonate with both LGBTQ and neurodivergent readers, who’ve been told they don’t fit in.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501515330
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Why do we love wizards? Where do these magical figures come from? Thinking Queerly traces the wizard from medieval Arthurian literature to contemporary YA adaptations. By exploring the link between Merlin and Harry Potter, or Morgan le Fay and Sabrina, readers will see how the wizard offers spaces of hope and transformation for young readers. In particular, this book examines how wizards think differently, and how this difference can resonate with both LGBTQ and neurodivergent readers, who’ve been told they don’t fit in.
Despotic Bodies and Transgressive Bodies
Author: Tatjana Pavlovic
Publisher: State University of New York Press
ISBN: 0791487695
Category : Performing Arts
Languages : en
Pages : 168
Book Description
Focusing on Spanish culture and society in the second half of the twentieth century, Despotic Bodies and Transgressive Bodies traverses a variety of disciplines: literature, film studies, cultural studies, feminist theory, and history, to examine crucial moments of cultural transition. Beginning with an analysis of the period of autarky—Spain's economic, cultural, and ideological isolation under Francisco Franco's regime— Pavlović then explores the tumultuous passage to capitalism in the late 1950s and 1960s. She follows this by revisiting the complex political situation following Franco's death and points out the difficulties in Spain's transition from dictatorship to democracy. Combining a strong theoretical background with a detailed study of marginalized texts (La fiel infantería), genres (the Spanish comedy known as the comedia sexy celtibérica), and film directors (Jesús Franco), Pavlović reveals the construction of Spanish national identity through years of cultural tensions.
Publisher: State University of New York Press
ISBN: 0791487695
Category : Performing Arts
Languages : en
Pages : 168
Book Description
Focusing on Spanish culture and society in the second half of the twentieth century, Despotic Bodies and Transgressive Bodies traverses a variety of disciplines: literature, film studies, cultural studies, feminist theory, and history, to examine crucial moments of cultural transition. Beginning with an analysis of the period of autarky—Spain's economic, cultural, and ideological isolation under Francisco Franco's regime— Pavlović then explores the tumultuous passage to capitalism in the late 1950s and 1960s. She follows this by revisiting the complex political situation following Franco's death and points out the difficulties in Spain's transition from dictatorship to democracy. Combining a strong theoretical background with a detailed study of marginalized texts (La fiel infantería), genres (the Spanish comedy known as the comedia sexy celtibérica), and film directors (Jesús Franco), Pavlović reveals the construction of Spanish national identity through years of cultural tensions.
Island Bodies
Author: Rosamond S. King
Publisher: University Press of Florida
ISBN: 0813048893
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
In Island Bodies, Rosamond King examines sexualities, violence, and repression in the Caribbean experience. She analyzes the sexual norms and expectations portrayed in Caribbean and diaspora literature, music, film, and popular culture to show how many individuals contest traditional roles by maneuvering within and/or trying to change their society’s binary gender systems. She skillfully argues and demonstrates that these transgressions better represent Caribbean culture than the “official” representations perpetuated by governmental elites and often codified into laws that reinforce patriarchal, heterosexual stereotypes. Unique in its breadth and its multilingual and multidisciplinary approach, Island Bodies addresses homosexuality, interracial relations, transgender people, and women’s sexual agency in Dutch, Francophone, Anglophone, and Hispanophone works of Caribbean literature. Additionally, King explores the paradoxical nature of sexuality across the region: discussing sexuality in public is often considered taboo, yet the tourism economy trades on portraying Caribbean residents as hypersexualized. Ultimately King reveals that despite the varied national specificity, differing colonial legacies, and linguistic diversity across the islands, there are striking similarities in the ways Caribglobal cultures attempt to restrict sexuality and in the ways individuals explore and transgress those boundaries.
Publisher: University Press of Florida
ISBN: 0813048893
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
In Island Bodies, Rosamond King examines sexualities, violence, and repression in the Caribbean experience. She analyzes the sexual norms and expectations portrayed in Caribbean and diaspora literature, music, film, and popular culture to show how many individuals contest traditional roles by maneuvering within and/or trying to change their society’s binary gender systems. She skillfully argues and demonstrates that these transgressions better represent Caribbean culture than the “official” representations perpetuated by governmental elites and often codified into laws that reinforce patriarchal, heterosexual stereotypes. Unique in its breadth and its multilingual and multidisciplinary approach, Island Bodies addresses homosexuality, interracial relations, transgender people, and women’s sexual agency in Dutch, Francophone, Anglophone, and Hispanophone works of Caribbean literature. Additionally, King explores the paradoxical nature of sexuality across the region: discussing sexuality in public is often considered taboo, yet the tourism economy trades on portraying Caribbean residents as hypersexualized. Ultimately King reveals that despite the varied national specificity, differing colonial legacies, and linguistic diversity across the islands, there are striking similarities in the ways Caribglobal cultures attempt to restrict sexuality and in the ways individuals explore and transgress those boundaries.
Bad Girls and Transgressive Women in Popular Television, Fiction, and Film
Author: Julie Chappell
Publisher: Springer
ISBN: 3319472593
Category : Social Science
Languages : en
Pages : 289
Book Description
This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
Publisher: Springer
ISBN: 3319472593
Category : Social Science
Languages : en
Pages : 289
Book Description
This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
Transgression in Anglo-American Cinema
Author: Joel Gwynne
Publisher: Columbia University Press
ISBN: 0231850980
Category : Performing Arts
Languages : en
Pages : 193
Book Description
Sexuality within mainstream Hollywood cinema features primarily in comedy or rom-com genres, where lightness of tone permits audience engagement with what would otherwise be difficult affective terrain. Focusing on marginal productions in Anglo-American contexts, this collection explores the gendered dynamics of sex and the body, particularly embodied deviations from normative cultural scripts. It explores transgressions acted through and written on the body, and the ways in which corporeality inscribes gender discourse and reflects cultural and institutional power. Films analyzed include Mysterious Skin (2004), Shame (2011), Nymphomaniac (2013), and Dallas Buyers Club (2013). Navigating queer politics, taboo fantasy, body modification, fetishism, sex addiction, and underage sex, essays problematize understandings of adult agency, childhood innocence, and healthy desire, locating sex and gender as sites of oppression, liberation, and resistance.
Publisher: Columbia University Press
ISBN: 0231850980
Category : Performing Arts
Languages : en
Pages : 193
Book Description
Sexuality within mainstream Hollywood cinema features primarily in comedy or rom-com genres, where lightness of tone permits audience engagement with what would otherwise be difficult affective terrain. Focusing on marginal productions in Anglo-American contexts, this collection explores the gendered dynamics of sex and the body, particularly embodied deviations from normative cultural scripts. It explores transgressions acted through and written on the body, and the ways in which corporeality inscribes gender discourse and reflects cultural and institutional power. Films analyzed include Mysterious Skin (2004), Shame (2011), Nymphomaniac (2013), and Dallas Buyers Club (2013). Navigating queer politics, taboo fantasy, body modification, fetishism, sex addiction, and underage sex, essays problematize understandings of adult agency, childhood innocence, and healthy desire, locating sex and gender as sites of oppression, liberation, and resistance.