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Author: Elizabeth S. Belfiore
Publisher: Princeton University Press
ISBN: 1400862574
Category : Performing Arts
Languages : en
Pages : 429
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Book Description
Elizabeth Belfiore offers a striking new interpretation of Aristotle's Poetics by situating the work within the Aristotelian corpus and in the context of Greek culture in general. In Aristotle's Rhetoric, the Politics, and the ethical, psychological, logical, physical, and biological works, Belfiore finds extremely important but largely neglected sources for understanding the elliptical statements in the Poetics. The author argues that these Aristotelian texts, and those of other ancient writers, call into question the traditional view that katharsis in the Poetics is a homeopathic process--one in which pity and fear affect emotions like themselves. She maintains, instead, that Aristotle considered katharsis to be an allopathic process in which pity and fear purge the soul of shameless, antisocial, and aggressive emotions. While exploring katharsis, Tragic Pleasures analyzes the closely related question of how the Poetics treats the issue of plot structure. In fact, Belfiore's wide-ranging work eventually discusses every central concept in the Poetics, including imitation, pity and fear, necessity and probability, character, and kinship relations. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Elizabeth S. Belfiore
Publisher: Princeton University Press
ISBN: 1400862574
Category : Performing Arts
Languages : en
Pages : 429
Get Book Here
Book Description
Elizabeth Belfiore offers a striking new interpretation of Aristotle's Poetics by situating the work within the Aristotelian corpus and in the context of Greek culture in general. In Aristotle's Rhetoric, the Politics, and the ethical, psychological, logical, physical, and biological works, Belfiore finds extremely important but largely neglected sources for understanding the elliptical statements in the Poetics. The author argues that these Aristotelian texts, and those of other ancient writers, call into question the traditional view that katharsis in the Poetics is a homeopathic process--one in which pity and fear affect emotions like themselves. She maintains, instead, that Aristotle considered katharsis to be an allopathic process in which pity and fear purge the soul of shameless, antisocial, and aggressive emotions. While exploring katharsis, Tragic Pleasures analyzes the closely related question of how the Poetics treats the issue of plot structure. In fact, Belfiore's wide-ranging work eventually discusses every central concept in the Poetics, including imitation, pity and fear, necessity and probability, character, and kinship relations. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Rana Saadi Liebert
Publisher: Cambridge University Press
ISBN: 1316885615
Category : Literary Collections
Languages : en
Pages : 229
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Book Description
This book offers a resolution of the paradox posed by the pleasure of tragedy by returning to its earliest articulations in archaic Greek poetry and its subsequent emergence as a philosophical problem in Plato's Republic. Socrates' claim that tragic poetry satisfies our 'hunger for tears' hearkens back to archaic conceptions of both poetry and mourning that suggest a common source of pleasure in the human appetite for heightened forms of emotional distress. By unearthing a psychosomatic model of aesthetic engagement implicit in archaic poetry and philosophically elaborated by Plato, this volume not only sheds new light on the Republic's notorious indictment of poetry, but also identifies rationally and ethically disinterested sources of value in our pursuit of aesthetic states. In doing so the book resolves an intractable paradox in aesthetic theory and human psychology: the appeal of painful emotions.
Author: A. D. Nuttall
Publisher: OUP Oxford
ISBN: 0191037249
Category : Literary Criticism
Languages : en
Pages : 120
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Book Description
Why does tragedy give pleasure? Why do people who are neither wicked nor depraved enjoy watching plays about suffering or death? Is it because we see horrific matter controlled by majestic art? Or because tragedy actually reaches out to the dark side of human nature? A. D. Nuttall's wide-ranging, lively and engaging book offers a new answer to this perennial question. The 'classical' answer to the question is rooted in Aristotle and rests on the unreality of the tragic presentation: no one really dies; we are free to enjoy watching potentially horrible events controlled and disposed in majestic sequence by art. In the nineteenth century, Nietzsche dared to suggest that Greek tragedy is involved with darkness and unreason and Freud asserted that we are all, at the unconscious level, quite wicked enough to rejoice in death. But the problem persists: how can the conscious mind assent to such enjoyment? Strenuous bodily exercise is pleasurable. Could we, when we respond to a tragedy, be exercising our emotions, preparing for real grief and fear? King Lear actually destroys an expected majestic sequence. Might the pleasure of tragedy have more to do with possible truth than with 'splendid evasion'?
Author: Dana LaCourse Munteanu
Publisher: Cambridge University Press
ISBN: 1139502344
Category : Literary Collections
Languages : en
Pages : 293
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Book Description
Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions.
Author: Martin M'Dermot
Publisher:
ISBN:
Category :
Languages : en
Pages : 422
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Book Description
Author: Martin M'Dermot
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 430
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Book Description
Author: Martin MACDERMOT
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
Author: Clare Chambers
Publisher: HarperCollins
ISBN: 0063091003
Category : Fiction
Languages : en
Pages : 403
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Book Description
In the best tradition of Tessa Hadley, Kazuo Ishiguro, and Ann Patchett—an astonishing, keenly observed period piece about an ordinary British woman in the 1950s whose dutiful life takes a sudden turn into a pitched battle between propriety and unexpected passion. "With wit and dry humor...quietly affecting in unexpected ways. Chambers' language is beautiful, achieving what only the most skilled writers can: big pleasure wrought from small details."--The New York Times LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 1957: Jean Swinney is a feature writer on a local paper in the southeast suburbs of London. Clever but with limited career opportunities and on the brink of forty, Jean lives a dreary existence that includes caring for her demanding widowed mother, who rarely leaves the house. It’s a small life with little joy and no likelihood of escape. That all changes when a young woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth. Jean seizes onto the bizarre story and sets out to discover whether Gretchen is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys, including Gretchen’s gentle and thoughtful husband Howard, who mostly believes his wife, and their quirky and charming daughter Margaret, who becomes a sort of surrogate child for Jean. Gretchen, too, becomes a much-needed friend in an otherwise empty social life. Jean cannot bring herself to discard what seems like her one chance at happiness, even as the story that she is researching starts to send dark ripples across all their lives…with unimaginable consequences. Both a mystery and a love story, Small Pleasures is a literary tour-de-force in the style of The Remains of the Day, about conflict between personal fulfillment and duty; a novel that celebrates the beauty and potential for joy in all things plain and unfashionable.
Author: Eric Lindstrom
Publisher: Poppy
ISBN: 0316260045
Category : Young Adult Fiction
Languages : en
Pages : 237
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Book Description
In the vein of It's Kind of a Funny Story and All the Bright Places, comes a captivating, immersive exploration of life with mental illness. For sixteen-year-old Mel Hannigan, bipolar disorder makes life unpredictable. Her latest struggle is balancing her growing feelings in a new relationship with her instinct to keep everyone at arm's length. And when a former friend confronts Mel with the truth about the way their relationship ended, deeply buried secrets threaten to come out and upend her shaky equilibrium. As the walls of Mel's compartmentalized world crumble, she fears the worst--that her friends will abandon her if they learn the truth about what she's been hiding. Can Mel bring herself to risk everything to find out? In A Tragic Kind of Wonderful, Eric Lindstrom, author of the critically acclaimed Not If I See You First, examines the fear that keeps us from exposing our true selves, and the courage it takes to be loved for who we really are.
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
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Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
