Author: E. V. Asihene
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 448
Book Description
Presenting a comprehensive collection of Ghanian folk-tales, this text seeks to engage the interest of children and adults, and to impart the educational, moral and ethical values which can be found in the tales.
Traditional Folk-tales of Ghana
Author: E. V. Asihene
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 448
Book Description
Presenting a comprehensive collection of Ghanian folk-tales, this text seeks to engage the interest of children and adults, and to impart the educational, moral and ethical values which can be found in the tales.
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 448
Book Description
Presenting a comprehensive collection of Ghanian folk-tales, this text seeks to engage the interest of children and adults, and to impart the educational, moral and ethical values which can be found in the tales.
Once Upon a Time in Ghana
Author: Anna Cottrell
Publisher: African Books Collective
ISBN: 9964701535
Category : Fiction
Languages : en
Pages : 98
Book Description
Recorded on location in the Volta Region in Ghana in 2006-07, these stories are the result of collaboration between Anna Cottrell and Agbotadua Togbi Kumassah. Agbotadua Togbi Kumassah translated the Ewe stories into English and Anna Cottrell has retold them in contemporary English for the wider European market. This edition presents the 24 stories in their original form for the Ghanian market.
Publisher: African Books Collective
ISBN: 9964701535
Category : Fiction
Languages : en
Pages : 98
Book Description
Recorded on location in the Volta Region in Ghana in 2006-07, these stories are the result of collaboration between Anna Cottrell and Agbotadua Togbi Kumassah. Agbotadua Togbi Kumassah translated the Ewe stories into English and Anna Cottrell has retold them in contemporary English for the wider European market. This edition presents the 24 stories in their original form for the Ghanian market.
Anansi and the Golden Pot
Author: Taiye Selasi
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9780241625910
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
"Allow me to introduce myself." But he needed no introduction. "Anansi the spider!" said Anansi the boy. "The tales were true!" "Traditional tales are always true," the spider answered, laughing. "Nothing lasts so long as truth, nor travels quite so far." Now in paperback! Award-winning author of Ghana Must Go, Taiye Selasi, reimagines the story of Anansi, the much-loved trickster, for a new generation. Kweku has grown up hearing stories about the mischievous spider Anansi. He is given the nickname Anansi by his father because of his similarly cheeky ways. On a holiday to visit his beloved Grandma in Ghana, Anansi the spider and Anansi the boy meet, and discover a magical pot that can be filled with whatever they want. Anansi fills it again and again with his favourite red-red stew, and eats so much that he feels sick. Will he learn to share this wonderful gift? This charming retelling of a West African story teaches readers about the dangers of greed, and the importance of being kind. Tinuke Fagborun's colourful illustrations bring the magic and wonder of the tale to life. When you've finished sharing the story, you can also find out more about the origins of Anansi folktales. This beautiful storybook is one that children will treasure forever.
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9780241625910
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
"Allow me to introduce myself." But he needed no introduction. "Anansi the spider!" said Anansi the boy. "The tales were true!" "Traditional tales are always true," the spider answered, laughing. "Nothing lasts so long as truth, nor travels quite so far." Now in paperback! Award-winning author of Ghana Must Go, Taiye Selasi, reimagines the story of Anansi, the much-loved trickster, for a new generation. Kweku has grown up hearing stories about the mischievous spider Anansi. He is given the nickname Anansi by his father because of his similarly cheeky ways. On a holiday to visit his beloved Grandma in Ghana, Anansi the spider and Anansi the boy meet, and discover a magical pot that can be filled with whatever they want. Anansi fills it again and again with his favourite red-red stew, and eats so much that he feels sick. Will he learn to share this wonderful gift? This charming retelling of a West African story teaches readers about the dangers of greed, and the importance of being kind. Tinuke Fagborun's colourful illustrations bring the magic and wonder of the tale to life. When you've finished sharing the story, you can also find out more about the origins of Anansi folktales. This beautiful storybook is one that children will treasure forever.
AKAN-ASHANTI FOLKTALES (Revised and Annotated)
Author:
Publisher: Prince Sarfo-Adu
ISBN:
Category : Fiction
Languages : en
Pages : 327
Book Description
This is a collection of 75 Ashanti tales recorded in the Ashanti and Kwawu areas of Ghana.Each folktale in Twi/Akan dialect of the Tshi language, is followed by an English translation. The English translation is, throughout, made as nearly literal as possible.(At this point, one meets a certain difficulty in a conflict between a desire for accuracy and an endeavour to give a translation acceptable to English ears). First published in 1930 by R.S. Rattray, this edition features a modern Akan/Twi orthography with a brief introduction to the Language. Ashanti folktales often tell a moral lesson, describe a myth, or answer a question about the natural world. Most of the Ashanti tales use animal characters to represent human qualities such as jealousy, honesty, greed, and bravery. Ananse, the spider, is a trickster figure who appears in many of the Ashanti tales. With regard to the classification of these stories, it will be observed that the majority of them fall under one or other of the well-known headings: drolls and cumulative tales; apologues or tales with a moral; aetiological stories, accounting for physical characteristics in men and beasts, e.g. How the Leopard became Spotted; etymological tales, e.g. How the Ram came to be called Odwanini. Each and all of the stories in this volume would, however, be classed by the Akan-speaking African under the generic title of “Anansesɛm” (Spider stories), whether the spider appeared in the tale or not.
Publisher: Prince Sarfo-Adu
ISBN:
Category : Fiction
Languages : en
Pages : 327
Book Description
This is a collection of 75 Ashanti tales recorded in the Ashanti and Kwawu areas of Ghana.Each folktale in Twi/Akan dialect of the Tshi language, is followed by an English translation. The English translation is, throughout, made as nearly literal as possible.(At this point, one meets a certain difficulty in a conflict between a desire for accuracy and an endeavour to give a translation acceptable to English ears). First published in 1930 by R.S. Rattray, this edition features a modern Akan/Twi orthography with a brief introduction to the Language. Ashanti folktales often tell a moral lesson, describe a myth, or answer a question about the natural world. Most of the Ashanti tales use animal characters to represent human qualities such as jealousy, honesty, greed, and bravery. Ananse, the spider, is a trickster figure who appears in many of the Ashanti tales. With regard to the classification of these stories, it will be observed that the majority of them fall under one or other of the well-known headings: drolls and cumulative tales; apologues or tales with a moral; aetiological stories, accounting for physical characteristics in men and beasts, e.g. How the Leopard became Spotted; etymological tales, e.g. How the Ram came to be called Odwanini. Each and all of the stories in this volume would, however, be classed by the Akan-speaking African under the generic title of “Anansesɛm” (Spider stories), whether the spider appeared in the tale or not.
The Penguin Book of World Folk Tales
Author: Milton Rugoff
Publisher: Penguin Group
ISBN:
Category : Fiction
Languages : en
Pages : 758
Book Description
Publisher: Penguin Group
ISBN:
Category : Fiction
Languages : en
Pages : 758
Book Description
The Annotated African American Folktales (The Annotated Books)
Author: Henry Louis Gates Jr.
Publisher: Liveright Publishing
ISBN: 0871407566
Category : Literary Collections
Languages : en
Pages : 1437
Book Description
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
Publisher: Liveright Publishing
ISBN: 0871407566
Category : Literary Collections
Languages : en
Pages : 1437
Book Description
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
The Hat-shaking Dance, and Other Tales from the Gold Coast
Author: Harold Courlander
Publisher:
ISBN:
Category : Ashanti (African people)
Languages : en
Pages : 132
Book Description
Twenty-one illustrated tales from the Ashanti people of Ghana.
Publisher:
ISBN:
Category : Ashanti (African people)
Languages : en
Pages : 132
Book Description
Twenty-one illustrated tales from the Ashanti people of Ghana.
African Tales
Author: Gcina Mhlophe
Publisher: Barefoot Books
ISBN: 1782854444
Category : Juvenile Fiction
Languages : en
Pages : 99
Book Description
This anthology includes eight traditional tales from all over Africa. Sumptuous hand-sewn collage artwork decorated with African beads adorns these unforgettable tales of bravery, wisdom, wit and heroic deeds
Publisher: Barefoot Books
ISBN: 1782854444
Category : Juvenile Fiction
Languages : en
Pages : 99
Book Description
This anthology includes eight traditional tales from all over Africa. Sumptuous hand-sewn collage artwork decorated with African beads adorns these unforgettable tales of bravery, wisdom, wit and heroic deeds
The Ghanaian Goldilocks
Author: Tamara Pizzoli
Publisher: Love228
ISBN: 9780996001601
Category : Boys
Languages : en
Pages : 42
Book Description
Set in Accra, Ghana, The Ghanaian Goldilocks is a modern twist on the classic Goldilocks fairytale. Like traditional kente cloth, West African culture and themes are woven seamlessly into the story of a boy with sun lightened hair named Kofi, better known to his friends and family as Goldilocks. Like the Goldilocks in the traditional tale, Kofi has been known to get into some trouble here and there, but it's an unexpected visit to a neighbor's house that teaches him a valuable lesson of a lifetime.
Publisher: Love228
ISBN: 9780996001601
Category : Boys
Languages : en
Pages : 42
Book Description
Set in Accra, Ghana, The Ghanaian Goldilocks is a modern twist on the classic Goldilocks fairytale. Like traditional kente cloth, West African culture and themes are woven seamlessly into the story of a boy with sun lightened hair named Kofi, better known to his friends and family as Goldilocks. Like the Goldilocks in the traditional tale, Kofi has been known to get into some trouble here and there, but it's an unexpected visit to a neighbor's house that teaches him a valuable lesson of a lifetime.
GIZO-GIZO!
Author: Emily Williamson
Publisher: Sub-Saharan Publishers
ISBN: 9988860323
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
In Hausa culture, you always begin telling a story in the same way: The storyteller says, “Ga ta nan ga ta nanku!” “I am about to begin!” And the children respond, “Tazo Mujita!” “We are all ears!” Using story as the primary learning, teaching and engagement tool, the Zongo Story Project strives to elevate proficiencies in oral, written, and visual forms of literacy; promote the knowledge building of local history, local culture and local contemporary concerns; and lay the crucial foundation for the acquisition of vital twenty-first century critical thinking skills. The conceptual framework for this project originated out of a larger, community-based initiative called the Zongo Water Project, whose mission is to use water as a way to improve the quality of life for the Zongo. Working closely with local teachers, Emily Williamson carried out a series of educational workshops at the Hassaniyya Quranic School in the summers of 2012, 2013, and 2014 to teach students about local water and environmental concerns. Employing the story as the foundational element, Emily engaged students in dialogue, shared readings, performances, writing exercises, and visual art, culminating in community drama performances and original folktales. The illustrations and text of this book grew directly out of the work produced in these workshops.
Publisher: Sub-Saharan Publishers
ISBN: 9988860323
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
In Hausa culture, you always begin telling a story in the same way: The storyteller says, “Ga ta nan ga ta nanku!” “I am about to begin!” And the children respond, “Tazo Mujita!” “We are all ears!” Using story as the primary learning, teaching and engagement tool, the Zongo Story Project strives to elevate proficiencies in oral, written, and visual forms of literacy; promote the knowledge building of local history, local culture and local contemporary concerns; and lay the crucial foundation for the acquisition of vital twenty-first century critical thinking skills. The conceptual framework for this project originated out of a larger, community-based initiative called the Zongo Water Project, whose mission is to use water as a way to improve the quality of life for the Zongo. Working closely with local teachers, Emily Williamson carried out a series of educational workshops at the Hassaniyya Quranic School in the summers of 2012, 2013, and 2014 to teach students about local water and environmental concerns. Employing the story as the foundational element, Emily engaged students in dialogue, shared readings, performances, writing exercises, and visual art, culminating in community drama performances and original folktales. The illustrations and text of this book grew directly out of the work produced in these workshops.