Author: John Dorsch
Publisher: GRIN Verlag
ISBN: 3668634327
Category : Art
Languages : de
Pages : 20
Book Description
Studienarbeit aus dem Jahr 2014 im Fachbereich Kunst - Kunstgeschichte, Note: 1,5, Eberhard-Karls-Universität Tübingen, Veranstaltung: Bilddruck in Europa 1480-1980, Sprache: Deutsch, Abstract: What is that common expression?—a picture is worth a thousand words. We say this because every image tells a story. But if an image tells a story, then how, when it is only a single image? Pictorial narrative is the name for an image's propensity to tell a story. By this we mean a single static image, not a series of static images. Not until recently has the topic of pictorial narrative received so much attention from the research. This is largely due to three dilemmas that arise when attempting to conceptualize a two dimensional work of art as depicting four dimensions: in regards to the artwork, Who is the narrator of the story? How is the sequence of events represented? What provokes the viewer to begin telling herself a story? The purpose of this paper is to address these questions, develop concepts for their articulation and relation, and apply the resulting concepts to an analysis of Lucas van Leyden's "Ecce Homo". The approach offered is a post-structuralist account of narration, an inferential account of meaning, and a phenomenological account of experience. This paper is indebted to Lorenzo Pericolo's monograph entitled Caravaggio and Pictorial Narrative for articulating the dilemmas concerning pictorial narrative.
Toward a Theory of Pictorial Narrative. Lucas van Leyden's "Ecce Homo"
Author: John Dorsch
Publisher: GRIN Verlag
ISBN: 3668634327
Category : Art
Languages : de
Pages : 20
Book Description
Studienarbeit aus dem Jahr 2014 im Fachbereich Kunst - Kunstgeschichte, Note: 1,5, Eberhard-Karls-Universität Tübingen, Veranstaltung: Bilddruck in Europa 1480-1980, Sprache: Deutsch, Abstract: What is that common expression?—a picture is worth a thousand words. We say this because every image tells a story. But if an image tells a story, then how, when it is only a single image? Pictorial narrative is the name for an image's propensity to tell a story. By this we mean a single static image, not a series of static images. Not until recently has the topic of pictorial narrative received so much attention from the research. This is largely due to three dilemmas that arise when attempting to conceptualize a two dimensional work of art as depicting four dimensions: in regards to the artwork, Who is the narrator of the story? How is the sequence of events represented? What provokes the viewer to begin telling herself a story? The purpose of this paper is to address these questions, develop concepts for their articulation and relation, and apply the resulting concepts to an analysis of Lucas van Leyden's "Ecce Homo". The approach offered is a post-structuralist account of narration, an inferential account of meaning, and a phenomenological account of experience. This paper is indebted to Lorenzo Pericolo's monograph entitled Caravaggio and Pictorial Narrative for articulating the dilemmas concerning pictorial narrative.
Publisher: GRIN Verlag
ISBN: 3668634327
Category : Art
Languages : de
Pages : 20
Book Description
Studienarbeit aus dem Jahr 2014 im Fachbereich Kunst - Kunstgeschichte, Note: 1,5, Eberhard-Karls-Universität Tübingen, Veranstaltung: Bilddruck in Europa 1480-1980, Sprache: Deutsch, Abstract: What is that common expression?—a picture is worth a thousand words. We say this because every image tells a story. But if an image tells a story, then how, when it is only a single image? Pictorial narrative is the name for an image's propensity to tell a story. By this we mean a single static image, not a series of static images. Not until recently has the topic of pictorial narrative received so much attention from the research. This is largely due to three dilemmas that arise when attempting to conceptualize a two dimensional work of art as depicting four dimensions: in regards to the artwork, Who is the narrator of the story? How is the sequence of events represented? What provokes the viewer to begin telling herself a story? The purpose of this paper is to address these questions, develop concepts for their articulation and relation, and apply the resulting concepts to an analysis of Lucas van Leyden's "Ecce Homo". The approach offered is a post-structuralist account of narration, an inferential account of meaning, and a phenomenological account of experience. This paper is indebted to Lorenzo Pericolo's monograph entitled Caravaggio and Pictorial Narrative for articulating the dilemmas concerning pictorial narrative.
Caravaggio and Pictorial Narrative
Author: Lorenzo Pericolo
Publisher: Harvey Miller
ISBN: 9781905375486
Category : Painters
Languages : en
Pages : 0
Book Description
HMSBA is Harvey Miller Studies in Baroque Art.
Publisher: Harvey Miller
ISBN: 9781905375486
Category : Painters
Languages : en
Pages : 0
Book Description
HMSBA is Harvey Miller Studies in Baroque Art.
Art in History/History in Art
Author: David Freedberg
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
European Drawings
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Thinking Bodies-shaping Hands
Author: Yannis Hadjinicolaou
Publisher:
ISBN: 9789004353848
Category : Aesthetics
Languages : en
Pages : 0
Book Description
This book by Yannis Hadjinicolaou offers an account of the term Handeling in the Netherlandish art and theory of the late Rembrandists (like Arent de Gelder) and hence between 1650 and 1720.
Publisher:
ISBN: 9789004353848
Category : Aesthetics
Languages : en
Pages : 0
Book Description
This book by Yannis Hadjinicolaou offers an account of the term Handeling in the Netherlandish art and theory of the late Rembrandists (like Arent de Gelder) and hence between 1650 and 1720.
Dosso's Fate
Author: Dosso Dossi
Publisher: Getty Publications
ISBN: 9780892365050
Category : Art
Languages : en
Pages : 436
Book Description
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Publisher: Getty Publications
ISBN: 9780892365050
Category : Art
Languages : en
Pages : 436
Book Description
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
German Paintings in the Metropolitan Museum of Art, 1350-1600
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588394875
Category : History
Languages : en
Pages : 386
Book Description
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Publisher: Metropolitan Museum of Art
ISBN: 1588394875
Category : History
Languages : en
Pages : 386
Book Description
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Landscape and the Visual Hermeneutics of Place, 1500–1700
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004440402
Category : Art
Languages : en
Pages : 613
Book Description
This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.
Publisher: BRILL
ISBN: 9004440402
Category : Art
Languages : en
Pages : 613
Book Description
This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.
Six Centuries of Painting
Author: Randall Davies
Publisher: Library of Alexandria
ISBN: 1465547924
Category : Fiction
Languages : en
Pages : 526
Book Description
Publisher: Library of Alexandria
ISBN: 1465547924
Category : Fiction
Languages : en
Pages : 526
Book Description